SNAIL MAIL COMING TO ATLANTA’S VARIETY PLAYHOUSE APRIL 22ND

Posted by Liz and John Attaway, 3/30/26

Snail Mail is the incredible project of singer/songwriter Lindsey Jordan, who will release her highly anticipated album Ricochet out at the end of March! I’m reaching out because she will head out on her major North American Tour next month and will be stopping in Atlanta along the way! 

Snail Mail has released two of the album’s singles  “My Maker,” which was co-produced by Jordan, alongside Aron Kobayashi Ritch (Momma) and the music video was shot as a single-take hot air balloon ride! 
Prior to “My Maker,” Jordan also shared the album’s first single, Dead End,”a standout that mourns the simplicity of a suburban adolescence, of parking in a cul-de-sac and smoking with friends.

On her first album in five years, she returns with a renewed sense of clarity and control, asserting herself as a generational songwriter with a sharpened perspective.

Photo: Daria Kobayashi Ritch

Snail Mail Tour Dates:

April 10 — Turner Hall — Milwaukee, WI *

April 11 — The Riviera Theatre — Chicago, IL *^

April 12 — Majestic Theatre — Detroit, MI *^

April 13 — The Concert Hall — Toronto, ON *^

April 15 — Brooklyn Paramount — Brooklyn, NY *~

April 16 — The Fillmore — Philadelphia, PA *+

April 17 — Big Night Live — Boston, MA *+

April 18 — Union Collective Parking Lot — Baltimore, MD *+

April 20 — Haw River Ballroom — Saxapahaw, NC *

April 21 — The Orange Peel — Asheville, NC *

April 22 — Variety Playhouse — Atlanta, GA *

April 24 — White Oak Music Hall (Downstairs) — Houston, TX *

April 25 — Granada Theater — Dallas, TX *

April 26 — Stubb’s — Austin, TX *

April 28 — The Tower Theatre — Oklahoma City, OK *

April 30 — The Van Buren — Phoenix, AZ *&

May 1 — The Wiltern — Los Angeles, CA *%

May 2 — Observatory North Park — San Diego, CA *&

May 4 — The Warfield — San Francisco, CA *% 

May 5 — Ace of Spades — Sacramento, CA *&

May 7 — Crystal Ballroom — Portland, OR *&

May 8 — Moore Theatre — Seattle, WA *&

May 9 — Vogue Theatre — Vancouver, BC *&

May 11 — Treefort Music Hall — Boise, ID *&

May 13 — Ogden Theatre — Denver, CO *&

May 15 — Kilby Block Party — Salt Lake City, UT

May 16 — Metro Music Hall (Kilby Block Party After Show) — Salt Lake City, UT

June 18 — Paradiso — Amsterdam, NL

June 19 — Heartland Festival — Copenhagen, DK

June 20 — Columbia Theater — Berlin, DE

June 21 — Trix — Antwerp, BE

June 23 — Trabendo — Paris, FR

June 25 & 26 — Electric Ballroom — London, UK

June 28 — Outbreak Festival — Manchester, UK

July 24 — Fuji Rock Festival — Niigata, JP

w/support: 

* Sharp Pins

^ Avalon Emerson and The Charm

~ @

+ Swirlies

& Armlock

% Rocket

TELESCREENS PLAYING SMITHS OLDE BAR IN ATLANTA ON APRIL 9TH

Posted by Liz and John Attaway, 3/27/26

New York City band Telescreens are gearing up to release new music this year and will also embark on a North American tour which will be making a stop in Atlanta, GA where they will play Smiths Olde Bar on 4/9.

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Since forming in Manhattan and Brooklyn, Telescreens has developed a sound that bridges decades – a meeting of old-school rock attitude and forward-looking production. Their debut album The Return (2020) introduced a cinematic, story-driven vision; Stare Wide (2023) added heaviness and immediacy. “Nothing” now points toward what’s next: a band pushing their creative limits while staying true to the pulse of rock and roll.

