OYE FEST 2025

Posted by Liz and John Attaway, 6/18/25

Lineup Includes: Álvaro Diaz, Alexis y Fido, Snow tha Product, Macario Martinez, pablopablo, and more GA and VIP Tickets Options On Sale Now

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With all the robust energy, excitement, and flavor you’ve come to expect from the cultural movement known as OYE Fest, organizers are excited to announce details for this year’s event, taking place on October 04 in the heart of the city at Mercedes-Benz Stadium’s most well-known pre-game tailgating spot- ‘Lot 432.’ Featuring top-level production across multiple stages, the lineup will showcase a full spectrum of Latinx performers, including local, regional, and emerging talent. Returning to its indie-based urban roots that began in 2018, headliners for OYE Fest 2025 include Puerto Rican rapper Álvaro Diaz; reggaeton duo Alexis y Fido returning to Atlanta for the first time in ten years; Mexican-American singer, rapper, and activist Snow tha Product; street sweeper turned TikTok phenom musician Macario Martinez and Latin GRAMMY-winning sensation pablopablo.  

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By intentionally curating a platform for local and emerging Latinx artists, encouraging community cohesion and cultural pride- De Atlanta Pa’ Atlanta, OYE Fest has further expanded its lineup to reflect this inclusivity, with such artists as Grupo Rye; Calderoky; Uriel U.M.C.; DJ EU; Lilly Yan; Butch Vega; Felicita; B.Bruja; Jui; Dzuan Fresh; Rob Session; Montsy; Lizion; Eduardo Franco; Venez; Maria Ferreira; El Colmillo; El Cézar; Markez; Johnny Juelz; Gente de Noche; Ruthless Geo; DJ Noise, and Julio Van Bustos.  Luis Trevino and Julio Angel will host the one-day event.

Curated by co-founders Randall Ruiz and Margarita Rios, OYE Fest is more than just a music festival, blending music with art, culture, and progressive activism to provide representation and pride for Latinx creatives. Passionate about supporting causes vital to the Latin community, the festival gives immigrant advocacy efforts, such as DACA and organizations like United We Dream, a platform to be heard by a wider audience. It builds environments that are welcoming, inclusive, and safe for all — particularly emphasizing the voices of Afro-Latinx, queer, and women-identifying individuals. Additional details on represented programs, artists, vendors, and food will be announced in the coming weeks.

“OYE Fest creates spaces where Latin culture is celebrated and uplifted — because visibility leads to representation, and representation leads to change,” says Margarita Rios, co-founder of OYE Fest. “Since we began this in 2018, it’s always been more than just a music festival — it’s a cultural movement rooting Latinx identity firmly into Atlanta’s creative and social landscape.”

All ticket options for OYE Fest go on sale Wednesday, June 18 at 12p EST, starting at $65 before fees. General Admission tickets include access to the festival grounds, vendor market, and installations. VIP passes- 21+ include express entry, main stage VIP viewing area with first-come-first-served seating options, VIP bar, and air-conditioned restrooms. For full details and all ticket options, visit www.OYEFest.com. A ticket-carrying adult must accompany guests 16 years or younger, and children under 9 are free. OYE Fest is an All Ages event. 

Visit www.OYEFest.com to sign up and for the most up-to-date information on OYE Fest and all related events. Stay connected on Instagram and TikTok at @OYE.Fest and on Facebook at www.facebook.com/OYE.Festival

BLONDSHELL PLAYS VARIETY PLAYHOUSE WITH DAFFO ON JUNE 27

Posted by Liz and John Attaway, 5/27/25

ANNOUNCES 2025 WORLD HEADLINE TOUR 

IF YOU ASKED FOR A PICTURE OUT MAY 2, 2025 VIA PARTISAN RECORDS 

“‘T&A’ is a home run of an opening statement, and the sound of Blondshell becoming an indie star.” – Billboard

“vulnerable, often funny, always honest record delivered in melodic, pop-leaning indie rock.” – PAPER 

“‘T&A’ feels like an elevated version of the Blondshell we know.” – Paste 

“‘T&A’ is a dose of typical Blondshell self-destruction mixed with alluring guitars and humor to lighten the mood.” – Stereogum

”Indie rock darling” – The Needle Drop

“a crunchy alt-rock number with big drums and bigger guitars and biggest vocals from Teitelbaum.” – FLOOD on “T&A”

