WIDOWSPEAK AT THE EARL ON JUNE 23RD

Posted by Liz and John Attaway, 6/14/26

WIDOWSPEAK

SHARE NEW SINGLE & VIDEO “SOFT COVER”

NEW ALBUM ROSES OUT JUNE 5TH 

VIA CAPTURED TRACKS

US HEADLINE TOUR THIS SUMMER + 

UK/EU TOUR THIS WINTER

Coming to Atlanta on June 23rd at the Earl

NYC duo Widowspeak have shared “Soft Cover,” the third single from their highly anticipated new album Roses, due out June 5th via Captured Tracks. The track is achingly gorgeous, featuring one of the album’s most sweeping hooks, buoyed by a driving rhythm section and vocalist Molly Hamilton’s saccharine voice. 

“Soft Cover” is about infatuation: wanting and daydreaming about someone as you’re going about your day… even if, and maybe especially if, you’ve been with them a long time,” says Hamilton. “We brought in a Rhodes for this one, so it came in a car from Athens, then took a boat, then a donkey carried it up to the studio,” Hamilton adds, describing the unique recording conditions they experienced at the Old Carpet Factory on the Greek island Hydra.

The longtime duo of Hamilton and Robert Earl Thomas, Roses arrives as Widowspeak’s seventh album. One of many bands to crop up in a fertile New York City music scene over 16 years ago, they started out shuffling gear between venues now-since shuttered (Glasslands, Cake Shop, 285 Kent, Death By Audio to name a few) and their practice space in Monster Island Basement (now a Trader Joe’s). Widowspeak is now a married couple, working day jobs in their own off-season. Robert is a carpenter, Molly a waitress. Roses is populated not with dramatic overtures but with the backdrop of the minutiae and repetition of daily acts.  Small observations before, during, and after work: the ritual of pouring water for customers, catching a cold on your day off.  Daydreaming about winning the lottery, or maybe realizing you already won.

They recorded the album last January at a studio on the Greek island Hydra, tucked away in an old house upon the village’s steep hills.  It’s quiet there in winter, when the tourists have all gone home. Longtime touring members Willy Muse, John Andrews, and Noah Bond serve here as the players.  Roses was then taken home and slowly, lightly tinkered with, before being deftly mixed by Alex Farrar at Drop of Sun Studios, and mastered by Greg Obis at Chicago Mastering. 

“The video is the last in the world of the trilogy, where the Singing Telegram Girl is dreaming about an idealized Renaissance Faire Guy while waiting around, reading a pulpy novel,” shares Hamilton. “Rob was incredibly enthusiastic about this one because he loves medieval history and we got to pick out some fun costumes from Adele’s of Hollywood.  He’s a star!”

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The band announced Roses with lead single “If You Change,” a song that captures everything that’s made the long-running group a staying force, from its breezy guitars to the impossibly rich chorus, there’s a timeless quality imbued with the twang of a Lynchian roadhouse band. The single was praised by Stereogum, Consequence, Brooklyn Vegan, Rolling Stone, Under the Radar + more.  Recently they shared “No Driver,” a lush and widescreen pop gem complete with a blistering guitar lead that feels like an instant classic.

The band recently announced a run of US tour dates this Summer, kicking off in their hometown of New York and crossing the country, concluding on the West Coast. This winter they’ll embark on a run of UK & EU dates kicking off in November and taking them through mid-December. 

Tour Dates

Tickets

June 16th – Brooklyn, NY @ Music Hall of Williamsburg

June 18th – Philadelphia, PA @ Johnny Brenda’s

June 19th – Washington DC @ DC9

June 20th – Mount Solon, VA @ Red Wing Roots Festival

June 22nd – Raleigh, NC @ Pour House

June 23rd – Atlanta, GA @ The Earl

June 24th – Nashville, TN @ Third Man Blue Room

June 26th – Minneapolis, MN @ 7th St. Entry

June 27th – Milwaukee, WI @ The Argo

June 28th – Chicago, IL @ Schubas

June 30th – Ferndale, MI @ Magic Bag

July 1st – Toronto, ON @ Sound Garage

July 2nd – Montreal, QC @ L’Esco

July 3rd – Boston, MA @ Arts at the Armory

July 30th – Seattle, WA @ Barboza

July 31st – Aug 2nd – Happy Valley, OR @ Pickathon (Festival)

Aug 4th – San Francisco, CA @ Bottom of the Hill

Aug 7th – Los Angeles, CA @ Lodge Room

Aug 8th – Santa Ana, CA @ Constellation Room

Aug 9th – Phoenix, AZ @ Valley Bar

Aug 11th – Santa Fe, NM @ Tumbleroot Brewery

Aug 12th – Denver, CO @ Hi-Dive

Aug 14th – Salt Lake City, UT @ Urban Lounge (Psych Lake City Festival)

Aug 15th – Boise, ID @ Shrine Social Club

Aug 16th – Spokane, WA @ The District

Nov 12th – Leeds, UK @ Brudenell Social Club

Nov 13th – Dublin, IE @ Workmans Club

Nov 15th – Glasgow, UK @ The Rum Shack

Nov 16th – Manchester, UK @ YES (Pink Room)

Nov 17th – London, UK @ Scala

Nov 18th – Lille, FR @ La Bulle

Nov 19th – Paris, FR @ LePopUp!

