RAY AND PAUL TO PLAY AT THE MASQUERADE ATLANTA ON OCT 28

Posted by Liz and John Attaway, 10/13/25

Ray and Paul Drop Fading — A Bold New EP Blending Surf and Garage Rock, Available Now

Music Video For Title Track “Fading” is Out now

 Ray and Paul are proud to share their brand-new EP, Fading, now streaming everywhere.

“These six songs reflect the past five years of our lives—love, heartbreak, sadness, doubt, confusion, and pain,” the duo says. “They’ve shaped who we are and changed how we see the world and our music. We’re so grateful to finally share this with you and excited for what’s ahead.”

Fading is a 6-track collection featuring the fan-favorite and top-streaming single “Pelican,” live staple “Blue,” three new tracks released earlier this year, and the title track “Fading.” The EP will also be available on limited edition vinyl.

CLICK HERE TO WATCH THE MUSIC VIDEO TO “FADING”

Hailing from the SF Bay Area, brothers Ray and Paul started the band at just 17 and 13 years old. After building a loyal local following, they found their stride playing house shows in Isla Vista while attending school in Santa Barbara. Their signature surf-rock-meets-garage-rock sound shines on Fading, shaped by producer Jarvis Taveniere (Mild High Club, Surf Curse, Allah-Las) and three tracks produced by John Goodmanson (Weezer, Pavement, Nada Surf, Hockey Dad).

2025 has been a breakthrough year for Ray and Paul. They’ve performed at SXSW, Treefort Festival, and toured in support of The Moss and Sun Room. This fall, they’ll hit the road for a California headline tour in September, followed by a full U.S. tour in October supporting Australian band Dice. See all tour dates below.

2025 TOUR DATES 

September 11 – Santa Barbara, CA – Soho Music Club

September 12 – San Francisco, CA – The Independent

September 19 – San Luis Obispo, CA – Libertine Brewing Company

September 20 – Fresno, CA – Strummers

October 4 – Santa Cruz, CA – The Catalyst

November 29 – Los Angeles, CA – The Troubadour

SUPPORTING DICE 

October 7 – Seattle, WA – Barboza

October 8 – Portland, OR – Polaris Hall

October 9 – Boise, ID – Shrine Social Club

October 10 – Salt Lake City, UT – The DLC at Quarters

October 11 – Denver, CO – Meow Wolf Denver

October 14 – St. Paul, MN – Turf Club

October 15 – Chicago, IL – Schubas Tavern

October 16 – Columbus, OH – A & R Music Bar

October 17 – Ferndale, MI – The Magic Bag

October 18 – Toronto, ON – Velvet Underground

October 21 – Cambridge, MA – Middle East Upstairs

October 23 – Brooklyn, NY – Baby’s All Right

October 24 – Philadelphia, PA – Johnny Brenda

October 25 – Washington, DC – DC9

October 26 – Durham, NC – Motorco Music Halle

October 28 – Atlanta, GA – The Masquerade

October 29 – Nashville, TN – The Basement

October 31 – Houston, TX – White Oak Music Hall

November 1 – Austin, TX – 3TEN ACL Live

November 2 – Dallas ,TX – Ruins

November 5 – Tucson, AZ – Club Congress

KING PRESS ON TOUR AT BUCKHEAD THEATRE 10/26

Posted by Liz and John Attaway, 10/1/25

New York City’s King Princess – the project of Brooklyn-based vocalist, multi-instrumentalist, songwriter, producer and actor Mikaela Straus – recently released her triumphant third record Girl ViolenceIn celebration of the album’s release, she is headed on a headline tour and will make a stop in Atlanta, GA to play Buckhead Theatre on 10/26

There is truly no one like King Princess – with over one billion streams across platforms, a string of global certifications, collaborations with the likes of Fiona Apple, Florence Welch, Aaron Dessner, Mark Ronson, and Father John Misty, performances on Saturday Night Live, The Late Show with Stephen Colbert, The Tonight Show Starring Jimmy Fallon, and NPR Tiny Desk, tours with The Strokes, Florence + The Machine, and Kacey Musgraves, fashion campaigns for Gucci and Calvin Klein, and a constant champion of LGBTQ+ visibility…King Princess is a singular artist that is ready for her big return.

Girl Violence was announced earlier this Summer with a performance on The Late Show with Stephen Colbert, and King Princess recently sat down with The New Yorker to discuss the new record. 

The album also comes in the midst of Straus’ television debut, as she stars in the recent season of Nine Perfect Strangers on Hulu, alongside Nicole Kidman, with her film debut to come later this year with Hugh Jackman and Kate Hudson in Song Sung Blue. 

Let me know if you’d like to discuss preview or live coverage around this show, would love to set something up! 

“[King Princess’] striking third album, “Girl Violence”—her best yet—which cements her status not only as a virtuosic provocateur but as a generational talent.” – The New Yorker

“Like the best of her past work, the resulting songs, including the raw kiss-off “Cry Cry Cry,” feel as heart-wrenching as they do anthemic.” – The New York Times

“King Princess is back and better than ever.” – Billboard 

“a winsome ’80s pop pastiche, brimming with effervescent production flourishes and topped off with an ultra-catchy hook” – Stereogum

“At 26 years old, Straus is at her best yet just barely getting started…[a] one-of-one rock-star” – Paste

“a work of art” – SPIN

RICO NASTY COMING TO ATLANTA’S THE TABERNACLE ON 10/21

Posted by Liz and John Attaway, 9/29/25

FALL NORTH AMERICAN HEADLINE TOUR KICKS OFF IN SEPTEMBER 

NEW ALBUM LETHAL

OUT NOW ON FUELED BY RAMEN

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Last night, Rico Nasty performed the buoyant and radiant “CRASH” for Jimmy Kimmel Live! from her recent album LETHAL out now Fueled by Ramen (Atlantic Music Group). The performance marks LETHAL’s TV debut ahead of her fall tour kicking off on September 19th at Chicago’s Riot Fest and ends Nov 4th in Los Angeles at The Fonda. Recently, Rico and her band performed a stunning, raw set for NPR’s Tiny Desk. Tickets are on-sale HERE

Always the rap world’s biggest rock star, Rico Nasty is known for her own particular brand of rage-rap and for her outrageous on-stage, online, volume-up persona. But as she grew up, she started to feel trapped by the character she created. LETHAL is a reckoning of who Rico is at 27 with the trap-pop teen persona she created more than a decade ago. Executive produced by GRAMMY nominated producer Imad Royal, the album still features all the hallmarks of a Rico Nasty record – female rage, heavy guitars, humor – but there are also notes of femininity, introspection and a more complex framing of all the angles of Rico – the performer, the mother, the adult.

