Tag Archive for: theatre

HORIZON THEATRE PRESENTS JENNIFER BLACKMER’S I CAN CARRY YOUR HEART WITH ME – MARCH 14 TO APRIL 5

Posted by Liz and John Attaway, 3/10/25

Southeastern premiere of tour-de-force play starring Atlanta-favorite Carolyn Cook

Horizon Theatre Company continues its spectacular 40th season with the Southeastern premiere of the winner of the prestigious 2024 Steinberg/ATCA New Play Citation play I Carry Your Heart With Me, running March 14 – April 5 (press opening March 21). Esther, a stenographer inside a top-secret Vietnam-era debriefing room, has a picture-perfect world until she encounters an airman whose story quite literally changes her life. As she captures the stories of non-coms and POWs freshly back from the front lines, Esther finds herself smack dab in the middle of a troubling investigation. With plenty of twists and turns along the way, this tour-de-force starring renowned Atlanta actor Carolyn Cook is a taut, suspenseful mystery that packs a real emotional wallop.

“This play is an extraordinary story of a formative year in one woman’s life and how it profoundly shapes her future,” says Carolyn Cook. “Esther’s journey is one of both discovery and reckoning, and I’m honored to bring her story to life for Atlanta audiences. I hope they will find themselves as captivated as I was when I first read the script and could not put it down.” 

In this solo play by Jennifer Blackmer, Carolyn Cook (Suzi Award for Best Actress for Horizon’s Time Stands Still, and Best Supporting Actress for Citizens Market, also Horizon’s solo show The Syringa Tree) commands the stage as Esther Shannon, looking back on her formative time in her early 20s as a government stenographer for the U.S. Air Force during the Vietnam War. Raised in a military family, Esther is now the new girl and best typist on the base, where she meets attractive officer Andy, who wines and dines her. Like her mother and grandmother before her, she seems destined to become a military wife and mother. Longing to make her father proud and to make a bigger difference, she thinks about taking her skills to Vietnam instead. Andy persuades her to stay stateside by pulling strings to get her a top-security clearance job on the base. Tasked with transcribing debriefings of POWs and non-coms returning from the front lines, she records their fractured memories of the war which seep into her and change her perspective on the world. Then Esther encounters a POW helicopter pilot whose story has a deep impact on her, ultimately causing a clash with her official duties and complicating her life. As she becomes entangled in an investigation, Esther grapples with her future in a suspenseful and emotionally charged journey.

A blend of fact and fiction, the play is inspired by playwright Jennifer Blackmer’s mother’s real-life experiences as a young stenographer with a similar job on the Wright-Patterson Air Force Base during the Vietnam War. Blackmer’s mother revealed some of her experiences to her daughter before she passed away suddenly in her early 60s, leaving the playwright to put together the pieces and imagine the rest of her story. Jennifer Blackmer’s plays have been produced Off-Broadway and across the country, and she serves as Professor of Theatre and Executive Director of the Virginia B. Ball Center for Creative Inquiry at Ball State University. Blackmer was in residence at Horizon in 2023 as one of the lead mentors in Horizon’s New South Young Playwrights Festival.

Directed by Horizon Theatre’s Co-Artistic Director Lisa Adler, the production reunites her with one of her favorite collaborators, the talented Carolyn Cook. Adler has directed Cook in many productions over the past three decades, including her acclaimed performance in the solo play The Syringa Tree, which played at Horizon and toured venues in the Southeast, as well as her award-winning performances in Time Stands Still and Skylight. The world of the play is created with an evocative, poetic set by resident designers Isabel and Moriah Curley-Clay, shaped by lights from resident lighting designer Mary Parker and supported by projections from Victoria Nation (Horizon’s Amelie and Madeline’s Christmas) with sound by Whitney Leonard.

Performances begin March 14, with a press opening on March 21. Performances are Thursday and Friday at 8 p.m., Saturday at 3 p.m. and 8 p.m. and Sunday at 5 p.m., with special Wednesday performances on March 19 at 8 p.m. and March 26 and April 2 at 2 p.m. Tickets start at $30 on Wednesdays and Thursdays and $35 for Friday nights, Saturday nights and weekend matinees. Prices rise as performances fill up, so patrons are encouraged to order early for the best prices and availability. Students under 25 can get $20 tickets with valid student ID by calling the box office or purchase in person before show time if seats are available. Single ticket seating is general admission, with a reserved seating section for season subscribers. There is limited accessible seating for those needing mobility accommodations, and it must be reserved by phone. For tickets and more information, visit horizontheatre.com or call the Box Office at 404.584.7450.