Blondshell (Sabrina Teitelbaum) today announces If You Asked For A Tour, her upcoming 2025 headline tour in support of her forthcoming sophomore album, If You Asked For A Picture. Kicking off on May 28th in San Diego, Blondshell will play 19 shows in North America making stops in Los Angeles, Seattle, Chicago, New York City, Washington, DC and more before embarking on UK/EU dates in September. Blondshell will receive support from Jahnah Camille, Meg Elsier and Daffo across each leg of the U.S leg. General on sale will take place on Friday, January 17th at 10am local times, all dates are below and for more ticketing and on-sale information, please visit https://www.blondshellmusic.com/tour

Last week, Blondshell announced the May 2, 2025 release of her highly anticipated sophomore album, If You Asked For A Picture, via Partisan Records. Returning to the studio with producer Yves Rothman, the project brims with an urgency, ambition, and devastating potency hinted at on Blondshell’s 2023 self-titled debut, the specificity, self-examination, and nonchalant humor of which turned her into one of the most lauded new artists in recent memory.

Alongside the album announcement, Blondshell also shared the crushingly catchy accidental love story “T&A” with a music video directed by Hannah Bon.

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If You Asked For A Picture’s title borrows its title from a 1986 poem by the cherished American writer Mary Oliver, titled “Dogfish.” In it, Oliver grapples with the idea of telling one’s own story: how much to share, how much to keep for oneself — all questions Teitelbaum asked herself while writing the forthcoming LP. “There’s a part of the poem that says: ‘I don’t need to tell you everything I’ve been through. It’s just another story of somebody trying to survive,’” Teitelbaum says. “Something I love about songs is that you’re showing a snapshot of a person or a relationship, and showing a glimpse into a story can be just as important as trying to capture the entire thing. Sometimes it’s even truer to the entire picture than if you tried to write everything down.”

If You Asked For A Picture is alive with a more vital nuance both sonically and thematically, gesturing towards a deeper autobiographical story that taps into something painfully universal without being too overt. Teitelbaum explains, “The first record feels really black-and-white to me. This record has more questions.”

In the studio, Teitelbaum found herself confident and at home like never before, trusting her instincts as she developed an almost telekinetic shorthand with producer Yves Rothman. The result is a record of astounding sonic range – including sky-scraping ballads and colossal hooks that soar over waves of distortion, mixing layered textures and harmonic flourishes, or making unexpected hairpin turns between them. Primary among her production touchstones were unexpected curveballs like Queens of the Stone Age’s Rated R and Red Hot Chili Peppers’ Californication. Teitelbaum reveled in appropriating those hyper-masculine aesthetics for her uncompromising examinations of young womanhood, playing with performances of gender in rock. “It’s empowering for me to use sonic references that feel reserved for men,” she explains.

Blondshell’s self-titled 2023 debut unleashed a swiss-army-knife writing style that gets under your skin: songs that are as visceral and anthemic as pop music with all the specificity, self-examination, and nonchalant humor of the best indie rock — songs you want to let crash over you, even as their strength is too concrete to be washed away. The release garnered her critical acclaim and a devoted fan base,  She has since toured relentlessly, playing 150+ shows including major festivals and a tour with Liz Phair, on top of her own sold-out headline dates. In Summer 2024, she made appearances at high profile festivals including Governors Ball, Glastonbury, and Lollapalooza. Rolling Stone remarked that her “shows reliably give a sense of catharsis to attendees, and to Teitelbaum herself.” 

In support of the album she performed on The Tonight Show and CBS Saturday and the album garnered countless year-end accolades and landed on Obama’s Best Songs of 2023 list. In 2024, Blondshell released the standalone single “Docket” featuring Bully, which landed on NPR, Rolling Stone, and Esquire’s top songs of the year, and she was featured on A24’s Everyone’s Getting Involved: A Tribute To Talking Heads Stop Making Sense, covering the band’s “Thank You For Sending Me An Angel”.  

In the time since Blondshell, the image of Teitelbaum’s life has changed considerably. As the accolades accrued she spent more time on the road than at home.  This rootlessness naturally impacted Teitelbaum’s relationships with others and with herself. “When you travel a lot, you see different possibilities for who you can be,” Teitelbaum says. “So there were a lot more questions coming up. What do I want my life to look like? Maybe it’s just the nature of being two years older, but I’m more comfortable with nuance now, and I’m more comfortable with gray areas.” There’s an open-endedness to where If You Asked For A Picture lands: it’s a no-skips, triumphant sophomore record that captures the unresolved process of figuring out who you are, too wise to suggest that it has a definitive answer.