Known for their gritty, high-voltage live performances, Telescreens turn every stage into a full-body experience. Their shows are packed with sweat, movement, and the kind of unrestrained dancing that collapses the barrier between band and audience. Rooted in the ethos of New York City’s storied rock scene while fearlessly pushing it forward, the band has headlined NYC’s Webster Hall and Bowery Ballroom and played the main stage at Governors Ball 2024. Fans can expect that same chaotic, immersive energy as the band hit the road this spring for a North American tour as the support for Quarters followed by a run supporting Sir Chloe.

Tour:

3/27 – Neumos – Seattle, WA *
3/28 – Mission Theater – Portland, OR *
3/30 – The Independent – San Francisco, CA *
4/01 – Quartyard – San Diego, CA *
4/02 – The Regent – Los Angeles, CA *
4/03 – Crescent Ballroom – Phoenix, AZ *
4/05 – Scoot Inn – Austin, TX *
4/06 – Deep Ellum Art Co. – Dallas, TX *
4/07 – House of Blues (Bronze Peacock) – Houston, TX *

4/9 – Smiths Olde Bar – Atlanta, GA (Headline)

4/10 – The Pinhook – Durham, NC (Headline)
4/17 – Lincoln Theatre – Washington, DC ^
4/19 – Anabel’s – Toronto, ON ^
4/21 – Le Studio TD – Montreal, QC ^

* Support for Quarters

 ^ Support for Sir Chloe

KING TUFF ON TOUR PLAYING ATLANTA AT THE EARL – APRIL 22ND

Posted by Liz and John Attaway, 3/27/26

Photo: Wyndham Garnett

King Tuff, the moniker of Burlington, Vermont artist  Kyle Thomas, recently announced his sixth full-length album, MOO, out March 27 via his new label MUP Records via Thirty Tigers. To celebrate the album’s release, King Tuff will embark on a headline tour, stopping at The EARL in Atlanta, GA on 4/22.

Following the release of 2023’s Smalltown StardustKing Tuff found himself a bit lost. He had felt lost since 2016. Both Smalltown Stardust and 2018’s The Other had been departures from his sound, and while they were both new sonic places that he needed to explore, neither album felt all that fun to perform live. Every show he would just be looking forward to playing his older, wilder material. So when he decided to make a new record, it only seemed right to go back to what has always brought him the most joy, Rock & Roll music.

A few months before starting MOO, Thomas fell in love. So, MOO is mostly love songs, with the exception of a song about rodents and a song about getting an oil change. But those are actually love songs too. MOO is a full circle moment. A return to form. A return to rock. A return to Vermont. A return to himself. Reconnecting the dots. Restarting the engine. Plugging in the stack. Finally letting King Tuff be King. F*cking. Tuff.

King Tuff will be playing a record release show at Rough Trade in Brooklyn, NY this Friday, March 27 and the tour in support of MOO kicks off April 15th in Troy, NY. Tickets are available now via kingtuffworld.net

Tour Dates:

April 15 – Troy, NY @ No Fun

April 16 – Brooklyn, NY @ Music Hall of Williamsburg *

April 17 – Kingston, NY @ Tubby’s *

April 18 – Philadelphia, PA @ Kung Fu Necktie *

April 19 – Washington, DC @ Songbyrd Music House *

April 21 – Raleigh, NC @ Kings *

April 22 – Atlanta, GA @ The EARL *

April 24 – New Orleans, LA @ Gasa Gasa *

April 25 – Houston, TX @ Moon Tower Inn *

April 26 – Austin, TX @  29th Street Ballroom *

April 29 – San Diego, CA @ Casbah *

April 30 – Los Angeles, CA @ Sid The Cat Auditorium *

May 1 – Ojai, CA @ Ojai Women’s Center *

May 2 – San Francisco, CA @ The Chapel #

May 4 – Seattle, WA @ Barboza #

May 5 – Portland, OR @ Mississippi Studios #

May 7 – Salt Lake City, UT @ Urban Lounge #

May 9 – Denver, CO @ Globe Hall #

May 11 – Sioux Falls, SD @ Total Drag

May 12 – St. Paul, MN @ Turf Club

May 13 – Chicago, IL @ Lincoln Hall ^

May 15 – Grand Rapids, MI @ Pyramid Scheme ^

May 16 – Toronto ON @ Sound Garage ^

May 17 – Montreal, QC @ Bar Le Ritz PDB ^

May 19 – Burlington, VT @ Higher Ground ^

May 20 – Portland, ME @ SPACE ^

May 21 – Hamden, CT – Space Ballroom ^

May 22- Boston, MA @ Middle East Upstairs ^

May 23 – Brattleboro, VT @ Stone Church ^

With support from

* Morgan Nagler

# Gabriel Bernini

^ Mod Lang

APPLE 50TH ANNIVERSARY SHOWCASE AT MIMMS MUSEUM

Posted by Liz and John Attaway, 3/22/26

On April 1, 2026, Mimms Museum will debut iNSPIRE: Fifty Years of Innovation from Apple, one of the largest collections of Apple products ever publicly displayed. Spanning more than 20,000 square feet, the exhibit features over 2,000 rare artifacts, early prototypes, iconic devices and archival materials tracing Apple’s evolution from a garage startup to a global design and technology leader. 

In addition to hands-on displays of early computers and devices, the exhibition includes immersive installations inspired by Apple’s most memorable creative campaigns, along with storytelling that highlights the designers, engineers and visionaries behind the brand. Rare collector’s items, unique documents and behind-the-scenes stories of Apple’s groundbreaking products will also be on display. 

iNSPIRE: Fifty Years of Innovation from Apple is a first-of-its-kind exhibition and a timely way to commemorate the 50th anniversary of one of the most culturally impactful brands in the world

KATZU OSO IN ATLANTA AT TERMINAL WEST FEB 14

Posted by Liz and John Attaway, 1/25/26

KATZÙ OSO

Releases His New Album La Conexión Via Cosmica Artists 

New Tour Dates in 2026 Supporting Say She She

“We can’t help but stan Katzù Oso, an irrepressibly talented LA musician whose work has blended themes, genres and styles together in a harmoniously captivating way. On his latest single “Amantes” off his upcoming recently announced album La Conexión, that mystic of neighborhood rhythms and backyard romances is readily apparent, a heart fluxing tune that has a fragrance you can hear.” Live Nation’s Ones to Watch

“Despite sporting a bit of that velvety ‘70s soft rock swagger and quiet storm strut, the Los Angeles-based singer and songwriter makes it clear that he’s not out for another casual midnight rendezvous or vapid hookup. Instead, he makes it known that he’s struck gold (“Show me what this loves about…that fuzzy feeling keeps me around,” “A woman like you makes me feel so alive, takes me to paradise”). Taking cues from artists like Tame Impala and Alan Palomo, Hernandez injects some modern electro pop energy into the mix for a deeply satisfying psychedelic love song that has shaped out to be one of his most vulnerable songs yet.” Remezcla

“Los Angeles native Katzù Oso showcases an intimate new single. Titled “A Woman Like You,” the piece is a soft reflection on the courage it takes to be vulnerable with a partner. His warm, luscious vocals glide over a delicate, glistening backdrop for the ultimate intoxicating track. With soothing sounds evoking vibes of acts like Chicano Batman, the second he starts singing you are instantly drawn in.” Atwood Magazine

“The Spanish pop song gets funky, electric, and reflective as he looks back on a toxic relationship. The up-and-coming Latino artist from Los Angeles is one to watch as he perfectly blends synth, psychedelic rock, and Latin culture.” Hola!