Nov 22nd – Milan, IT @ Arci Bellezza

Nov 23rd – Zurich, CH @ Bogen F

Nov 24th – Munich, DE @ Milla

Nov 25th – Salzburg, AT @ Rockhouse

Nov 27th – Prague, CZ @ Café V Lese

Nov 29th – Warsaw, PL @ Chmury

Dec 1st – Berlin, DE @ Frannz Club

Dec 2nd – Hamburg, DE @ Hebebuhne

Dec 3rd – Malmö, SE @ Plan B

Dec 4th – Gothenburg, SE @ Pustervik

Dec 5th – Stockholm, SE @ Hus 7

Dec 6th – Oslo, NO @ John Dee

Dec 7th – Copenhagen, DK @ Rust

Dec 9th – Utrecht, NL @ DB’s

Dec 10th – Kortrijk, BE @ Wilde Westen

Dec 11th – Hasselt, BE @ AFF

Dec 13th – Tilburg, NL @ Hall of Fame

Across the ten tracks that make up Roses, intimate spaces and stages of love are captured with a nostalgic, vaseline-coated lens. If music can simultaneously be naturalistic and noir, saturated and lush, that is Widowspeak.  This is a band that knows how to set a scene. 

There’s dream and power pop, a little Stones, maybe some Petty, open and languid ballads with the twang of a Lynchian roadhouse band… Perhaps you hear REM, Yo La Tengo or Cat Power. A little Neil Young in Hamilton’s references to working at the diner.  The magic of the band is, still and always, the interplay between Molly and Robert in their two leading roles: her languid, textured voice and his visceral guitar playing. And as producer, Robert captures the ephemeral magic of a band finding a song in the studio: something that still bears traces of the directness of Molly’s voice memos and the dense guitar tapestries of the demos. The rough-hewn marks of the tools are still evident, the noise kept in.  

“Can’t hold too tight or I’ll have nothing, Like a candy melts in your hand.” As the album closer  “Hourglass” contemplates the fleeting nature of something, anything, it illustrates what is most true about Widowspeak.   At the heart of it, their music is special because it is real: most of all for the people making it. Fragile and temporary, and worthwhile… like love itself. 

BRIGITTE CALLS ME BABY PLAYING ATLANTA’S VINYL AT CENTER STAGE ON 5/9

Posted by Liz and John Attaway, 4/6/26

They just wrapped a run in the UK supporting The Vaccines and will kick off their headline North American tour this week. They’ll be stopping in Atlanta, playing at Vinyl at Center Stage on May 9th

The Chicago band has had a pretty insane couple of years – they released their debut album in 2024 which led to performances on Kimmel, Kelly Clarkson and CBS, to touring with Morrissey, a Lollapalooza festival slot and more! The live show is spectacular, and that is the entire ethos of this new record – capturing the energy and grandeur of their show.  The album was produced by Yves Rothman and Lawrence Rothman (Blondshell, Yves Tumor), and tracked after dialing the songs in on tour.

BRIGITTE CALLS ME BABY

SHARE FINAL SINGLE “I CAN TAKE THE SUN OUT OF THE SKY” 

OFF SOPHOMORE ALBUM IRREVERSIBLEOUT FRIDAY ON ATO RECORDS

NORTH AMERICAN HEADLINE TOUR THIS APRIL

Ahead of their sophomore album release this Friday, Chicago-band Brigitte Calls Me Baby delivers the album’s buoyant single “I Can Take the Sun Out of the Sky.” An instant transmission of pure unfiltered feeling propelled by an infectious guitar melody, the song is immediately grabbing and impossible to shake. There’s an open-road feel to the track, but beneath it hums a touch of melancholic grandeur. 

“It would be easy to overthink a song like “I Can Take the Sun out of the Sky”, but it was such a last minute addition to the record that we weren’t afforded the opportunity,” shares bassist Devin Wessels. “What resulted was a song and recording that relied solely on our collective instincts and highlights a different side to our sound that we’re excited to share.”

Centered on a boldly singular sound that feels both thrillingly new and immediately essential to the modern rock landscape, Irreversible artfully embraces flawed humanity through the distinct voice that Leavins first cultivated by writing songs as a 13-year-old kid in Port Arthur, Texas. “My whole inclination toward music came from being in this small town in Texas with nowhere to go and nothing to do, and wanting to be understood without having to say anything,” he says. 