U.S TOUR DATES

5/28/25 – San Diego, CA @ Belly Up^

5/30/25 – Los Angeles, CA @ The Fonda^

5/31/25 – San Francisco, CA @ Fillmore^

6/2/25 – Portland, OR @ Wonder Ballroom^

6/3/25 – Seattle, WA @ Showbox^

6/6/25 – Salt Lake City, UT @ Soundwell^

6/8/25 – Denver, CO @ Bluebird^

6/11/25 – Minneapolis, MN @ Fine Line*

6/13/25 – Chicago IL, @ Metro*

6/14/25 – Columbus, OH @ Skully’s*

6/16/25 – Toronto, ON @ Axis*

6/17/25 – Montreal, QC @ Theatre Fairmount*

6/19/25 – Boston, MA @ Sinclair%

6/20/25 – New York, NY @ Webster Hall%

6/21/25 – Philadelphia, PA @ Union Transfer%

6/24/25 – Washington, DC @ 9:30 Club%

6/26/25 – Asheville, NC @ Orange Peel%

6/27/25 – Atlanta, GA @ Terminal West%

6/28/25 – Nashville, TN @ Basement East%

^ support from Jahnah Camille

* support from Meg Elsier 

% support from Daffo

EU/UK TOUR DATES

7/10/25 – Madrid, ES @ MadCool Festival

7/12/25 – Trancin, SK @ Pohoda Festival

9/2/25 –  Dublin, IE @ Whelans

9/4/25 – Manchester, UK @ New Century

9/6/25 – Glasgow, SC @ Oran Mor

9/7/25 – Leeds, UK @ Brudenell Social Club

9/8/25 – Bristol, UK @ SWX

9/10/25 – Brighton, UK @ Chalk

9/12/25 – London, UK @ Electric Brixton

9/14/25 – Lille, FR @ L’Aéronef

9/15/25 – Paris, FR @ Le Trabendo

9/17/25 – Brussels, BE @ Botanique

9/18/25 – Amsterdam, NL @ Paradiso Tolhuistuin

9/20/25 – Hamburg, DE @ Reeperbahn Festival

9/21/25 – Copenhagen, DK @ VEGA

9/23/25 – Berlin, DE @ Hole44

9/25/25 – Cologne, DE @ Helios37

If You Asked For A Picture tracklisting 

  1. Thumbtack
  2. T&A
  3. Arms
  4. What’s Fair
  5. Two Times
  6. Event Of A Fire
  7. 23’s A Baby
  8. Change
  9. Toy
  10. He Wants Me
  11. Man
  12. Model Rockets

DEAD PIONEERS AT STATE FARM ARENA ON MAY 1, OPENING FOR PEAL JAM

Posted by Liz and John Attaway, 5/23/25

On May 1, 2025, Denver’s Dead Pioneers brought their punk energy to Atlanta’s State Farm Arena, opening for Pearl Jam in a night that blended rebellion with rock legacy. Picked by Pearl Jam bassist Ament, the indigenous-fronted band, led by Gregg Deal, delivered a performance that was thought-provoking. Though the early crowd was small, those in attendance were treated to a performance that was a discovery. Dead Pioneers’ set was a reminder of punk’s power to inspire, and their selection by Ament underscored their rising status in music. 

Taking the stage around 7:30 PM, Dead Pioneers —featuring Shane Zweygardt on drums, Lee Tesche on bass, and guitarists Josh Rivera and Abe Brennan—launched into a raw and real set. Their performance drew mostly from their sophomore album, PO$T AMERICAN that was released April 11, 2025. As well as their 2023 self-titled debut, offering a blend of punk’s raw edge with social commentary. 

For the highlights, the band played “PO$T AMERICAN,” the title track of their new album, setting the tone with its driving rhythm and Deal’s large vocals. Tracks like “My Spirit Animal Ate Your Spirit Animal” and “Working Class Warfare” embraces the band’s disruptive spirit, while “Tired” from their debut album showcased their ability to balance melody and aggression. Leading us to “Rage,” an anthem that left everyone prepped for Pearl Jam. All of this while, Deal, took the time to weave in his political spoken poetry with themes of indigenous resistance and inequality.  

In conclusion, Dead Pioneers’ appearance at State Farm Arena was more than an opening act—it reflected Pearl Jam’s social advocacy. Their raw politically charged performance introduced Atlanta to a band unafraid to challenge the status quo. This is one to watch. 