“Katzù Oso, “A Woman Like You” – In a whispery falsetto over a warm melodies, Angeleno singer-songwriter Paul Hernandez and his band Katzù Oso invites listeners to sink in and feel seen. He wrestles with the fear of not being enough — then credits love for transforming him. Fans of Durand Jones and The Indications, Herbie Hancock and Marvin Gaye will recognize the influence, but Katzù Oso keeps it intimate, modern and emotionally resonant.” Riff Magazine

Singer-songwriter Katzù Oso has released his new album La Conexión that is out now on all platforms. 

La Conexión, is an immersive, cinematic exploration of human emotion, relationships, and self-discovery. The artist brings his visual storytelling background as a photographer into his music, with every track functioning like a moment suspended in time—capturing the raw beauty, pain, and complexity of life through sound. Through themes of transformation, love, loss, and introspection, Katzù crafts a narrative that is universally relatable yet deeply personal, blending elements of Latin pop, acoustic ballads, and cinematic instrumentation.

Katzù says, “This album is a collection of pivotal moments that have shaped who I am. It’s a project about love, pain, hope, longing, and the quiet resilience that carries you forward. Like a roll of film with 36 exposures, each song captures a unique story, a snapshot in time.

‘La Conexión’ is made up of 12 songs — 12 moments suspended in 35 minutes of music. I didn’t confine myself to a single genre, because I wasn’t raised in a single sound. I grew up surrounded by a wide spectrum of music, culture, and emotion — and I wanted this album to reflect that, without holding back.

I come from a diverse city, rich with culture and community, and I wanted ‘La Conexión’ to feel like that — a melting pot of influences and sounds that ultimately made me, me.”

The album is not just a collection of songs but an intimate journey that showcases how Katzù Oso translates his artistic vision across different mediums.

Before the year is over, Katzù will be doing his album release show at The Paramount in Los Angeles on November 8th. Tickets are on sale at https://dice.fm/event/v3kv2l-katz-oso-8th-nov-the-paramount-los-angeles-tickets?lng=en-US

Then in 2026 Katzù will embark on a US tour as support to Say She She. Tickets are on sale at https://www.katzuoso.com/tour-ko . See all tour dates below.

About Katzù Oso

Katzù Oso is a Latino artist born and raised in the heart of Los Angeles. His melodic vocals and contemporary sounds are influenced by his multicultural upbringing in East LA and Boyle Heights. After the release of his two buzzworthy harmonic EPs, Colour, and Pastel, Katzù Oso takes us to another alternative dimension with his debut album, Tmí. Oso’s album is a timeline portal into his hero’s journey growing up in his Boyle Heights neighborhood. From the heart and soul he brings to life una historia de amor to escape the current reality and transcend into a melodic universe filled with synthesizer and upbeat tempos. Visually, our hero takes on the new alter ego with the Luchador mask, a symbolic representation of his roots and serves as an ode to his Latino cultura. 

His musical manifestations started with him writing his entire album in his bedroom to performing shows in his hometown, and later taking the stage at ACL, Tropicalia, and opening for Tyler the Creator. Signed to Cosmica Artists, he is currently working on his much anticipated second album and hopes to go deeper into the realms of his mulit-faceted universe. Katzù credits his eclectic musical style and influences to romantic soulful Mexican singer, José José, psychedelic rock band, Tame Impala, iconic Mexican artist, Julieta Venegas, and many more. Katzù’s music highlights the experiences of being young, brown, and gifted in today’s America while breaking free from society’s stereotypical confinements with his euphonic charm. More than synths and beats, his music is a glimpse into unseen worlds within the soul of a modern artist influenced by a multicultural upbringing.  