Alongside the new record, Rico will make her acting debut in Apple TV+ & A24’s Margo’s Got Money Troubles, created by David E. Kelley and based on the 2024 novel by Rufi Thorpe. Rico will star alongside Elle Fanning, Michelle Pfieffer, Nicole Kidman, Nick Offerman, Lindsey Normington & more.

Tour Dates

Sept 19th – Chicago, IL @ Riot Fest

Sept 21st – San Francisco, CA @ Portola

Sept 23rd – Seattle, WA @ Showbox SoDo

Sept 24th – Portland, OR @ McMenamins Crystal Ballroom

Sept 26th – Salt Lake City, UT @ The Complex – Rockwell

Sept 28th – Denver, CO @ Ogden Theatre

Oct 1st – Chicago, IL @ Metro

Oct 2nd – Milwaukee, WI @ Turner Hall Ballroom

Oct 3rd – Minneapolis, MN @ First Avenue

Oct 5th – Toronto, ON @ The Opera House

Oct 7th – Detroit, MI @ Majestic Theatre

Oct 8th – Cleveland, OH @ House of Blues – Cleveland

Oct 10th – Norfolk, VA @ The NorVa

Oct 11th – Baltimore, MD @ Nevermore Hall

Oct 12th – Philadelphia, PA @ Union Transfer

Oct 14th – Boston, MA @ House of Blues – Boston

Oct 15th – New York, NY @ Irving Plaza

Oct 18th – Silver Spring, MD @ The Fillmore – Silver Spring

Oct 19th – Columbus, OH @ Newport Music Hall

Oct 21st – Atlanta, GA @ Tabernacle

Oct 22nd – Nashville, TN @ Brooklyn Bowl

Oct 24th – Fort Lauderdale, FL @ Revolution

Oct 25th – Orlando, FL @ The Beacham

Oct 27th – Houston, TX @ House of Blues Houston

Oct 28th – Dallas, TX @ The Bomb Factory

Oct 29th – Austin, TX @ Empire Garage

Nov 2nd – Pomona, CA @ The Glass House

Nov 4th – Los Angeles, CA @ The Fonda Theatre

The album is preceded by lead single “TEETHSUCKER (YEA3X)”- a headturning statement of intent that Billboard praised, writing “Rico Nasty has always felt a bit ahead of the times, and this could be the moment the mainstream finally syncs up with her.” Rico followed the track with the sticky, hook-laced trap-pop of “ON THE LOW” and the more recent, playfully sophisticated combination of  “BUTTERFLY KISSES” & “CAN’T WIN EM ALL.” 

From the moment she arrived, Rico Nasty stood out. Since her breakthrough as a teenager from PG County, Maryland with her own signature blend of bubbly melodies, rage raps, and skull-rattling beats, the artist born Maria Kelly has been an iconoclastic presence in the rap game. She’s been drawn from the jump to the juxtaposition of hard and soft, countering her sweet-and-sour Sugar Trap sound with the kind of vocal cord-shredding mosh-rap you hear everywhere today. Back then, label executives called her weird for songs like 2018’s paradigm-shifting “Smack A Bitch,” which kicked open the doors to a dominant new era of “rapper as rockstar.” At a time when female rappers dressed like WWE wrestlers, Rico was serving Sex Pistols meets Rainbow Brite. But for Rico, the aesthetic wasn’t a costume or a phase. It’s one thing to dress like a rockstar — to be a rockstar is another.

Scan your favorite new rap playlist and you’ll hear a generation of up-and-coming artists inspired by Rico’s balance of high-femme trap-pop and nu-metal rage rap. But around the time of her last record, 2022’s Las Ruinas, the innovator felt trapped: “I was caught in the space of wanting to be understood by the masses, but also recognizing that maybe I’m not supposed to be.” She’d started to feel pigeonholed by her own outré persona, which hadn’t changed much since she’d stepped into the role of Rico Nasty as a teen. “I felt like I was living in character,” the 27-year old admits today. “And when I first started, that was the whole idea of it — but that gets exhausting.” Backstage at last year’s headlining tour, she caught a glimpse of herself in the mirror dressed as a teenage raver. “No shade, but dude, you’re 26,” she recalls thinking. “When are you going to grow up?”

So began Rico Nasty’s year of reckoning, which began as a conscious free-fall. “I just completely let life take me: letting myself indulge in things that made me excited, living real life experiences,” she says. She cleared her closet of the things that made her feel stuck at age 19, ditching the Demonia boots for grown-and-sexy heels. She dove deep into books, deleted social media from her phone, and started taking therapy seriously. For years, she’d withstood label pressure to give her songs more pop appeal or hop on passing trends. Now, working on the songs that would become LETHAL, Rico felt like she had back in the Sugar Trap days, before she’d known how bittersweet the industry could be. In short, she says: “I reconnected to myself.”

Meanwhile she’d parted ways with her entire management team, flying solo until an opportunity to perform with Paramore in summer 2023 introduced her to her new team. Rico had been signed to Atlantic Records since 2018, but dreamed of being “somewhere a little bit more edgy, where I had more space to grow and be whoever I felt like being.” When her new team mentioned Fueled By Ramen, the alternative label who launched bands like Fall Out Boy and Panic! at the Disco into the mainstream, Rico panicked that she’d be misunderstood: “I’m a rapper, and I want to be remembered as a rapper.” Instead, the label instructed Rico to stay true to no one but herself.

Praise for LETHAL

“explosive, expansive and razor-sharp, a sonic evolution that fuses her iconic “sugar trap” roots with searing rap-rock chaos and surprising softness.” 

– Billboard

“Fierce”

– Variety

“One of the premier rappers of her generation”

– Rolling Stone

“Rico Nasty gives us glimpses of a rap rockstar with no intentions of slowing down.”

– Paste Magazine

“Rico Nasty’s new era is shaping up to be electrifying…Full of charisma and unpredictable in a totally unique way, Rico Nasty is at her best when she’s controlling her own destiny.”