Sources: 

Colorado Springs Independent, Setlist checked from Setlist.fm, Dead Pioneer’s band members and background pulled from deadpioneers.band , YouTube 

RIVAL ENTERTAINMENT PRESENTS BIG NIGHT OUT FEAT. LAKE STREET DIVE & MARVELOUS 3

Posted by Liz and John Attaway, 5/12/25

Hosted at the Historic Fourth Ward Skatepark, the Event is Part of a Series of Concerts Under the Stars in Public Spaces

Call off your dogs and grab your freak of the week because Big Night Out is back as a two-part story featuring Lake Street Dive and Marvelous 3, October 03 and 04 at the Historic Fourth Ward Skatepark. Presented by Atlanta festival producer Rival Entertainment, Big Night Out is a series of concerts under the stars in public places, which has included last year’s An Evening with CAKE, Big Boi, Futurebirds, Marcus King Trio, Moon Taxi, Pigeons Playing Ping Pong, and others. 

Lake Street Dive, the genre-blending band with a sound described as “if the Beatles and Motown had a party,” will get the party started- headling night one. Hometown heroes Marvelous 3, who have recently enjoyed a resurgence and have recently played three sold-out nights at The Tabernacle to celebrate their 25th anniversary, will close out the festivities on night two. Additional details, including special guests, will be released soon.

Located at the Historic Fourth Ward Skatepark on the Atlanta Beltline Eastside Trail, which hosted last year’s near-capacity crowd, organizers are encouraging fans to take advantage of the proximity of the venue to several landmarks such as Inman Park (.3 miles), Ponce City Market (.5 miles), Krog Market (.6 miles), and Piedmont Park (1.2 miles). While the event will be walkable for many, there will also be a complimentary bicycle valet, ride-share drop-off locations, and nearby parking.

General Admission and VIP ticket options for Big Night Out will go on sale Friday, May 16, through Rival Entertainment at Big Night Out. Lake Street Dive has partnered with PLUS1, donating $1 per ticket to First Peoples Fund and their work supporting artists and culture bearers helping Native communities heal and thrive, and the PLUS1 LA Fires Fund, providing critical relief and long-term recovery support for individuals, families, and communities impacted by the devastating LA wildfires.  Big Night Out is an all-ages event. Free admission for children under seven with a ticketed adult.

Big Night Out is produced by Rival Entertainment. Visit www.BigNightOutATL.com for the most up-to-date information. Stay connected on Facebook @RivalEntertainmentATL and Instagram at @RivalEntertainment. Historic Fourth Ward Skatepark is located at 830 Willoughby Way, Atlanta, Georgia.

MY CHEMICAL ROMANCE, BLINK-182, DEFTONES TO HEADLINE SHAKY KNEES 2025

Posted by Liz and John Attaway, 4/15/25

LINEUP INCLUDES VAMPIRE WEEKEND, LENNY KRAVITZ,
CAGE THE ELEPHANT, ALABAMA SHAKES, THE BLACK KEYS,
SUBLIME, “WEIRD AL” YANKOVIC, THE MARIAS, PUBLIC ENEMY,
LUCY DACUS, DEVO AND MANY MORE

SEPTEMBER 19-21, 2025

PIEDMONT PARK

ATLANTA, GA

PRESALE BEGINS THURSDAY, FEBRUARY 27 AT 10AM ET

 My Chemical RomanceBlink-182 and Deftones will headline the 12th edition of Shaky Knees Music Festival, taking place September 19-21 at its new home in downtown Atlanta’s crown jewel, Piedmont Park. The massive lineup includes Vampire WeekendLenny Kravitz, returning for his first performance in Atlanta in nearly seven years, Cage The Elephant, Alabama Shakes, The Black Keys, Sublime, “Weird Al” Yankovic, The Marias, Public Enemy, Lucy Dacus, Devo, Pixies, The Backseat Lovers, TV On The Radio, The All-American Rejects, Idles and many more for over 50 performances across four stages. Fans can sign up now at ShakyKneesFestival.com to receive an SMS access code for the presale on Thursday, February 27 at 10am ET with access to the lowest-priced tickets. 1-Day and 3-Day GA, GA+, VIP, and Platinum Tickets will be available.