Tour Dates

1/27 – San Francisco, CA – August Hall
1/29 – Portland, OR – Aladdin Theater
1/30 – Vancouver, BC – Hollywood Theatre
1/31 – Seattle, WA – The Showbox
2/2 – Roseville, CA – Goldfield Trading Post Roseville
2/5 – Los Angeles, CA – The Belasco
2/6 – San Diego, CA – Music Box
2/7 – Pioneertown, CA – Pappy & Harriet’s
2/9 – Boulder, CO – Fox Theatre
2/10 – Fort Collins, CO – Washington’s
2/12 – St. Louis, MO – Old Rock House
2/13 – Nashville, TN – 3rd & Lindsley
2/14 – Atlanta, GA – Terminal West
2/15 – Asheville, NC – The Grey Eagle
2/17 – Washington, DC – The Atlantis
2/18 – Ardmore, PA – Ardmore Music Hall
2/20 – Brooklyn, NY – Warsaw
2/21 – Cambridge, MA – The Sinclair
2/22 – Albany, NY – Lark Hall
2/24 – Toronto, ON – The Great Hall
2/26 – Chicago, IL – Thalia Hall
2/27 – Minneapolis, MN – Fine Line
2/28 – Milwaukee, WI – Vivarium
3/1 – Indianapolis, IN – HI-FI Indianapolis

MARYJO TOUR SUPPORTING ALEX SAMPSON COMES THROUGH ATLANTA FEB 13 AT VINYL

Posted by Liz and John Attaway, 1/25/26

maryjo

KICKS OFF 2026 ON THE ROAD AS SUPPORT FOR ALEX SAMPSON

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Emerging pop singer maryjo is set to kick off 2026 on the road as direct support for Alex Sampson. The tour launches February 6 in Anaheim at The Parish and wraps March 14 in Los Angeles at The Roxy, marking an exciting new chapter for the fast-rising artist. Tickets are available at https://www.maryjo-official.com/#shows See all tour dates below.

maryjo says, “New year, new tour, new songs—and a few surprises waiting in the wings. I’ve been dying to take these songs on the road, and there’s no better way to start the year than doing what I love most. I’m beyond excited to be touring with Alex Sampson, and I can’t wait to meet some new faces and share what’s coming. This one feels special

maryjo is a 24-year-old singer-songwriter with an unforgettable voice tailor-made for heart-melting piano ballads. Known for her striking emotional range and vocal agility, she moves effortlessly from full-throated belting to fragile, crackling vulnerability. Born in Knoxville and raised in Cleveland, maryjo quietly nurtured her love for songwriting and piano after becoming shy about performing. It wasn’t until she began posting performance videos online that she broke through her fear—quickly captivating audiences with her raw talent and emotional honesty.

Her breakout online presence led to a loyal following of over 1.3 million TikTok fans and a spot on Season 19 of American Idol, where she finished in the Top 24. Following the show, maryjo signed a major label deal and released her debut single, “Love Fools,” a stripped-back, emotionally rich ballad produced by ACM Award-winner Gordon Mote. She followed with standout singles including “Don’t Call Me” and “Nothing to Lose,” further cementing her as a compelling new voice in pop.

Now fully independent, maryjo is reclaiming her narrative and leaning deeper into the soul-stirring sound that first made the world listen—most recently with her viral single “LIVING ROOM” featuring Mergui.

HIGHLIGHTS

·       Finished Top 24 on American Idol Season 19

·       Tour support for Jessica Baio, Alex Warren, JVKE, and Knox

·       Performed at Dusk Music Festival, Truckee Music Festival, and Warped Tour 2025

·       Over 200 million career streams with 2.5 million monthly listeners

·       Collaboration with global artist Cyril surpassing 150 million streams

·       More than 1.5 million followers across social platforms and 32.6 million TikTok likes

Tour Dates

February 6 – Anaheim, CA – The Parish at House of Blues

February 7 – San Diego, CA – Voodoo Room at House of Blues

February 8  -Phoenix, AZ – The Rebel Lounge

February 10 – Houston, TX – Bronze Peacock at House of Blues

February 12- Nashville, TN – Cannery Hall (Row One Stage)