Produced by Yves Rothman and Lawrence Rothman (Blondshell, Yves Tumor), Irreversible marks the follow-up to their critically lauded 2024 debut The Future Is Our Way Out. Recorded live at Lawrence’s home studio, the 11-song LP reveals a band profoundly transformed by their countless hours on the road and instilled with a newfound fearlessness.

In the wake of their 2024 debut, the band spent the past couple of years touring extensively — including sold-out runs across the US, UK, and Europe alongside Morrissey, Muse, and Fontaines D.C., as well as television performances on Kimmel, The Kelly Clarkson Show, and CBS. That momentum now carries into this new era, as they prepare to bring Irreversible on the road this spring with a North American headline tour stopping in Chicago, Seattle, Vancouver, Los Angeles, Nashville, DC, NYC, and more.

The tour follows upcoming headline dates in the UK and a run supporting The Vaccines. See the full list of dates below — find tickets HERE.

Tour Dates

Mar 10 – Nottingham, UK @ Rock City * SOLD OUT

Mar 11 – Bristol, UK @ The Prospect Building * SOLD OUT

Mar 13 – London, UK @ O2 Academy Brixton * SOLD OUT

Mar 14 – London, UK @ O2 Academy Brixton * SOLD OUT

Mar 16 – Amsterdam, NL @ Paradiso (Upstairs) *LOW TICKETS 

Mar 17 – Brussels, BE @ Madame Moustache *SOLD OUT 

Mar 19 – Cologne, DE @ Luxor *SOLD OUT 

Mar 20 – Hamburg, DE @ Molotow *SOLD OUT 

Mar 22 – Berlin, DE @ Hole 44 *SOLD OUT 

Mar 23 – Munich, DE @ Strom

Mar 24 – Prague, CZ @ Café v Lese

Mar 25 – Vienna, AT @ Chelsea

Mar 28 – Milan, IT @ Circolo Magnolia

Mar 29 – Zurich, CH @ Dynamo Werk 21

Mar 31 – Paris, FR @ Trabendo

Apr 2 – London, UK @ Scala

Apr 3 – Liverpool, UK @ Hangar 34

Apr 4 – Leeds, UK @ Brudenell Social Club *SOLD OUT 

Apr 13 – Madison, WI @ High Noon Saloon

Apr 14 – Des Moines, IA @ xBk

Apr 16 – Chicago, IL @ Thalia Hall  *SOLD OUT

Apr 17 – Chicago, IL @ Thalia Hall *SOLD OUT

Apr 18 – St. Louis, MO @ Off Broadway

Apr 19 – Kansas City, MO @ RecordBar

Apr 21 – Denver, CO @ Bluebird Theater

Apr 24 – Seattle, WA @ Barboza

Apr 25 – Vancouver, BC @ Fox Cabaret

Apr 26 – Portland, OR @ Holocene

Apr 28 – San Francisco, CA @ Cafe Du Nord

Apr 30 – Los Angeles, CA @ Lodge Room *SOLD OUT 

May 1 – San Diego, CA @ Voodoo Room at House of Blues

May 2 – Phoenix, AZ @ Valley Bar

May 4 – Dallas, TX @ Puzzles

May 5 – Austin, TX @ Antone’s Nightclub

May 6 – Houston, TX @ White Oak Music Hall (Upstairs)

May 8 – Nashville, TN @ The Basement

May 9 – Atlanta, GA @ Vinyl at Center Stage

May 11 – Washington, DC @ The Atlantis

May 12 – Philadelphia, PA @ The Foundry at The Fillmore

May 14 – New York, NY @ Bowery Ballroom

May 15 – Boston, MA @ The Red Room at Cafe 939

May 16 – Uncasville, CT @ Wolf Den at Mohegan Sun Resort

May 19 – Toronto, ON @ Longboat Hall

May 20 – Ferndale, MI @ The Loving Touch

May 21 – Indianapolis, IN @ HI-FI

*supporting The Vaccines

FAILURE PLAYING ATLANTA’S MASQUERADE – HELL ON 5/6

Posted by Liz and John Attaway, 4/6/26

Failure, one of the most influential bands of the 90s, recently announced their newest album, Location Lost, out April 24th. To celebrate the album’s release, they are heading on tour and will stop to play at Masquerade – Hell in Atlanta, GA on 5/6.

Location Lost is Failure’s seventh studio album and their fourth since reuniting in 2014 after a 17-year hiatus. One of the most influential bands of the 90s, Failure has inspired many peers and younger stars, including Hayley Williams who is featured on the album. Recorded after the completion of the recent Hulu/Disney+ documentary ‘Every Time You Lose Your Mind,’ Location Lost doesn’t arrive as a victory lap or a nostalgia exercise. Instead, it sounds like a band actively negotiating where — and who — they are now. The album showcases a focused, modern and ever-evolving vision of Failure’s utterly unique sound.