– Consequence

“Rico Nasty turns up the heat…reminding fans why she’s an original rage-rap iconoclast”

BET

“‘Lethal’ is one of her most wide-ranging projects yet, from her rock-oriented abrasion to the sweeter, brighter sounds of her trademark sugar trap, to dark, moody rap songs done in the way that only Rico Nasty can. “

– Brooklyn Vegan

FELLY COMING TO ATLANTA’S TERMINAL WEST ON OCT 9

Posted by Liz and John Attaway, 9/22/25

SHARES STANDOUT RECORD AMBROXYDE (LP)

OUT NOW  

HEADLINE TOUR KICKS OFF THIS SEPTEMBER

“He bounces between soft folk and rugged southern rock. Today, he’s shared another single called “Wildfire” that (ironically) feels perfect to blare outside in the blossoming weather.” 

Stereogum on “Wildfire”

“An elevation of FELLY’s jangle-pop directive, refining his already dream-seeped atmospheres with a buoyant rhythm section and a bed of delicate vocal melodies.”

Paste Magazine on ” High On You”

“There’s a quiet kind of magic to Felly’s “Ambroxyde” – a dreamy, gentle indie folk meditation that stirs the soul in ways I still can’t quite articulate.”

Atwood Magazine on “Ambroxyde”

“Ambroxyde” drips like incense smoke—slow, heady, and intoxicating. It’s a genre-blurring haze of psychedelia, R&B, and coastal cool, delivered with lyrical mystique.”

Glasse Factory on “High On You”

“Felly has continued to step into different comfort zones…and comes full circle as a stronger lyricist and storyteller.”

American Songwriter

“Felly is back to his independent roots”

Beats Per Minute

“[Felly’s] gathered a growing fan base along the way, with his laid-back demeanor and experimental approach”

Grammy.com

Connecticut-born, Los Angeles-based artist Felly is back today with the release of his standout record, Ambroxyde (LP). Produced alongside Grammy-nominated and Mercury Prize-winning producer Gianluca Buccellati (Lana Del Rey, Arlo Parks, The Marias), the album was created across a range of remote and inspiring locations—from the northernmost tip of Iceland to the sun-drenched Greek island of Hydra, to Tornillo, Texas. 

Across its 12 distinct tracks, Ambroxyde (LP) marks a bold new chapter for the ever-evolving artist. With Ambroxyde (LP), Felly dives deeper than he ever has. He made his name as a rapper and producer, but on the album, Felly taps into the indie and alternative music that has always soundtracked his life. This isn’t Felly 2.0 – it’s Felly as he has always been, removed from all expectation. “This is the album I’ve always wanted to make,” he says. 

Last week, Felly shared the latest tease of the record with the lilting “Route 44,” a pure love song. Watch HERE

Ambroxyde (LP) Tracklisting

Spinning Around

Black Shoes

Shoes in a Glasshouse

High on You

Route 44

Emmy

Wildfire

Let me down easy

Marigold

Ambroxyde

Song for the Crows

Cool River

Flóki Studios sits at the northernmost point of Iceland on a sliver of land abetted on both sides by water. On lucky nights, that water reflects the enchanting Aurora Borealis. Those lights drew Christian Robert Felner, BKA Felly, to Flóki, where he recorded part of his striking new album, Ambroxyde (LP). The title refers to a synthetic molecule found in perfume and the scent memories that carry us from one stage of life into the next.“ Ambroxyde (LP) is the start of something new being born,” Felly says. 

To make Ambroxyde (LP), Felly chased inspiration outside of his familiar Los Angeles. Accompanied by producer Gianluca Buccellati, he traveled to remote parts of California and far-flung parts of the world. “Luca approaches production holistically. He’ll pick up a project and work with the artist for a long time,” Felly says. In this case, the duo spent over a year on the road together between Felly’s tour dates. “We went to Iceland first where we were really far from the rest of the world and could really tune out any type of influence.” They wrote “Wildfire” inspired in part by the remote, natural beauty of their surroundings. Its chorus  blows in like an unanticipated gale-force wind as Felly sings: “Come around like a wildfire/ When my wells run dry/ You fill my desire/ And make it all feel alright.” 

Beyond Iceland, they wrote and recorded on the Greek island of Hydra, where cars have been banned since the 1950s and Felly could record at all hours of the night surrounded by crystalline Mediterranean water. There’s a hazy road narrative to be found on Ambroxyde (LP), heard especially on songs like “High on You” and “Route 44,” wherein whole passing days are distilled into a single detail. Felly wrapped the Ambroxyde (LP) at the storied Sonic Ranch in Tornillo, TX, alongside a group of eleven musicians, ten of whom he’s worked with on past tours and records. This tightknit group of longtime collaborators weaved the disparate threads of Ambroxyde (LP) together over the course of two weeks. “I pieced this record together over a year or so writing almost entirely just me and the guitar. It’s my first proper ‘studio’ album which is crazy to think about – First time you can hear all my friends actually playing with me.” Though the pieces of Ambroxyde (LP) were recorded across long distances, they converged in post-production. Each song on the album combines takes from the various studios Felly and Buccellati frequented over a transformative year. “As we pieced these songs together, we tried to catch the soul of different places we’d been. On a single song we might take the Greece drums, the Iceland vocals, and the guitars from Sonic Ranch,” Felly says.

That patchwork process contributes to the textural, sensory experience of the album. When Felly talks about Ambroxyde (LP), he tends to speak visually, using words like “dark indigo purple, northern sky at night, sunset” to describe it.
While Ambroxyde (LP) might mark a departure for Felly, he is still operating on a continuum. “This album might put people off who maybe hold me to a certain version of myself. “I’ve got to be honest with where I am, and who I am,” he reflects. That message of preserving authenticity resounds on “Black Shoes,” which has been sitting in Felly’s audio notes for years “just waiting for some context.” That context took time and experience to reveal itself. “I wrote that song when I was feeling wrapped up in a situation that didn’t feel right to me anymore,” he says. “It’s always nice when something you think is dead pokes its head up and takes in the light.” Like that song, this album didn’t emerge from the ether; it is in conversation with past iterations of an artist in a constant state of becoming. “It’s about coming into your being,” Felly says. With Ambroxyde (LP), Felly is closer to his truest self than he’s ever been as he continues to create authentically over vast physical and emotional distances. 