February 13 – Atlanta, GA – Vinyl Center Stage

February 14 – Charlotte, NC – The Evening Muse

February 15 – Washington, DC – DC9

February 17 – New York, NY – Mercury Lounge

February 18  -Philadelphia, PA – The Foundry at Fillmore 

February 20 – Boston, MA – The Red Room at Café 939

February 21 – Montreal, Canada – Petit Campus

February 22 – Toronto, Canada – The Mod Club

February 25 – Columbus, OH – A&R Music Bar

February 26 – Detroit, MI – El Club

February 27 – Chicago, IL – Reggies Rock Club

February 18 – Minneapolis, MN – 7th St Entry

March 3 -Denver, CO – Bluebird Theatre

March 4 – Salt Lake, City, UT – Soundwell

March 6 – Seattle, WA – Maaume Lou’s

March 7 – Vancouver, Canada – Hollywood Theatre

March 8 – Portland, OR – Mcmenamins Mission Theatre

March 10 – San Francisco, CA – Café Du Nord

March 14 – Los Angeles, CA – The Roxy Theatre 

DAFFO ON TOUR PLAYING THE MASQUERADE – ALTAR

Posted by Liz and John Attaway, 1/24/26

Daffo will be making a stop in Atlanta, GA to play a show at The Masquerade – Altar on 1/28 

Their debut album, Where The Earth Bends, is out now via Concord Records and is a one-of-a-kind coming-of-age album that finds powerful catharsis in painful confession. Produced and mixed by Rob Schnapf (a veteran producer known for his work with Elliott Smith, Beck, Cat Power, and more), Where the Earth Bends encompasses an intimate yet frenetic sound that perfectly mirrors the album’s emotional intensity.

An essential new voice on the indie-rock scene Daffo brings an unexpected beauty to the most uncomfortable of feelings. With a poetic specificity that cuts right to the heart, they speak an unfiltered truth about all that sets them apart from the wider world, confronting everything from shame and self-loathing to misplaced affection and the chaos of living with an overactive brain. Where the Earth Bends was produced and mixed by Rob Schnapf (Elliott Smith, Beck, Cat Power), and engineer Matt Schuessler (Kurt Vile, Steve Gunn). Esteemed musicians were enlisted like drummer Josh Adams (Devendra Banhart, Jon Batiste) which allowed the album to embrace a boldly naturalistic approach to every element of the production process. 

“Gabi Gamberg’s scratchy voice over sputtering drums and lo-fi distorted guitars seesaws between remembering the wonderment of ‘the kid in you’ and an adult realization that ‘there’s nothing I can do’ – the holiday season’s tensions laid bare.”

-The New York Times

“The gritty, slacker rock sound brings strength to their tender phrasings and acrobatic harmonies”

-Paste

“Catchy and distortion-heavy”

-Stereogum

“Uniquely confessional lyricism”

-The Needle Drop

THE WOMBATS PLAYING BUCKHEAD THEATRE ON FEB 2

Posted by Liz and John Attaway, 1/18/26

 In early December, The Wombats released their deluxe for Oh! The Ocean coming featuring the original tracklist along with a new collection of songs recorded, offering fans a deeper dive into the sonic world the band built with the album. 

Listen to Oh! The Ocean Extended Version here.

Since The Wombats emerged as leading lights of the late-‘00s indie rock scene with 2007 debut A Guide to Love, Loss & Desperation, Murph, bassist Tord Øverland Knudsen and drummer Dan Haggis have maintained an incredible upward momentum. 2011’s electro-flecked second album This Modern Glitch made them Top Ten regulars; 2015’s third Glitterbug saw them embraced by the TikTok generation, with “Greek Tragedy” a viral hit several times over. By 2018’s Beautiful People Will Ruin Your Life they’d stepped up to arenas and 2022’s Fix Yourself, Not the World consolidated their unstoppable rise with the band’s first Number One album, seeing them reach over 2.5 billion streams. Headline shows at Crystal Palace and The O2 followed amid the band’s biggest touring cycle so far, taking in arenas across the globe and culminating at Reading 2024, where the band headlined a rammed Radio 1 tent overspilling with crowds of 18-24-year-olds that remain their core audience twenty years into their career.