Failure’s promising rise was derailed by drug addiction and record company inertia by the late-90s, but the trio left a profound imprint that transcended their affiliation with the LA alt-rock scene. Directed by the band’s frontman Ken Andrews, the doc has been a decade in the making. The film features interviews with David Dastmalchian, Margaret Cho, Hayley Williams, Jason Schwartzman, Tommy Lee, Maynard James Keenan, Butch Vig and more.

FAILURE TOUR DATES 

Apr 21 Los Angeles, CA – Zebulon (Album Release Show) *SOLD OUT

Apr 25 Las Vegas – Sick New World Festival

May 02 Chicago, IL – SPACE ECHO @ Radius

May 03 Cleveland, OH – Grog Shop *SOLD OUT

May 05 Nashville, TN – Basement East 

May 06 Atlanta, GA Masquerade – Hell

May 08 Daytona Beach, FL – Welcome To Rockville Festival 

May 09 Asheville, NC – Eulogy *SOLD OUT

May 10 Carrboro, NC – Cat’s Cradle

May 12 New York, NY – Le Poisson Rouge *SOLD OUT

May 13 Cambridge, MA – Sinclair   

May 14 Hamden, CT – Space *SOLD OUT

May 15 Washington, DC – Union Stage 

May 16 Harrisburg, PA – Arrow at Archer Music Hall

May 17 Philadelphia, PA – Underground Arts 

May 19  Detroit, MI – Shelter *SOLD OUT

May 20 Toronto, ON – Opera House

SNAIL MAIL COMING TO ATLANTA’S VARIETY PLAYHOUSE APRIL 22ND

Posted by Liz and John Attaway, 3/30/26

Snail Mail is the incredible project of singer/songwriter Lindsey Jordan, who will release her highly anticipated album Ricochet out at the end of March! I’m reaching out because she will head out on her major North American Tour next month and will be stopping in Atlanta along the way! 

Snail Mail has released two of the album’s singles  “My Maker,” which was co-produced by Jordan, alongside Aron Kobayashi Ritch (Momma) and the music video was shot as a single-take hot air balloon ride! 
Prior to “My Maker,” Jordan also shared the album’s first single, “Dead End,”a standout that mourns the simplicity of a suburban adolescence, of parking in a cul-de-sac and smoking with friends.

On her first album in five years, she returns with a renewed sense of clarity and control, asserting herself as a generational songwriter with a sharpened perspective.

Photo: Daria Kobayashi Ritch

Snail Mail Tour Dates:

April 10 — Turner Hall — Milwaukee, WI *

April 11 — The Riviera Theatre — Chicago, IL *^

April 12 — Majestic Theatre — Detroit, MI *^

April 13 — The Concert Hall — Toronto, ON *^

April 15 — Brooklyn Paramount — Brooklyn, NY *~

April 16 — The Fillmore — Philadelphia, PA *+

April 17 — Big Night Live — Boston, MA *+

April 18 — Union Collective Parking Lot — Baltimore, MD *+

April 20 — Haw River Ballroom — Saxapahaw, NC *

April 21 — The Orange Peel — Asheville, NC *

April 22 — Variety Playhouse — Atlanta, GA *

April 24 — White Oak Music Hall (Downstairs) — Houston, TX *

April 25 — Granada Theater — Dallas, TX *

April 26 — Stubb’s — Austin, TX *

April 28 — The Tower Theatre — Oklahoma City, OK *

April 30 — The Van Buren — Phoenix, AZ *&

May 1 — The Wiltern — Los Angeles, CA *%

May 2 — Observatory North Park — San Diego, CA *&

May 4 — The Warfield — San Francisco, CA *% 

May 5 — Ace of Spades — Sacramento, CA *&

May 7 — Crystal Ballroom — Portland, OR *&

May 8 — Moore Theatre — Seattle, WA *&

May 9 — Vogue Theatre — Vancouver, BC *&

May 11 — Treefort Music Hall — Boise, ID *&

May 13 — Ogden Theatre — Denver, CO *&

May 15 — Kilby Block Party — Salt Lake City, UT

May 16 — Metro Music Hall (Kilby Block Party After Show) — Salt Lake City, UT

June 18 — Paradiso — Amsterdam, NL

June 19 — Heartland Festival — Copenhagen, DK

June 20 — Columbia Theater — Berlin, DE

June 21 — Trix — Antwerp, BE

June 23 — Trabendo — Paris, FR

June 25 & 26 — Electric Ballroom — London, UK

June 28 — Outbreak Festival — Manchester, UK

July 24 — Fuji Rock Festival — Niigata, JP

w/support: 

* Sharp Pins

^ Avalon Emerson and The Charm

~ @

+ Swirlies

& Armlock

% Rocket

TELESCREENS PLAYING SMITHS OLDE BAR IN ATLANTA ON APRIL 9TH

Posted by Liz and John Attaway, 3/27/26

New York City band Telescreens are gearing up to release new music this year and will also embark on a North American tour which will be making a stop in Atlanta, GA where they will play Smiths Olde Bar on 4/9.