For full actor and creative team bios visit horizontheatre.com/plays/i-carry-your-heart-with-me

CREATIVE TEAM

Playwright                                          Jennifer Blackmer

Director                                                                          Lisa Adler

Set Designers                                                                  Isabel and Moriah Curley-Clay

Lighting Designer                                                            Mary Parker

Costume Designer                                                          Carrie Giglio

Sound Designer                                                              Whitney Leonard

Projection Designer                                                        Victoria Nation                 

CAST

Esther Shannon                                                              Carolyn Cook

THE FABULOUS FOX THEATRE: ONE SINGULAR SENSATION

Posted by Liz and John Attaway, 1/10/21

The glow of the sign can be seen down Peachtree Street for as far as the eye can see, while the marquee rolls with show titles and draws your eye into its beautiful dance of light. The Fox Theatre has been a staple in Atlanta since 1929, bringing joy and song to the city for decades with everything from musicals, to plays, to dance, and bands. Its stage holds a childhood full of unforgettable memories for Atlantans like me mesmerized by its grand foyer, memorable Turkish-Egyptian over-the-top décor, and that overall Fabulous Fox Theatre mood. One of the most beautiful places you can find here, they’ve actually made it even more beautiful and ornate during the pandemic, while upkeep on this place is daunting, they do it impeccably. Seeing the theater’s beauty from every angle really was a treat, from the top of the balcony to standing on the stage looking out, seeing the fly system, backstage, and where the organ comes up into the orchestra cannot be any more surreal. To say this made my year would be an understatement, so let’s go through the entire journey from start to finish.

Story time: The Fox Theatre is where I was mesmerized by Phantom, felt the joy of dance, and sang along to some of my favorite bands! Every year since I was young my mom would take my sister and I, and now my niece to see a play or a musical, so I grew up on Phantom, Les Mis, Cats, and all the greats of Broadway. So, to stand in the spot that these actors stood, or music legends Trent Reznor, Billy Corgan, and Chris Cornell sang their greatest hits was an experience to say the least. Standing on that stage and taking in the majesty and beauty from that angle, you see just how lucky we are to have such a gem in our city. But enough about my experiences, let’s see everything they’ve done during the pandemic to enhance your experience.

Starting with the moment you enter the doors, the fountains were meticulously cleaned, and they found more blues in the design, as well as the glass above it was red but masked by years of dirt. It’s now a beautiful piece of artwork! Once you enter, the whole foyer area has more color and vibrancy as they’ve cleaned the walls and enhanced the lighting. Then, on the second floor, the mural that stands above the orchestra middle entrances and is better seen from the Mezzanine, they’ve cleaned it up and it has more blues and pops as a piece of art. Did you know that most of the furniture that peppers the floors and restrooms are original pieces from the 1920s and are rotated to get restored as needed? No wonder those pieces are so beautiful!

If you’re a balcony lover like me, I believe the front row of the balcony has the best views, that’s where I sat to see Les Miserables in high school with my French class. You could watch as Jean Val Jean rotated on the circular floor so well! They’ve done some major clean-up work on the awning and tent-like structure above the top of the balcony. Original to the theater, the tent mimics a cloth structure, but is actually hard plaster. They have cleaned it and added a varnish so that you can see the red and yellows for years to come. It’s so much more noticeable! Plus, fun fact they found a coke bottle up there that they think could be from when it was constructed because it was left on the small ledge that exists up there and no one had been up there in years.

Another addition is the restoration and resurgence of their acclaimed organ, Mighty Mo. And I got to see and hear it IN PERSON! The day we were touring, they were tuning it, note upon note. Organist Ken Double was there and you could here him working with someone below. This 100-year old Moller Organ is a pride and joy of The Fox Theatre and they’ve restored it to match the original 1929 look, repainted, stained, colored, repatterned all to match the original 1929 design. Plus, internally, it got a full rehabilitation so that it can play on into the next decade and beyond. When we were listening to them tune and go note for note, you could tell how much love went into getting this gem back into the theater, as well as how beautiful it could play. We can’t wait to see it again, maybe in a concert sometime in the future!

From the stage, that’s the best place in the theater. If you look to your right when looking out into the audience, you’ll see the most intricate panel of nobs and pulls that STILL WORK. It looks like something out of a 1940’s science fiction movie and operates the fly system. The fly system itself is a sight to behold in its raw ingenuity and complex assortment of pullies and ropes that soar to the scaffolding and catwalk above. Whoever wields that power is a true magician. Exiting the stage door by the fly system and looking back, above the door reads, “Play it Pretty for Atlanta” this was not always in neon, it was originally a stencil put there in the 70’s. Turning back around you come to the Stage Manager, Fly Captain and all the main stage personnel offices where they spend many a night there during a busy run of shows. Descending into the basement, I got to see the organist office, as well as where the actors from a musical or musicians would gather in a green room or in the main “cafeteria looking” room lined with mirrors where wigs, costumes, and make-up are administered. Surreal. When I was in high school I was thisclose to dancing in International Ballet Rotaru’s Nutcracker. I was going to be a soldier. They replaced us with professionals a few weeks prior, but to have seen this in action would have been a delight, but also electric with nerves and furry.

Isn’t The Fox Theatre fabulous? The history, the beauty, the memories that it brings, are the reason it’s treasured among Atlantans and possibly even the county. We’re blessed to have something so majestic and rare in our fair city. I can’t wait to get back to seeing a musical every year with my family. I wonder which one it will be.