Photo: Joshua Fairbrother

COMING TO ATLANTA AT THE EASTERN ON DEC 9 – PORTUGAL. THE MAN!

Posted by Liz and John Attaway, 12/1/25

To celebrate their 10th studio album, they’ll be hitting the road! They’ll play on Dec 9th at The Eastern.


SHISH finds Portugal.The Man on the edge of discovery – pulling the curtain back further. Across its ten distinct tracks, the band leans into discomfort, vulnerability, and the warped pop sensibility that only Portugal. The Man can offer. SHISH represents a period of intense reappraisals for Gourley, both in music and in life and it combines Gourley’s most revealing writing yet, not only about the lessons he learned being raised in Alaska, but also some of the lessons he’s already learned raising his daughter, Frances, who was diagnosed with one of the world’s rarest genetic disorders four years ago. 

These personal tales and philosophies mirror a broader sense of musical freedom than Portugal. The Man has ever before embraced, in spite of how wide-ranging their music has always been.

The band’s released some great teases of the record so far with their tracks: “Angoon,” “Denali”, “Tanana,” and “Mush.” 

Praise for Portugal. the Man:


“Shish, the most explicitly Alaskan record Gourley has written, because he felt he owed it to Alaska and he owed it to himself.” – SPIN

“Shish’s early singles hint at a certain propulsiveness to the structures of these songs, even if Gurley’s falsetto, surfy guitars, and bubblegum psych-pop aesthetic tend to bring MGMT’s Congratulations to mind.” – FLOOD 

“Tanana” finds the band in hazy psych-pop mode, while “Mush” is a little more rocking and propulsive.” – Brooklyn Vegan

“Portugal. The Man, whose 2017 smash “Feel It Still” has been stuck in your head no fewer than six times, have announced their forthcoming album, “SHISH,” with these two new songs. “Tanana” — a city in Alaska, the band’s birth state — evokes a woozy psych-rock freefall, countered by the skittering alt-rock anxiety of “Mush.”  – Boston Globe

“SHISH is yet another awe-inspiring effort from Gourley and his Portugal. The Man project turned out to be some of the most honest, refreshing music the artist has added to his discography in some time. These ten songs pinpoint the exact time and space Gourley is currently in, and turn his point of view into relatable slices of daring, artistic indie rock.” Glide Magazine

“SHISH saw Gourley scale-back from the limitless world to a tightened circle. It became a call back to the band’s Alaskan origins and upbringing, adopting a mentality of taking only what you need rather than everything at your fingertips. Through SHISH, Portugal. The Man invites listeners into their home, proudly representing the community they came from.” Luna Collective

“The Grammy-winning indie-rock mainstays’ next project shows them braving fearsome new sonic possibilities and drawing inspiration from their origins in Alaska” – Relix 


“A pretty eclectic mix of music that hops extravagantly from foot to foot” – 13th Floor

Rest of the tour:

Dec 2 – Brooklyn, NY – Music Hall of Williamsburg (The Lords of Portland Present Portugal. The Man)

Dec 3 – New York, NY – Terminal 5
Dec 4 – Philadelphia, PA – Union Transfer
Dec 5 – Washington, DC – The Anthem
Dec 7 – Pelham, TN – The Caverns
Dec 8 – Asheville, NC – The Orange Peel
Dec 9 – Atlanta, GA – The Eastern
Dec 11 – Dallas, TX – The Bomb Factory
Dec 12 – Austin, TX – ACL Live – Moody Theater

JAY SOM COMING TO ATLANTA’S AISLE 5 ON DEC 5

Posted by Liz and John Attaway, 11/9/25

Los Angeles-based / Bay area- raised multi-instrumentalist, songwriter and producer Melina Duterte aka Jay Som recently released the critically acclaimed Belong – her first new album in over six years. The record has received praise from NPRThe New York TimesBillboard, Rolling Stone, Stereogum, The Needle Drop, Alternative Press and Paste Magazine, calling it “one of Jay Som’s strongest works of late.” Next month, she will be heading on tour, playing at Aisle 5 on 12/5.