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Since forming in Manhattan and Brooklyn, Telescreens has developed a sound that bridges decades – a meeting of old-school rock attitude and forward-looking production. Their debut album The Return (2020) introduced a cinematic, story-driven vision; Stare Wide (2023) added heaviness and immediacy. “Nothing” now points toward what’s next: a band pushing their creative limits while staying true to the pulse of rock and roll.

Known for their gritty, high-voltage live performances, Telescreens turn every stage into a full-body experience. Their shows are packed with sweat, movement, and the kind of unrestrained dancing that collapses the barrier between band and audience. Rooted in the ethos of New York City’s storied rock scene while fearlessly pushing it forward, the band has headlined NYC’s Webster Hall and Bowery Ballroom and played the main stage at Governors Ball 2024. Fans can expect that same chaotic, immersive energy as the band hit the road this spring for a North American tour as the support for Quarters followed by a run supporting Sir Chloe.

Tour:

3/27 – Neumos – Seattle, WA *
3/28 – Mission Theater – Portland, OR *
3/30 – The Independent – San Francisco, CA *
4/01 – Quartyard – San Diego, CA *
4/02 – The Regent – Los Angeles, CA *
4/03 – Crescent Ballroom – Phoenix, AZ *
4/05 – Scoot Inn – Austin, TX *
4/06 – Deep Ellum Art Co. – Dallas, TX *
4/07 – House of Blues (Bronze Peacock) – Houston, TX *

4/9 – Smiths Olde Bar – Atlanta, GA (Headline)

4/10 – The Pinhook – Durham, NC (Headline)
4/17 – Lincoln Theatre – Washington, DC ^
4/19 – Anabel’s – Toronto, ON ^
4/21 – Le Studio TD – Montreal, QC ^

* Support for Quarters

 ^ Support for Sir Chloe

KING TUFF ON TOUR PLAYING ATLANTA AT THE EARL – APRIL 22ND

Posted by Liz and John Attaway, 3/27/26

Photo: Wyndham Garnett

King Tuff, the moniker of Burlington, Vermont artist  Kyle Thomas, recently announced his sixth full-length album, MOO, out March 27 via his new label MUP Records via Thirty Tigers. To celebrate the album’s release, King Tuff will embark on a headline tour, stopping at The EARL in Atlanta, GA on 4/22.

Following the release of 2023’s Smalltown Stardust, King Tuff found himself a bit lost. He had felt lost since 2016. Both Smalltown Stardust and 2018’s The Other had been departures from his sound, and while they were both new sonic places that he needed to explore, neither album felt all that fun to perform live. Every show he would just be looking forward to playing his older, wilder material. So when he decided to make a new record, it only seemed right to go back to what has always brought him the most joy, Rock & Roll music.

A few months before starting MOO, Thomas fell in love. So, MOO is mostly love songs, with the exception of a song about rodents and a song about getting an oil change. But those are actually love songs too. MOO is a full circle moment. A return to form. A return to rock. A return to Vermont. A return to himself. Reconnecting the dots. Restarting the engine. Plugging in the stack. Finally letting King Tuff be King. F*cking. Tuff.

King Tuff will be playing a record release show at Rough Trade in Brooklyn, NY this Friday, March 27 and the tour in support of MOO kicks off April 15th in Troy, NY. Tickets are available now via kingtuffworld.net

Tour Dates:

April 15 – Troy, NY @ No Fun

April 16 – Brooklyn, NY @ Music Hall of Williamsburg *

April 17 – Kingston, NY @ Tubby’s *

April 18 – Philadelphia, PA @ Kung Fu Necktie *

April 19 – Washington, DC @ Songbyrd Music House *

April 21 – Raleigh, NC @ Kings *

April 22 – Atlanta, GA @ The EARL *

April 24 – New Orleans, LA @ Gasa Gasa *

April 25 – Houston, TX @ Moon Tower Inn *

April 26 – Austin, TX @  29th Street Ballroom *

April 29 – San Diego, CA @ Casbah *

April 30 – Los Angeles, CA @ Sid The Cat Auditorium *

May 1 – Ojai, CA @ Ojai Women’s Center *

May 2 – San Francisco, CA @ The Chapel #

May 4 – Seattle, WA @ Barboza #

May 5 – Portland, OR @ Mississippi Studios #

May 7 – Salt Lake City, UT @ Urban Lounge #

May 9 – Denver, CO @ Globe Hall #

May 11 – Sioux Falls, SD @ Total Drag

May 12 – St. Paul, MN @ Turf Club

May 13 – Chicago, IL @ Lincoln Hall ^

May 15 – Grand Rapids, MI @ Pyramid Scheme ^

May 16 – Toronto ON @ Sound Garage ^

May 17 – Montreal, QC @ Bar Le Ritz PDB ^

May 19 – Burlington, VT @ Higher Ground ^

May 20 – Portland, ME @ SPACE ^

May 21 – Hamden, CT – Space Ballroom ^

May 22- Boston, MA @ Middle East Upstairs ^

May 23 – Brattleboro, VT @ Stone Church ^

With support from

* Morgan Nagler

# Gabriel Bernini

^ Mod Lang

APPLE 50TH ANNIVERSARY SHOWCASE AT MIMMS MUSEUM

Posted by Liz and John Attaway, 3/22/26

On April 1, 2026, Mimms Museum will debut iNSPIRE: Fifty Years of Innovation from Apple, one of the largest collections of Apple products ever publicly displayed. Spanning more than 20,000 square feet, the exhibit features over 2,000 rare artifacts, early prototypes, iconic devices and archival materials tracing Apple’s evolution from a garage startup to a global design and technology leader. 

In addition to hands-on displays of early computers and devices, the exhibition includes immersive installations inspired by Apple’s most memorable creative campaigns, along with storytelling that highlights the designers, engineers and visionaries behind the brand. Rare collector’s items, unique documents and behind-the-scenes stories of Apple’s groundbreaking products will also be on display. 

iNSPIRE: Fifty Years of Innovation from Apple is a first-of-its-kind exhibition and a timely way to commemorate the 50th anniversary of one of the most culturally impactful brands in the world

KATZU OSO IN ATLANTA AT TERMINAL WEST FEB 14

Posted by Liz and John Attaway, 1/25/26

KATZÙ OSO

Releases His New Album La Conexión Via Cosmica Artists 

New Tour Dates in 2026 Supporting Say She She

“We can’t help but stan Katzù Oso, an irrepressibly talented LA musician whose work has blended themes, genres and styles together in a harmoniously captivating way. On his latest single “Amantes” off his upcoming recently announced album La Conexión, that mystic of neighborhood rhythms and backyard romances is readily apparent, a heart fluxing tune that has a fragrance you can hear.” Live Nation’s Ones to Watch

“Despite sporting a bit of that velvety ‘70s soft rock swagger and quiet storm strut, the Los Angeles-based singer and songwriter makes it clear that he’s not out for another casual midnight rendezvous or vapid hookup. Instead, he makes it known that he’s struck gold (“Show me what this loves about…that fuzzy feeling keeps me around,” “A woman like you makes me feel so alive, takes me to paradise”). Taking cues from artists like Tame Impala and Alan Palomo, Hernandez injects some modern electro pop energy into the mix for a deeply satisfying psychedelic love song that has shaped out to be one of his most vulnerable songs yet.” Remezcla

“Los Angeles native Katzù Oso showcases an intimate new single. Titled “A Woman Like You,” the piece is a soft reflection on the courage it takes to be vulnerable with a partner. His warm, luscious vocals glide over a delicate, glistening backdrop for the ultimate intoxicating track. With soothing sounds evoking vibes of acts like Chicano Batman, the second he starts singing you are instantly drawn in.” Atwood Magazine

“The Spanish pop song gets funky, electric, and reflective as he looks back on a toxic relationship. The up-and-coming Latino artist from Los Angeles is one to watch as he perfectly blends synth, psychedelic rock, and Latin culture.” Hola!

“Katzù Oso, “A Woman Like You” – In a whispery falsetto over a warm melodies, Angeleno singer-songwriter Paul Hernandez and his band Katzù Oso invites listeners to sink in and feel seen. He wrestles with the fear of not being enough — then credits love for transforming him. Fans of Durand Jones and The Indications, Herbie Hancock and Marvin Gaye will recognize the influence, but Katzù Oso keeps it intimate, modern and emotionally resonant.” Riff Magazine

Singer-songwriter Katzù Oso has released his new album La Conexión that is out now on all platforms. 

La Conexión, is an immersive, cinematic exploration of human emotion, relationships, and self-discovery. The artist brings his visual storytelling background as a photographer into his music, with every track functioning like a moment suspended in time—capturing the raw beauty, pain, and complexity of life through sound. Through themes of transformation, love, loss, and introspection, Katzù crafts a narrative that is universally relatable yet deeply personal, blending elements of Latin pop, acoustic ballads, and cinematic instrumentation.