Felly will celebrate the release of the new record on the road this fall! The ‘For The Crows’ tour kicks off September 23rd in Louisville, KY, and will see stops in New York, Boston, Chicago, Nashville, Austin, Los Angeles, Seattle, and more! See below for full list of tour dates and find tickets HERE.

Felly – For The Crows Tour Dates

7/1 – Nantucket, MA – Chicken Box 

7/2 – Nantucket, MA – Chicken Box 

9/23 – Louisville, KY – Headliners

9/24 – Indianapolis, IN – Hi Fi

9/26 – Brooklyn, NY – Music Hall of Williamsburg 

9/27 – Boston, MA – Sinclair 

9/28 – Philadelphia, PA – The Foundry 

9/30 – Pittsburgh, PA – Thunderbird 

10/1 – Columbus, OH – Ace of Cups 

10/3 – Detroit, MI – Loving Touch 

10/4 – Chicago, IL – Lincoln Hall 

10/7 – Nashville, TN – Basement East 

10/9 – Atlanta, GA – Terminal West 

10/10 – Birmingham, AL – Saturn 

10/14 – Dallas, TX – Deep Ellum 

10/15 – Austin, TX – Antones 

10/17 – Phoenix, AZ – Crescent Ballroom 

10/23 – Los Angeles, CA – Echo 

10/25 – San Diego, CA – Music Box 

10/29 – Santa Barbara, CA – SoHo

10/30 – Santa Cruz, CA – Moes 

11/1 – San Francisco, CA – The Independent 

11/2 – Reno, NV – Cypress 

11/4 – Portland, OR – Holocene 

11/5 – Seattle, WA – Madame Lous 

11/7 – Vancouver, BC – The Pearl 

11/8 – Bellingham, WA – Wild Buffalo

11/11 – Boise, ID – Shrine Social Club 

11/12 – Salt Lake City, UT – Soundwell 

11/13 – Fort Collins, CO – Aggie

11/14 – Boulder, CO – Fox Theatre 

GUNNAR! HEADING TO PLAY THE MASQUERADE IN ATLANTA ON OCT 19

Posted by Liz and John Attaway, 9/22/25

Announces New Album Sun Faded  

Out June 6th on PREACH Records / Virgin

Shares New Single & Video for “Upside Down” 

US Tour This Fall With Stops in NYC, D.C., Nashville, and Los Angeles

Los Angeles alt-rocker GUNNAR never sits still for too long. After releasing his debut full-length Best Mistake in 2023, a US tour with JXDN, and opening dates for Maroon 5 across Europe and the UK last year, GUNNAR returns in 2025 with a new album and his first-ever headline tour. 

Following the release of his latest single, “This is Now” produced with Sam Farrar and K-Thrash (Machine Gun Kelly, Jelly Roll, blink-182), and featuring James Valentine (Maroon 5), the rising artist unleashes his newest single “Upside Down”—a high-energy, glitchy pop-rock anthem set to appear on his upcoming album, Sun Faded, dropping June 6th via PREACH Records/Virgin. Pre-Save Sun Faded

Accompanying the track is a visually striking, mind-twisting music video co-directed by GUNNAR and the creative collective The Young Astronauts. The video pulls you into a surreal, gravity-defying world as Gunnar muses about the peace chaos can bring. “This song is about standing on the edge of the unknown where chaos is clarity; where I’m living in that chaos. I sometimes struggle when things are going too well and smoothly and I actually do best when my world is upside down.”

“Upside Down” and the previously released singles “This Is Now” and “Dirty Blonde” are set to appear on GUNNAR’s forthcoming album, Sun Fadeda bold and exciting step forward for the now 23-year-old artist. Where his 2023 debut Best Mistake saw Gunnar unearth his artistic voice and the music that felt most true to him after being thrown into the pop machine as a 16-year-old, Sun Faded is evolved, the sound of an artist who’s truly come into his own. Blending elements of pop, rock, punk, and timeless alternative influences, the album strikes a balance between nostalgia and reinvention. 

“It’s hard to box this album into one theme,” shares GUNNAR. Throughout the record, he reflects on relationships—both with loved ones and his parents—losing his home, and navigating life’s biggest challenges. “A lot of life has happened over the last few years, and I think these new songs show that. A lot of growth, rolling with the punches as they come, and accepting that I can’t control what happens. Sometimes that mentality is exactly what makes a difference.” 

Created in collaboration with K-Thrash (Machine Gun Kelly, Jelly Roll, blink-182) and a small handful of other collaborators, GUNNAR returns more potent than ever. With live shows in mind, the production on the new album is electrifying, bold, and unapologetically fun. “I hope when you hear this music, it feels like a fresh take on something familiar,” he shares. “But more than that, this album is made to be played and heard live!” 

Gunnar has also officially announced his Fall Headline tour dates. While dates were initially slotted for Spring 2025, Gunnar, alongside many other California residents, lost his home in the wildfires this past January. The tour will see him perform across North America this October — kicking off in Chicago on October 9th, with additional stops in Washington D.C., Boston, New York, Nashville, and others. The tour will wrap with a hometown show in Los Angeles on October 29th! “I’ve been waiting to do a headline tour for 6 years and to finally be able to get out on the road and do it is beyond a dream come true,” says GUNNAR. “I’ve always believed that live shows are where the real magic happens and where all the hard work we put in pays off. I am so damn excited for this.” See the full list of tour dates below and find tickets HERE.

Tour Dates

10.9 – Chicago, IL – Beat Kitchen

10.10 – Minneapolis, MN – 7th Street Entry

10.12 – Detroit, MI – Magic Bag

10.14 – Washington D.C. – Songbyrd DC 

10.15 – Boston, MA – Café 939

10.17 – NYC, NY – Mercury Lounge

10.19 – Atlanta, GA – Masquerade – Altar

10.21 – Nashville, TN – The Basement

10.23 – Dallas, TX – Three Links

10.25 – Denver, CO – Lost Lake

10.26 – Salt Lake City, UT – Kilby Court

10.29 – Los Angeles, CA – The Echo

GRAMMY AWARD-WINNING ARTIST MOLLY TUTTLE AT VARIETY PLAYHOUSE IN ATLANTA – OCTOBER 4

Posted by Liz and John Attaway, 9/17/25

Grammy Award-Winning Artist Molly Tuttle at Variety Playhouse on Atlanta October 4th.