VIP Tickets include access to prime viewing areas at Peachtree, Piedmont and Ponce de Leon Stages, unlimited access to the VIP Lounge between Peachtree and Piedmont Stages with shade, relaxed seating, air-conditioned restrooms, private bar with drinks for purchase or complimentary beer and water, dedicated food vendors, lockers and mobile charging units available for rent, dedicated hospitality staff and more. Platinum Tickets provide all VIP amenities, plus exclusive on-stage viewing opportunities at Peachtree Stage, front-of-stage viewing areas at Peachtree, Piedmont and Ponce de Leon Stages, unlimited entry into the air-conditioned Platinum Lounge inside the Park Tavern restaurant with relaxed seating and TVs with live sports, complimentary full-service bar, coffee service and fest-curated lunch, dinner and snacks, daily acoustic performance by a Shaky Knees artist inside the Platinum Lounge, dedicated entry lane and concierge staff, and more. The Ultimate Ticket Package is an exclusive experience that will bring fans into the inner workings of the festival from a unique vantage point, including on-stage viewing and access to viewing at front-of-house sound board at Peachtree and Piedmont Stages, golf cart transportation, entry into the Artist Village with complimentary beverages, plus one ticket per person to an Official Shaky Knees Late-Night Show of your choice. For the full list of amenities and all ticket types, visit ShakyKneesFestival.com/Tickets. Layaway plans are available starting at $25 down for a limited time.

Sign up for official Shaky Knees SMS and email lists to be the first to receive new information and follow along on social media to stay in the loop for all festival announcements and updates.

Connect with Shaky Knees Music Festival:

Instagram | Facebook | X/Twitter 

HELMET AT THE MASQUERADE MAY 12

Posted by Liz and John Attaway, 5/23/24

We saw Helmet at the Masquerade on 5/12/24. Helmet is an alternative metal and rock band out of New York fronted by guitarist and lead singer, Page Hamilton, boasts some early 90s classic rock albums from 1992’s Meantime to 1994’s Betty. Their sound is creatively unique for the time with melodious metal if that can even be a thing, mixed with grunge notes of the time and very distinct repetitive guitar work called drop D tuning (per wiki).
 
John and I were both huge lovers of the Crow movie soundtrack back when it came out in 1994 and that’s how I discovered Helmet with their song, “Milquetoast” one of the lead tracks! From there we listened to all of album Betty with its repetitive heavily distorted guitar paired with riffs and melodious lyrics. But my heart stays with Meantime and the song “Unsung.” The albums are similar, but I feel Meantime was a little edgier and harder. A recurring MTV staple, I just remember the “Unsung” video looking like it was filmed in a nuclear silo. Fun fact: Beavis and Butthead critiqued the song on the show in 1993 (from wiki). 

Something I found interesting in their wiki was that the New York Times called Helmet, “a band that made important connections between indie-rock and metal.” and that they had a HUGE impact on the nu metal bands of the late 90’s. And even called “smart rock” by the New York Daily News. We agree, their songs and riffs are highly influential, and we think they are one of the most underrated bands of the 90’s in terms of notoriety. They should be rock gods!  
 
Helmet is on tour right now to promote their new album, LEFT, that is now out, and their new track “Holiday” is just what you’d expect from them. Ripping chords blurred with power guitar, fast slow, and grunge reverb. I love it when bands keep their sound, and this new album is just that.

SHAKY KNEES 2024 – FROM DIARY TO DOWNPOUR

Posted by Liz and John Attaway, 5/11/24

Photo: Stephanie Heath

With acts like Weezer, Sunny Day Real Estate, Dinosaur Jr, and Foo Fighters,

this year’s Shaky Knees spoke to my Gen X heart.  

New Band highlight 

Something we’re highlighting this Shaky Knees beyond the stout 90’s band line-up are the new bands that we catch. On Friday, the first one is Ax and the Hatchetmen, a young indie 7-piece out of Chicago with tons of energetic big band sound, funky, rocky, and beachy all rolled into one fun time. I felt it was a mix of Cage the Elephant-esque, the strokes, and a hint of Ween. A great show where they ended the set with The Strokes, “Last Night.”  

Another band that we hadn’t seen is and enjoyed is Late Night Drive Home out of Texas. The lead singer, Andre Patillo, came out with a red mask on that had frills at the bottom. They’re a blend of punk, rock, 90s with swelling choruses. But they also play a wide variety of rock sounds including 90’s reverb. We loved they sang Blur, “Song No. 2.” to end the set. I love that song! 

Next up on Saturday, was two bands: Microwave and Dead Poets Society. Microwave is out of Atlanta, which I didn’t know, and has a variety of sounds from loud, hard rock to 90’s fast slow, and then some punk. The other was Dead Poet’s Society out of Boston that had hard riffs that reminded me of Rob/White Zombie up front, thrash, but then the vocals come in softer and higher for a fun mix of sounds.  