Katzù says, “This album is a collection of pivotal moments that have shaped who I am. It’s a project about love, pain, hope, longing, and the quiet resilience that carries you forward. Like a roll of film with 36 exposures, each song captures a unique story, a snapshot in time.

‘La Conexión’ is made up of 12 songs — 12 moments suspended in 35 minutes of music. I didn’t confine myself to a single genre, because I wasn’t raised in a single sound. I grew up surrounded by a wide spectrum of music, culture, and emotion — and I wanted this album to reflect that, without holding back.

I come from a diverse city, rich with culture and community, and I wanted ‘La Conexión’ to feel like that — a melting pot of influences and sounds that ultimately made me, me.”

The album is not just a collection of songs but an intimate journey that showcases how Katzù Oso translates his artistic vision across different mediums.

Before the year is over, Katzù will be doing his album release show at The Paramount in Los Angeles on November 8th. Tickets are on sale at https://dice.fm/event/v3kv2l-katz-oso-8th-nov-the-paramount-los-angeles-tickets?lng=en-US

Then in 2026 Katzù will embark on a US tour as support to Say She She. Tickets are on sale at https://www.katzuoso.com/tour-ko . See all tour dates below.

About Katzù Oso

Katzù Oso is a Latino artist born and raised in the heart of Los Angeles. His melodic vocals and contemporary sounds are influenced by his multicultural upbringing in East LA and Boyle Heights. After the release of his two buzzworthy harmonic EPs, Colour, and Pastel, Katzù Oso takes us to another alternative dimension with his debut album, Tmí. Oso’s album is a timeline portal into his hero’s journey growing up in his Boyle Heights neighborhood. From the heart and soul he brings to life una historia de amor to escape the current reality and transcend into a melodic universe filled with synthesizer and upbeat tempos. Visually, our hero takes on the new alter ego with the Luchador mask, a symbolic representation of his roots and serves as an ode to his Latino cultura. 

His musical manifestations started with him writing his entire album in his bedroom to performing shows in his hometown, and later taking the stage at ACL, Tropicalia, and opening for Tyler the Creator. Signed to Cosmica Artists, he is currently working on his much anticipated second album and hopes to go deeper into the realms of his mulit-faceted universe. Katzù credits his eclectic musical style and influences to romantic soulful Mexican singer, José José, psychedelic rock band, Tame Impala, iconic Mexican artist, Julieta Venegas, and many more. Katzù’s music highlights the experiences of being young, brown, and gifted in today’s America while breaking free from society’s stereotypical confinements with his euphonic charm. More than synths and beats, his music is a glimpse into unseen worlds within the soul of a modern artist influenced by a multicultural upbringing.  

Tour Dates

1/27 – San Francisco, CA – August Hall
1/29 – Portland, OR – Aladdin Theater
1/30 – Vancouver, BC – Hollywood Theatre
1/31 – Seattle, WA – The Showbox
2/2 – Roseville, CA – Goldfield Trading Post Roseville
2/5 – Los Angeles, CA – The Belasco
2/6 – San Diego, CA – Music Box
2/7 – Pioneertown, CA – Pappy & Harriet’s
2/9 – Boulder, CO – Fox Theatre
2/10 – Fort Collins, CO – Washington’s
2/12 – St. Louis, MO – Old Rock House
2/13 – Nashville, TN – 3rd & Lindsley
2/14 – Atlanta, GA – Terminal West
2/15 – Asheville, NC – The Grey Eagle
2/17 – Washington, DC – The Atlantis
2/18 – Ardmore, PA – Ardmore Music Hall
2/20 – Brooklyn, NY – Warsaw
2/21 – Cambridge, MA – The Sinclair
2/22 – Albany, NY – Lark Hall
2/24 – Toronto, ON – The Great Hall
2/26 – Chicago, IL – Thalia Hall
2/27 – Minneapolis, MN – Fine Line
2/28 – Milwaukee, WI – Vivarium
3/1 – Indianapolis, IN – HI-FI Indianapolis

MARYJO TOUR SUPPORTING ALEX SAMPSON COMES THROUGH ATLANTA FEB 13 AT VINYL

Posted by Liz and John Attaway, 1/25/26

maryjo

KICKS OFF 2026 ON THE ROAD AS SUPPORT FOR ALEX SAMPSON

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Emerging pop singer maryjo is set to kick off 2026 on the road as direct support for Alex Sampson. The tour launches February 6 in Anaheim at The Parish and wraps March 14 in Los Angeles at The Roxy, marking an exciting new chapter for the fast-rising artist. Tickets are available at https://www.maryjo-official.com/#shows.  See all tour dates below.

maryjo says, “New year, new tour, new songs—and a few surprises waiting in the wings. I’ve been dying to take these songs on the road, and there’s no better way to start the year than doing what I love most. I’m beyond excited to be touring with Alex Sampson, and I can’t wait to meet some new faces and share what’s coming. This one feels special

maryjo is a 24-year-old singer-songwriter with an unforgettable voice tailor-made for heart-melting piano ballads. Known for her striking emotional range and vocal agility, she moves effortlessly from full-throated belting to fragile, crackling vulnerability. Born in Knoxville and raised in Cleveland, maryjo quietly nurtured her love for songwriting and piano after becoming shy about performing. It wasn’t until she began posting performance videos online that she broke through her fear—quickly captivating audiences with her raw talent and emotional honesty.