On the heels of two Grammy-winning albums in succession, with her band Golden Highway—2022’s Crooked Tree and 2023’s City of Gold—plus a nomination for Best New Artist, Molly Tuttle returns with a solo album that’s her most dazzling to date: So Long Little Miss Sunshine

Recorded in Nashville with producer Jay Joyce (Orville Peck, Miranda Lambert, Lainey Wilson, Eric Church, Cage the Elephant), the fifth full album from the California-born, Nashville-based singer, songwriter, and virtuoso guitarist features twelve new songs—eleven originals and one highly unexpected cover of Icona Pop and Charli xcx’s “I Love It.” 

Tuttle’s career, which began at age fifteen, has charted a course between honoring bluegrass and stretching its boundaries. On this album—a hybrid of pop, country, rock, and flat-picking, plus one murder ballad—she goes to a whole new place. Her stunning guitar work is more up-front on this album than ever before. (One of the most decorated female guitarist alive, Tuttle was the first woman to win the prestigious International Bluegrass Music Award’s Guitar Player of the Year in 2017, at age twenty-four, and won again the following year, with nominations nearly every year since; she has also won Americana Music Association’s Instrumentalist of the Year award.) So Long Little Miss Sunshine also features Tuttle playing banjo, something she’s never done on one of her albums before. 

“I like to be a bit of a chameleon with my music,” she says. “Keep people guessing and keep it full of surprises.” 

Tuttle has been slowly building this collection of songs over the last five years, while also writing and releasing two hugely successful albums and a six-song EP (last year’s Into the Wild) and playing more than 100 shows each year with Golden Highway. Along the way she’d send songs to Joyce, who she first started talking to about collaborating on the album a few years ago. 

“I’ve been wanting to make this record for such a long time. Part of me was scared to do such a big departure, and that went into the album title So Long Little Miss Sunshine. It’s like, ‘You know what? I’m just not going to care what people think. I’m going to do what I want.’” 

The album was recorded with a group of musicians that includes drummer/percussionists Jay Bellerose and Fred Eltringham, bassist Byron House, and Joyce on multiple instruments. Ketch Secor (Old Crow Medicine Show) also plays banjo, fiddle, and harmonica, as well as singing harmony. 

Tuttle also conceived the artwork for So Long Little Miss Sunshine, which features multiple Mollys, each wearing a different wig except for one with nothing on her head at all. (“I probably own as many wigs as I own guitars,” she says.) Tuttle has been bald since she was three years old due to the autoimmune condition alopecia areata; she acts as a spokesperson for the National Alopecia Areata Foundation.  

“I love raising awareness,” she says. “I talk about it onstage a lot and broaden it to include anyone who’s ever had something that makes them stick out and look or feel different from others. Playing my song ‘Crooked Tree’ live is very meaningful to me, because it’s a moment where sometimes I’ll take off my wig and talk about my struggles with self-acceptance.” 

One album track, “Old Me (New Wig),” is “about leaving all these things behind that don’t serve you anymore,” she says. “Parts of yourself that really aren’t in your best interest, like low self-esteem, anxieties, and not feeling confident. Learning to own these different aspects of my personality but not letting them control me is another theme of the record that inspired the album title and the cover art. Those are all things I’ve struggled with through the years—just feeling like an impostor, like I wasn’t good enough. I like singing this song because there are days when I still have to tell myself to leave that stuff behind.’”  

Most of the So Long Little Miss Sunshine songs were co-written with Secor, who is also Tuttle’s partner. “We spend so much time together, we live together, and anytime I have a song idea, or he has one, it’s just so easy to transition from whatever we’re doing into writing a song.” 

Although they were written in different times and circumstances, Tuttle found to her surprise that the songs were all tied together by interwoven themes. The opening track, “Everything Burns”—a dark, intense, big-guitar song—was written in 2020, during the chaos and division of the start of the Covid pandemic. It might as easily refer to the current chaos and division in America since Election Day 2024, though. In fact, they recorded it the day after the election. 

There are several songs about traveling—sometimes down the open road, like “Highway Knows” and “Oasis”—but also back in time, as on “Easy” and “Golden State of Mind.” 

The record also tells “a kind of coming-of-age story,” Tuttle says. “‘Golden State of Mind’ is one of the songs I feel is a through-line to that. It makes me think about people I’ve been close to in the past that I’ve drifted away from, and about growing up and figuring out who you are.” 

That theme is in turn picked up in the beautiful ballad “No Regrets,” one of the last songs Tuttle wrote for the album. “It’s about looking back on your life and thinking, ‘Well, maybe I could have done things differently, but if I hadn’t made certain mistakes or gone down certain roads, then I wouldn’t be here.’ And I really like where I am now!” 

So Long Little Miss Sunshine closes, as her last two albums did, with an autobiographical song, “Story of My So-Called Life.” “This is me looking back on my life, from growing up to going to school in Boston to moving to Nashville to where I am now—taking stock of all these pivotal moments throughout my life that made me who I am. I feel like after I’ve said so much in all the other songs, it’s just kind of nice to end it on a note of, ‘Here’s how this all came to be,’” she says. 

***** 

Earlier this year, Tuttle played guitar and sang on Ringo Starr’s new country album, Look Up. She also played with him and a host of other stellar musical guests at Nashville’s Ryman Auditorium and Grand Ole Opry as part of his televised Ringo & Friends shows. She was inspired by his fearlessness in following his passion for country music. “It is cool to see someone like that who has done everything you could imagine doing in a music career and he’s still just so psyched and still has a list of things that he wants to accomplish,” Tuttle says. 

Looking back on her own career, Tuttle admits that she also has pursued what interests her: “It has never been a cookie-cutter thing where I’m just going down a straight road. I always had this crooked path.” 

JANINE COMING TO THE MASQUERADE IN ATLANTA ON 10/16

Posted by Liz and John Attaway, 9/17/25

Jane coming to the Masquerade in Atlanta on October 16th

“Everything had been flipped upside down, my heart ripped out of my chest, and I didn’t know how I could keep living.” New Zealand singer/songwriter Janine is no stranger to grief. A few years ago, the kiwi-born, LA-based songstress unexpectedly lost her hero, her father, while visiting back home and opted to stay in her native homeland to take care of her mum. Since then, Janine has been deeply immersed in writing this album, aptly titled Pain and Paradise, which is out today, Friday, August 22nd, on Little Mixtape Records. From soulful ballads to airy house-influenced anthems, Janine wrote and produced much of the album herself and on the focus track “Happy,” she captures the tension between hope and vulnerability over a classic piano-led melody and hypnotic percussion. 