Then, finally on Sunday, we caught a newer band we had not heard of until the festival, Arcy Drive. They are out of New York with a mash-up of varieties of sounds like indie, 90s fast slow, two-step, and singsong talking and singing mix. Not all at the same time, for example one song would be songs that are softer almost ballad-like that erupt into heavy guitar for the chorus. Then, the next song would be a rock song with more of a southern twang and have some two-step influence. I enjoyed lead singer Nick Mateyunas’ voice, it is smooth yet gritty. The one we really like is called Wicked Styley, which is the one they started with. It is a fun upbeat rock song with lots of 90’s influence and reverb. 

Top 5 Favorite Artist Moments  

5. Finally hearing “Seven” live from Sunny Day Real Estate 

4. Billy Idol throwing shirt into crowd 

3. Dead Poets Society lead singer, Jack Underkofler, fell into the crowd and crowd surfed while singing one of the first songs.   

2. Dinosaur Jr embracing the downpour. Putting on the best show despite the rain coming down so hard it caused a flood! Bravo! Plus, they covered The Cure!  

1. Ax and the Hatchetmen. A genius way to get people to listen to your new song is to hand out water with a QR code to your song on the side. They even named it HatchetWater. Love. 

Our two favorite performances 

The Downpour. About 5 minutes before Dinosaur Jr. went on the Ponce De Leon stage, the skies opened, and a torrential downpour started and lasted for almost the entire set. People were caught in the rain, and it was so much that even us with ponchos got soaked. Especially our feet in ankle deep water near the front of the stage flowing into the crowd. No one seemed to mind too much, and it electrified the audience. John quipped at one point, “it’s like we’re back in the 90’s.” And he was right, the energy from the crowd was noticeably high! They even broke out into mosh pits and a sea of crowd surfers dotted the front. It was a sight to behold! Plus, the music had a lot to do with the mood! If you don’t know Dinosaur Jr, they are what I call hard skate rock. Something I imagine skaters on their boards would listen to in their ear buds. Songs like “Feel the Pain” and “Over It” are melodious with heavy guitar and just plain fun. Plus, the covered The Cure, “Just Like Heaven.” It was a great show. 

That brings us to Sunny Day Real Estate. They are one of those 90’s bands that I just got introduced to by John a few years ago and we started watching their videos on YouTube. I call them the quintessential fast slow early 90’s band. Melodious verses and vocals erupt into a barrage of heavy guitar and pounding drums, Sunny Day Real Estate satisfies song after song. This performance was just that, song after song, humming along as they played the entire Diary album for its 30th anniversary. It was AMAZING. Plus, we found out that 90’s band Super chunk members were also playing with them. It’s almost like a super group! 

90’s band extravaganza at this year’s Shaky Knees 

Our favorite of the bands we know is Metric out of Canada. A band that played on 99x back in the day, and that I know probably 5 songs from was thoroughly enjoyable. Emily Haines, the lead singer, came out in a bright red shinny body suit. If you know Metric, they are heavy on electronic and keyboard, yet rock and 80s infused. Reminiscent of Garbage to me, “Help I’m Alive,” was the highlight for me. I hadn’t heard it live and it was my favorite of their music then and now. 

Unfortunately, we had to miss Offspring because we had never seen Sunny Day Real Estate and we’re going to spend time with a band that we hadn’t seen. We love Offspring, I saw them back in 1994 for the Smash tour and several times over the years including the last time they were at the Tabernacle. I heard they did an incredible show.  

Have you ever found yourself driving too fast on the interstate? You might have been listening to Queens of the Stone Age. What I call fast driving music, Queens of the Stone Age are very drum forward with deep and heavy beats, beautiful guitar riffs and Josh Homme’s great voice. Plus, they visually never disappoint, this year with roaming light show. Last time we saw them they had a large video board with LED visuals that really went well with the music. Did you know Dave Grohl (Nirvana, Foo Fighters) also did the drums on “No One Knows” which you can tell by the drums! But my favorite of their songs after last night is “Go with the flow.” I always liked it but realized it is more diverse musically than some of the others.   

My boyfriend back in 1994 gave me a non-descript bright blue album as a present. Little did I know that that album would be in my top 5 all-time records, and Weezer would cement themselves into rock god status in my life. I’ve seen Weezer over the years from them playing large festivals to arenas to a small stage at the Braves stadium and they always sound perfect. What I call garage or college rock, Weezer has a distinct sound that no one else can create and that sets them apart from some of the other 90’s bands, don’t get me wrong, I love most early 90’s bands! The underlying hum of the guitars, explosions of rock juxtaposing the smoothness or River’s voice, it all comes together completely. What I love about them live is they really play up the guitar and show their musical prowess, plus, visually, they always have their W front and center. If you’ve never seen them live, you must; it is an experience.    