Her breakout online presence led to a loyal following of over 1.3 million TikTok fans and a spot on Season 19 of American Idol, where she finished in the Top 24. Following the show, maryjo signed a major label deal and released her debut single, “Love Fools,” a stripped-back, emotionally rich ballad produced by ACM Award-winner Gordon Mote. She followed with standout singles including “Don’t Call Me” and “Nothing to Lose,” further cementing her as a compelling new voice in pop.

Now fully independent, maryjo is reclaiming her narrative and leaning deeper into the soul-stirring sound that first made the world listen—most recently with her viral single “LIVING ROOM” featuring Mergui.

HIGHLIGHTS

·       Finished Top 24 on American Idol Season 19

·       Tour support for Jessica Baio, Alex Warren, JVKE, and Knox

·       Performed at Dusk Music Festival, Truckee Music Festival, and Warped Tour 2025

·       Over 200 million career streams with 2.5 million monthly listeners

·       Collaboration with global artist Cyril surpassing 150 million streams

·       More than 1.5 million followers across social platforms and 32.6 million TikTok likes

Tour Dates

February 6 – Anaheim, CA – The Parish at House of Blues

February 7 – San Diego, CA – Voodoo Room at House of Blues

February 8  -Phoenix, AZ – The Rebel Lounge

February 10 – Houston, TX – Bronze Peacock at House of Blues

February 12- Nashville, TN – Cannery Hall (Row One Stage)

February 13 – Atlanta, GA – Vinyl Center Stage

February 14 – Charlotte, NC – The Evening Muse

February 15 – Washington, DC – DC9

February 17 – New York, NY – Mercury Lounge

February 18  -Philadelphia, PA – The Foundry at Fillmore 

February 20 – Boston, MA – The Red Room at Café 939

February 21 – Montreal, Canada – Petit Campus

February 22 – Toronto, Canada – The Mod Club

February 25 – Columbus, OH – A&R Music Bar

February 26 – Detroit, MI – El Club

February 27 – Chicago, IL – Reggies Rock Club

February 18 – Minneapolis, MN – 7th St Entry

March 3 -Denver, CO – Bluebird Theatre

March 4 – Salt Lake, City, UT – Soundwell

March 6 – Seattle, WA – Maaume Lou’s

March 7 – Vancouver, Canada – Hollywood Theatre

March 8 – Portland, OR – Mcmenamins Mission Theatre

March 10 – San Francisco, CA – Café Du Nord

March 14 – Los Angeles, CA – The Roxy Theatre 

DAFFO ON TOUR PLAYING THE MASQUERADE – ALTAR

Posted by Liz and John Attaway, 1/24/26

Daffo will be making a stop in Atlanta, GA to play a show at The Masquerade – Altar on 1/28 

Their debut album, Where The Earth Bends, is out now via Concord Records and is a one-of-a-kind coming-of-age album that finds powerful catharsis in painful confession. Produced and mixed by Rob Schnapf (a veteran producer known for his work with Elliott Smith, Beck, Cat Power, and more), Where the Earth Bends encompasses an intimate yet frenetic sound that perfectly mirrors the album’s emotional intensity.

An essential new voice on the indie-rock scene Daffo brings an unexpected beauty to the most uncomfortable of feelings. With a poetic specificity that cuts right to the heart, they speak an unfiltered truth about all that sets them apart from the wider world, confronting everything from shame and self-loathing to misplaced affection and the chaos of living with an overactive brain. Where the Earth Bends was produced and mixed by Rob Schnapf (Elliott Smith, Beck, Cat Power), and engineer Matt Schuessler (Kurt Vile, Steve Gunn). Esteemed musicians were enlisted like drummer Josh Adams (Devendra Banhart, Jon Batiste) which allowed the album to embrace a boldly naturalistic approach to every element of the production process. 

“Gabi Gamberg’s scratchy voice over sputtering drums and lo-fi distorted guitars seesaws between remembering the wonderment of ‘the kid in you’ and an adult realization that ‘there’s nothing I can do’ – the holiday season’s tensions laid bare.”

-The New York Times

“The gritty, slacker rock sound brings strength to their tender phrasings and acrobatic harmonies”

-Paste

“Catchy and distortion-heavy”

-Stereogum

“Uniquely confessional lyricism”

-The Needle Drop