Melding R&B soundscapes with pop sensibilities, the record’s 16 tracks explore the juxtaposition of life’s beauty and its most painful moments. Standing in the stillness of New Zealand’s rugged beauty, Janine experienced heartache in solace. “I knew I was so lucky to be in such a beautiful place and most importantly, lucky to have loved so deeply that the weight of loss could be so heavy. I stood there and thought, wow this is the most unbearable Pain and Paradise. I decided that the album would be named ‘Pain and Paradise’ because I believe that they always coexist.”

Janine has been on the charts since her debut release in 2014. With several Billboard charting singles & albums, a New Zealand Critics Choice nomination, a 2015 win for Best R&B album for New Zealand Music Awards and numerous sold out tours between Australia, Europe, New Zealand and the US – Janine’s impact is universal. 

Janine will kick off her North American headline tour next month! Starting in Ferndale, Michigan at The Magic Bag the tour will make notable stops in New York with a show at Music Hall of Williamsburg, D.C, Los Angeles at Terragram Ballroom on October 22nd and close out with a final show in Oakland at Crybaby on October 24 – find a show near you and get tickets HERE. Full list of tour dates below. 

Tour Dates

9/28 – The Magic Bag – Ferndale, MI

9/29 – Subterranean – Chicago, IL

10/1 – Music Hall of Williamsburg – Brooklyn, NY

10/3 – Howard Theatre – Washington, DC

10/6 – The Masquerade – Atlanta, GA

10/10 – The Social – Orlando, FL

10/12 – House of Blues – Houston, TX

10/14 – The Studio at The Factory – Dallas, TX

10/16 – Last Exit Live – Phoenix, AZ

10/21 – Constellation Room – Santa Ana, CA

10/22 – Teragram Ballroom – Los Angeles, CA

10/24 – Crybaby – Oakland, CA

Pain and Paradise Tracklisting

 1. Fit 

2. Loving Me 

3. Happy 

4. Make You Proud 

5. Dad’s Interlude 

6. UP 

7. Thank You For Breaking My Heart 

8. Meet Me 

9. How Did I Find You 

10. Saved Me 

11. Best Thing 

12. If I Call

13. Good Vibes 

14. Broke Me Down 

15. Pain and Paradise 

16. Rockstar

LA INDIE-ROCK BAND GOON HEADS TO ATLANTA – SEPTEMBER 25 AT THE EARL

Posted by Liz and John Attaway, 9/6/25

 Los Angeles indie-psych-folk-rock band Goon is headed to Atlanta on 9/25 at The Earl

Photo: Mallory Turner

ABOUT GOON: San Diego-born, LA-based frontman Kenny Beckerhad a record’s worth of new songs ready to record, studio time booked, and a vision for how it would all play out. But weeks into the recording, life hit him like a lightning bolt in the form of the sudden dissolution of his marriage and his subsequent psychic spiral. Blindsided by heartbreak, the music Becker had written for the record began to take on new meaning. What had come from joy was now something closer to agony. In the friction of that moment, Becker pushed his band—and his songwriting—into stranger territory. Facing down the pain and disappointment of life, the band created a masterpiece with their new album, Dream 3.

DREAM 3 ALBUM BIO

We always think we have a plan. We will walk into a situation with a purpose and an idea, only to find that life has other things in store for us. Goon frontman and creative mastermind, Kenny Becker, had a record’s worth of new songs ready to record, studio time booked, and a vision for how it would all play out. But weeks into the recording, life hit him like a lightning bolt in the form of the sudden dissolution of his marriage and his subsequent psychic spiral. Blindsided by heartbreak, the music Becker had written for the record began to take on new meaning. What had come from joy was now something closer to agony. In the friction of that moment, Becker pushed his band—and his songwriting—into stranger territory. Facing down the pain and disappointment of life, the band created a masterpiece with their new album, Dream 3.


Goon began 2015 as singer and multi-instrumentalist Kenny Becker’s solo project, releasing a compilation of his best home recordings, the 2016 EP Dusk of Punk. With a full band in tow, Goon released the band’s first full-length, 2019’s Heaven is Humming on Partisan Records. Becker recruited a new band—Andy Polito on drums, Dillon Peralta on guitar, and Tamara Simons on bass—and recorded the self-released Paint By Numbers 1. A second LP, Hour of Green Evening, and another EP, Red Ladder, soon followed in 2022. To support Hour of Green Evening, Goon hit the road hard, touring and playing shows with Built to Spill, Jadu Heart, Slow Pulp, Teethe, Squirrel Flower, and many others. Amidst all this, the band signed with Philadelphia label Born Losers and began recording their next LP with Claire Morison at Wild Horizon Sound in Los Angeles. Dream 3 melds the intimate, lo-fi stylings of Goon with the live-band sound of Hour of Green Evening; a veteran band exploring every aspect of their sound, pushing themselves into new musical and emotional realms.


I began this record so excited,” says Becker. “The songwriting was less scripted, letting me loosen up the reins and follow whatever idea seemed most interesting. It started as a joyful recording process. Then came the most devastating time of my life.” The result is an often darker, more introspective album, built on personal loss and the chaotic crumbling of the outside world, without losing Goon’s signature sense of strangeness and wonder. Weaving lyrics about personal and ecological collapse with references to baseball, aliens, and Tony Soprano, the record expands Goon’s sound while holding close to the band’s core identity. Dream 3 offers an exquisitely crafted sonic world, full of heartbreak and pain, but also brimming with color and life, the hope of better days to come. “Begin Here” is the gateway into the record. The song emerges in a dreamy, reverse-guitar haze, Becker’s voice hovering over Braden Lawrence’s drums like a bird in flight, surveying the green wreckage of his world. “With ligaments split at sunrise/Bubbling dirt from my mouth,” Becker sings, “I’m open, scraped, and doe-eyed.” It’s the sound of a band discovering new life after torment, the way cataclysm brings its sufferers closer. Becker drops the surreal imagery for something more direct, referencing his bandmate as he sings, “Let me cry to Tamara.” “The song started as a little reversed guitar progression that I had kicking around for a while,” says Becker. “I showed it to our bass player, Tamara, who had a strong reaction to it and insisted we flesh it out. When I sing, ‘Let me cry to Tamara’ at the end, that’s because it’s what I was doing all the time we were recording it. To me, that song has this sunny, upbeat melody, but it’s coming from a place of total despair. I like that tension.”