I’m just going to come right out and say it, we left before Foo Fighters. We’d seen them before, and the weather had made the main stage too muddy. Plus, we had stood in ankle high water for an hour, so our feet were wet, and we had a long weekend. We will catch them next time.   

Billy Idol 

After our Dinosaur Jr. experience, we headed back over to see Billy Idol and found the main stage to be a mud bog. People without shoes dancing in the sprinkles, drenched friends with smiles on their faces. We saw him back in 2015 during Music Midtown and his show has always been top notch! Billy Idol is always a good time singing greats like White Wedding, Rebel Yell, and Cradle of Love that anyone will sing and dance with. Visually, he had some fun LED graphics and seems to have not aged a bit and still sounds good live! He even took his Billy Idol shirt off and threw it in the crowd.   

Around the Festival 

It wouldn’t be a large music festival without festival polls, our favorite was the blown-up stick of butter. Plus, we were blown away by the food court with some great Atlanta and regional restaurants like Hattie Bs. Finally, we experienced a cool activation, Liquid Death Country Club. It was an actual small house with grim reapers guarding the entrance where you can “sell your soul” to get some water inside. You can also get free water with a whole in one on their golf green and airbrushed tattoos inside. It is much fun and on brand for Shaky Knees. 

What was your favorite part of Shaky Knees? 

SHAKY KNEES 2024 DAY 3 – THE DOWNPOUR

Posted by Liz and John Attaway, 5/6/24

If you have never seen a rock show in the rain, you’re missing out. Today was all about one of John’s favorite bands, Dinosaur Jr.  

First off, we caught a newer band we had not heard of until the festival, Arcy Drive. They are out of New York with a mash-up of varieties of sounds like indie, 90s fast slow, two-step, and singsong talking and singing mix. Not all at the same time, for example one song would be songs that are softer almost ballad-like that erupt into heavy guitar for the chorus. Then, the next song would be a rock song with more of a southern twang and have some two-step influence. I enjoyed lead singer Nick Mateyunas’ voice, it is smooth yet gritty. The one we really like is called Wicked Styley, which is the one they started with. It is a fun upbeat rock song with lots of 90’s influence and reverb. 

The Downpour. About 5 minutes before Dinosaur Jr. went on the Ponce De Leon stage, the skies opened up and a torrential downpour started and lasted for almost the entire set. People were caught in the rain, and it was so much that even us with ponchos got pretty soaked. Especially our feet in ankle deep water near the front of the stage flowing into the crowd. No one seemed to mind too much and it actually electrified the audience. John quipped at one point, “it’s like we’re back in the 90’s.” And he was right, the energy from the crowd was noticeably high! They even broke out into mosh pits and a sea of crowd surfers dotted the front. It was a sight to behold! Plus, the music had a lot to do with the mood! If you don’t know Dinosaur Jr, they are what I call hard skate rock. Something I imagine skaters on their boards would listen to in their ear buds. Songs like Feel the Pain and Over It are melodious with heavy guitar and just plain fun. Plus, the covered The Cure, “Just Like Heaven.” It was a great show. 

After our Dinosaur Jr. experience, we headed back over to see Billy Idol and found the main stage to be a mud bog. People without shoes dancing in the sprinkles, drenched friends with smiles on their faces. We saw him back in 2015 during Music Midtown and his show has always been top notch! Billy Idol is always a good time singing greats like White Wedding, Rebel Yell, and Cradle of Love that anyone will sing and dance with. Visually, he had some fun LED graphics and seems to have not aged a bit and still sounds really good live! He even took his Billy Idol shirt off and threw it in the crowd.  

I’m just going to come right out and say it, we left before Foo Fighters. We’d seen them before, and the weather had made the main stage too muddy. Plus, we had stood in ankle high water for an hour, so our feet were wet, and we had a long weekend. We will catch them next time.  

Did you have a favorite Shaky moment? 

SHAKY KNEES 2024 DAY 2

Posted by Liz and John Attaway, 5/5/24

Photo Dusana Risovic

With bands like Sunny Day Real Estate, Offspring, Queens of the Stone Age, and one of my favorites of all time Weezer. Day 2 had it all. Here’s a short recap. 

Starting with the newer bands, we heard both Microwave and Dead Poets Society. Microwave is out of Atlanta, which I didn’t know, and has a variety of sounds from loud, hard rock to 90’s fast slow, and then some punk. The other was Dead Poet’s Society out of Boston that had hard riffs that reminded me of Rob/White Zombie up front, thrash, but then the vocals come in softer and higher for a fun mix of sounds. I like that Jack Underkofler, the lead singer, fell into the crowd and crowd surfed while singing one of the first songs.  