GOON – DREAM 3

 BORN LOSERS RECORDS

1. Being Here

2. Closer to

3. Patsy’s Twin

4. For Cutting The Grass

5. In The Early Autumn

6. Apple Patch

7. Fruit Cup

8. Toluca

9. The Morning Six Rabbits Were Born

10. Sunsweeping

11. Bottle

12. Fine

13. Jaw

DJO ON TOUR PLAYING THE COCA-COLA ROXY IN ATLANTA ON OCTOBER 1

Posted by Liz and John Attaway, 9/4/25

 Djo will kick off the (almost completely sold out) Another Bite Tour which includes a stop in Atlanta on October 1 at Coca-Cola Roxy

ANNOUNCES NEW ALBUM

The Crux out April 4 

SHARES NEW SONG “BASIC BEING BASIC”

LISTEN | WATCH HERE

ANNOUNCES GLOBAL TOUR

Djo –  the musical project of actor / producer / songwriter Joe Keery known for his work in blockbuster projects as Stranger Things and Fargo – announces his highly anticipated new album The Crux. The follow-up to Djo’s 2022 album DECIDE, which featured the blockbuster hit End of Beginning,” The Crux will be released on April 4th on AWAL. Today, he has released the first single “Basic Being Basic.” With its Oberheim OB-X8 synths and falsetto refrain, its final verses shrewdly skewer the (often online) tropes of modern day posturing. “It’s kind of a shot fired to anyone who’s trying to be of the moment,” says Keery. Listen to the song HERE. Djo will debut “Basic Being Basic” on The Tonight Show Starring Jimmy Fallon, where he’ll also be a couch guest on January 28th. Fans can pre-order The Crux beginning today at djomusic.com 

Djo has also announced a major 2025 global tour. The Djo – Back On You Tour will feature Post Animal as support on all North American, UK and EU tour dates. In addition to his previously announced appearance on Australia and New Zealand’s Laneway Festival in February, he’ll embark on a North American, UK and European tour throughout the year. The North American dates kick off in Portland, OR at Revolution Hall on April 4th and conclude with a two-night stint at Brooklyn Steel in New York City on May 5th and 6th. He’ll begin the UK and European dates in Dublin, Ireland on June 1st. Highlights include appearances at Coachella Valley Music & Arts Festival, Best Kept Secret Festival, Hurricane Festival and Southside Festival with more dates to be announced soon. Tickets for the North American, UK and EU tour dates go on sale next Friday, January 31st at 9AM local time with the artist pre-sale beginning Tuesday, January 28th at 9AM local. Djo has partnered with PLUS1 so that $1 per ticket goes to providing critical relief and long-term recovery support for individuals, families, and communities impacted by the devastating LA wildfires via the PLUS1 LA Fires Fund.

The Crux was co-produced by Keery and his long-time collaborator Adam Thein. It’s an album of impeccable craftsmanship. Unlike Keery’s previous albums – bedroom recordings centered around synths – The Crux spotlights lush guitars and instrumentation reminiscent of late 60’s and 70’s pop. It’s an album full of loss and yearning, but also one full of wit and gratitude. The album was written all over the world in a particularly fertile period for Keery – where he was grappling with the transience of his other job, being untethered and away from his friends and family. But to make the album he settled into the legendary Electric Lady Studios in his adopted home of New York City. The Crux not only showcases his ambitious scope, but also his skills as a deft multi-instrumentalist and songwriter (all songs were written by Keery or in collaboration with Adam Thein). 

What begins as a meditation on the dissolution of a relationship winds its way back to self-resilience, and a celebration and recognition of the importance of nurturing community. These themes are reflected in both his lyrics and in the collaborative spirit of the music, with contributions from his family and lifelong friends lending the album a warm energy mirroring the bonds at the record’s core. Although the songs are rich with specificity, the album plays like a movie soundtrack, where the listener can easily align with a character, situation, or emotion. And this is, in part, how Keery frames the album’s concept through its art – a collaboration with Neil Krug – as a hotel where all of its guests are transient, and at a spiritual or emotional crossroads.

Djo had a massive 2024 with his song “End of Beginning” taking off worldwide, where after climbing to #1 on the Global Spotify chart it was the #6 most streamed song in the world in 2024 with 1.5 BILLION streams and over 60 BILLION TikTok views. The song landed on official single charts in 41 countries, also racking up multiple Platinum & Gold records in 17 territories. “End of Beginning” peaked at #11 on the Billboard Hot 100, went top 10 at Alternative Radio and #12 at Top 40. Listen to the song HERE.

Though most widely known for his acting roles, Keery has long been an interdisciplinary power-house, and began making music as a teenager. He later joined the psych-rock band Post Animal while in Chicago. In 2019 he released his first album, Twenty Twenty under the moniker Djo. In 2022, his remarkable sophomore album DECIDE was released via AWAL to critical acclaim, performances at major U.S. festivals like Lollapalooza, unparalleled global success on DSPs, and recognition at the BRIT Awards, Billboard Music Awards and iHeartRadio Music Awards.