On to the 90’s bands we love, first we actually had to miss Offspring because we had never seen Sunny Day Real Estate and we’re going to spend time with a band that we hadn’t seen. We love Offspring, I saw them back in 1994 and heard they did an incredible show. That brings us to Sunny Day Real Estate. They are one of those 90’s bands that I just got introduced to by a friend a few years ago and we started watching their videos on YouTube. I call them the quintessential fast slow early 90’s band. Melodious verses and vocals erupt into a barrage of heavy guitar and pounding drums, Sunny Day Real Estate satisfies song after song. Tour t-shirt purchased! More to come in our review. 

Have you ever found yourself driving too fast on the interstate? You might have been listening to Queens of the Stone Age. What I call fast driving music, Queens of the Stone Age are very drum forward with deep and heavy beats, beautiful guitar riffs and Josh Homme’s great voice. Plus, they visually never disappoint, this year with roaming light show. Last time we saw them they had a large video board with led visuals that really went well with the music. Did you know Dave Grohl (Nirvana, Foo Fighters) also did the drums on “No One Knows?” which you can tell by the drums! But my favorite of their songs after last night is “Go with the flow.” I always liked it but realized it is more diverse musically than some of the others.  

My boyfriend back in 1994 gave me a non-descript bright blue album as a present. Little did I know that that album would be in my top 5 all-time records, and Weezer would cement themselves into rock god status in my life. I’ve seen Weezer over the years from them playing large festivals to arenas to a small stage at the Braves stadium and they always sound perfect. What I call garage or college rock, Weezer has a distinct sound that no one else can create and that sets them apart from some of the other 90’s bands, don’t get me wrong, I love most early 90’s bands! The underlying hum of the guitars, explosions of rock juxtaposing the smoothness or River’s voice, it all comes together completely. What I love about them live is they really play up the guitar and show their musical prowess, plus, visually, they always have their W front and center. If you’ve never seen them live, you must; it is an experience.  

We didn’t make it to liquid death’s activation, it is on our to do list for today. We’re excited about Dinosaur Jr, Billy Idol, and Foo Fighters today. It’s going to be hot, so wear sunscreen and drink plenty of water. 

SHAKY KNEES 2024 DAY 1

Posted by Liz and John Attaway, 5/4/24

Photo by Roger Ho.

With acts like Weezer and Foo Fighters, this year’s Shaky Knees spoke to my Gen X heart. Here’s our day one recap with our favorite new bands, artist moments, and everything in between.

Something we’re highlighting this Shaky Knees beyond the stout 90’s band line-up are the new bands that we catch. The first one is Ax and the Hatchetmen, a young indie 7-piece out of Chicago with tons of energetic big band, funky, rocky, and beachy all rolled into one fun time. A great show! They had a wonderful artist moment, handing out water with a QR code to their newest song, “Flagstaff” that they performed live and came out yesterday! Another band that we hadn’t seen is and enjoyed is Late Night Drive Home out of Texas. The lead singer, Andre Patillo, came out with a red mak on that had frills at the bottom. They’re a blend of punk, rock, 90s with swelling choruses. We loved they sang Blur, “Song No. 2.”

Our favorite of the bands we know is Metric out of Canada. A band that played on 99x back in the day, and that I know probably 5 songs from was thoroughly enjoyable. Emily Haines, the lead singer, came out in a bright red shinny body suit. If you know Metric, they are heavy into electronic and keyboard, yet rock and 80s infused. Reminiscent of Garbage to me, “Help I’m Alive,” was the highlight for me. I hadn’t heard it live and it was my favorite of their music then and now.

We also caught Interpol and Arcade Fire, two bands I had not seen live. Arcade Fire puts on a spectacle of a show with tons of light and movement, and loved the horizon and sunset/sunrise visuals of the performance. Interpol had black and white on the big screens, they’re very controled yet upbeat rock and smooth lyrics all encased in a European rock sound.

It wouldn’t be a large music festival without festival polls, our favorite was the blown up stick of butter. Plus, we were blown away by the Doordash food court with some great Atlanta and regional restaurants like Hattie Bs. Today we are going to explore the most elaborate activation I’ve ever seen, Liquid Death. We will report back.

Who is ready for day 2? John and I are super excited for Sunny Day Real Estate today! We hope the Thunderstorms stay away.

This is just a snapshot of day 1. A full article and review of bands to come.