Tracklisting:

  1. Lonesome Is A State of Mind
  2. Basic Being Basic 
  3. Link 
  4. Potion
  5. Delete Ya
  6. Egg
  7. Fly 
  8. Charlie’s Garden
  9. Gap Tooth Smile
  10. Golden Line
  11. Back On You
  12. Crux

Djo: Back On You Tour Dates

*All North American, UK and EU tour dates w/ Post Animal

February 06 – Auckland, New Zealand – Laneway Festival

February 08 – Brisbane, Australia – Laneway Festival

February 09 – Sydney, Australia – Laneway Festival

February 12 – Sydney, Australia – Enmore Theatre

February 14 – Melbourne, Australia – Laneway Festival

February 15 – Adelaide, Australia – Laneway Festival

February 16 – Perth, Australia – Laneway Festival

April 04 – Portland, OR – Revolution Hall

April 05 – Portland, OR – Revolution Hall

April 07 – Vancouver, BC – Commodore Ballroom

April 08 – Seattle, WA – Paramount Theatre

April 10 – Oakland, CA – Fox Theater

April 11 – Indio, CA – Coachella

April 18 – Indio, CA – Coachella

April 19 – Phoenix, AZ – The Van Buren

April 21 – Salt Lake City, UT – Rockwell at the Complex

April 23 – Denver, CO – The Mission Ballroom

April 25 – Madison, WI – The Sylvee

April 26 – Saint Paul, MN – Palace Theatre

April 28 – Detroit, MI – Royal Oak Music Theatre

April 29 – Toronto, ON – History

May 01 – Washington, DC – The Anthem

May 02 – Boston, MA – Roadrunner

May 03 – Philadelphia, PA – Franklin Music Hall

May 05 – Brooklyn, NY – Brooklyn Steel

May 06 – Brooklyn, NY – Brooklyn Steel

June 01 – Dublin, Ireland – 3Olympia

June 02 – Glasgow, UK – O2 Academy

June 03 – Manchester, UK – Academy

June 06 – London, UK – O2 Forum Kentish Town

June 10 – Copenhagen, Denmark – Poolen

June 11 – Oslo, Norway – Sentrum Scene

June 13 – Stockholm, Sweden – Annexet

June 15 – Hilvarenbeek, Netherlands – Best Kept Secret Festival

June 16 – Cologne, Germany – E-Werk 

June 17 – Berlin, Germany – Huxleys

June 18 – Warsaw, Poland – Progresja

June 20 – Scheebel, Germany – Hurricane Festival

June 21 – Tuttlingen, Germany – Southside Festival

June 23 – Paris, France – ELYSEE MONTMARTRE

June 24 – Amsterdam, Netherlands – Paradiso

DIE SPITZ ON TOUR PLAYING PURGATORY AT THE MASQUERADE IN ATLANTA ON SEPTEMBER 20 WITH VIAGRA BOYS

Posted by Liz and John Attaway, 8/26/25

Texas four-piece Die Spitz will release their highly anticipated debut album Something to Consumedue Sept 12 via Third Man Records. They will join Viagra Boys for a few support dates ahead of their upcoming headline tour and will be making a stop in Atlanta @ Purgatory at the Masquerade on 9/20

ANNOUNCE NEW ALBUM

SOMETHING TO CONSUME

OUT SEPT 12TH VIA THIRD MAN

WATCH VIDEO FOR LEAD SINGLE 

THROW YOURSELF TO THE SWORD

ANNOUNCE 2025 TOUR DATES

As postmodern society crumbles, Texas four-piece Die Spitz combine their passion, friendship, identity, and artistry to fight against the inescapable decay that surrounds life on their debut album, Something to Consume, due Sept 12 via Third Man Records. “There’s a political side to it, but addiction and love can also be all-consuming,” Ellie Livingston says. And as the band trade off instruments, swapping songwriting and vocal duties, and generating powerful songwriting in concussive bursts, Die Spitz have created their own little pocket of the world where we can all stand on the edge together.

The Austinites express their ideas through a blend of classic punk, hardcore, metal, alt rock and more. The group has become known for their riotous live shows, where dueling cartwheels, climbing of rafters and solos while crowdsurfing could happen at any moment. “Something to Consume is an album experience for everyone. Whether you’re craving a smack of lively metal or a melancholy wave of grungey violin, there’s a piece of all of us injected. Something to Consume is a call to the multitudes of ways we as humans allow consumption to enrapture our culture as well as ourselves.”

That shapeshifting strength comes into full view on the explosive lead single “Throw Yourself to the Sword”, released today alongside a video by Emily Sanchez. “‘Throw Yourself to the Sword’ is a high-energy ode to what we want young people to feel. There’s a lot of existentialism and despair in other songs on the album that still sheath the same theme, but ‘Throw Yourself to the Sword’ is the raise of optimism. Despite living in a state of mundanity or hopelessness, you can still rise up and fight the unknown, as long as you’re willing to throw yourself to it,” Ellie Livingston explains.

Something to Consume moves with rapturous conviction thanks in part to the deft production hand of Studio 4’s Will Yip (Turnstile, Mannequin Pussy). Though only recently in their 20s, Die Spitz’s impressive musicianship ties them clearly to a long lineage of frustrated people hoping to inspire change. “Some people aren’t interested in being political activists via music, but it weighs on me heavily and I feel misaligned with my calling if I don’t,” Chloe De St. Aubin says. “The four of us are free spirits with multiple interests, and there’s no limit or power dynamic that can derail us.”

Additionally, Die Spitz is announcing a headline tour behind Something to Consume. All dates below.

Die Spitz is Ava Schrobilgen, Chloe De St. Aubin, Ellie Livingston, and Kate Halter.

WATCH THE “THROW YOURSELF TO THE SWORD” VIDEO

UK & EU Tour Dates:

7/10. London, UK: Downstairs at The Dome ^ – SOLD OUT

7/11. Cheltenham, UK: 2k Trees Festival

7/12. Milton Keynes, UK: The Craufurd Arms

7/13. Tielen, BE: Sjock Festival

7/15. Berlin, DE: Cassiopeia # – SOLD OUT

7/16. Hamburg, DE: Molotow *

7/17. Cologne, DE: Blue Shell * – SOLD OUT

7/18. Amsterdam, NL: Paradiso

7/19. Cuxhaven, DE: Deichbrand Festival

^ with MOULD

# with Syff

* with Local Support

North America Tour Dates:

9/20. Atlanta, GA: Shaky Knees Festival

10/5. Denver, CO: Marquis Theatre 

10/7. Boise, ID: The Shredder

10/10. Seattle, WA: Baba Yaga 

10/14. San Francisco, CA: Bottom of the Hill

10/16. Los Angeles, CA: Lodge Room

10/17. San Diego, CA: Soda Bar 

10/24. Austin, TX: Stubb’s 

11/7. Oklahoma City, OK: Resonant Head

11/8. Lawrence, KS: The Bottleneck

11/11. Milwaukee, WI: Cactus Club

11/14. Toronto, ON: Horseshoe Tavern

11/15. Montreal, QC: Bar Le Ritz PDB 

11/22. Nashville, TN: The Blue Room at Third Man Records