Early praise for Jay Som & Belong:

“Indie’s secret weapon” – Rolling Stone

“Duterte’s third album, ‘Belong,’ has both pillowy guitar textures and plenty of bite.” 

The New York Times 

“Come for the gauzy songwriting, stay for the hooks stuck in your head” – Pitchfork

the full thrush of this is very much pop-punk catharsis..the eruption of it, it’s just so satisfying”

 – NPR Music 

“a startling, spectacular return…’Float’ is one of the most purely pleasurable rock songs in recent memory.” – Stereogum

“a tender electro-pop track featuring textured synths, piano, and dreamy vocals. The evolving soundscape feels effortless and vibrant” 

Paste

“’Belong’ is an expansion of her once nascent talents, a rush of electro-synths, punk-pop and other variously nostalgic indie genres, presented in a new way.” – Associated Press

“While she indulges in a bit of nostalgia, this is no aughts radio rock pastiche; her sound remains refreshingly her own”

 – them

“‘Float’ feels like an organic collaboration mixing Jay Som’s dream pop sensibilities with Adkins’ signature sound” – Consequence

“a truly excellent electro-pop track…with some of her best vocals to date.”

 – Billboard 

 “Even on her most collaborative release yet, Duterte’s individual vision has never been stronger or clearer.” – Brooklyn Vegan

“another triumph” – Interview Magazine

“…the production and attention to the tiniest details throughout Belong show a new level of artistry.” – PopMatters


Jay Som – the project of Los Angeles-based multi-instrumentalist, songwriter and producer Melina Duterte – just released Belong, her first new album in over six years. Belong features Jay Som’s first-ever collaborations and today she shares a music video for one of the album’s biggest moments – “Past Lives” featuring Hayley Williams of Paramore. 

Studio Sparks (Cristiana Figueiredo & Lucas Moreira) who directed the video note:

“We wanted the animation to reflect the journey of personal discovery that the song represents.

We imagined a tiny, music-box-sized character who escapes into a vast frozen world, haunted by shadowy reflections of her past self as she travels through melting cliffs, falling stars, and cracking ice — a fragmented narrative mirroring her emotions and confusions through surreal sequences. Caught between collapse and transformation, she spirals upward through abstract scenes of memory and feeling, ultimately reconnecting with all the lives that live within her.”

Watch Jay Som spiraling up in the mesmerizing animated video HERE

Jay Som will embark on her first North American tour in over 5 years this winter, but first she’ll return to the EU/UK starting this weekend. See below to find a show near you, and get your tickets HERE.

Since Jay Som’s critically acclaimed sophomore album Anak Ko came out in 2019, Duterte has spent the last few years cultivating her passion for production and audio engineering. This lead to producing credits on the GRAMMY-winning boygenius album the record, Lucy Dacus’ latest Forever Is A Feeling, and countless beloved indie records. She also joined boygenius as a touring band member, collaborated alongside the likes of Troye Sivan and beabadoobee with No Rome, contributed to the I Saw the TV Glow soundtrack, and more. Yes, Jay Som itself has been on a bit of a break; Duterte, however, has perhaps been busier than ever.

Finally, Jay Som returns with Belong. While Jay Som has always been a solo project for Duterte, this album finds her expanding her world by collaborating with outside musicians, writers and producers. Duterte wrote, composed, performed, produced, engineered and mixed the record with contributions from Joao Gonzalez (of Soft Glas), Mal Hauser (a collaborator to Mk.gee and Illuminati Hotties), Steph Marziano (producer for Vundabar, Hot Wax, Sir Chloe) and Kyle Pulley, and she also welcomed guest vocalists for the first time. The album finds Duterte searching for her place, or somewhere she belongs, within an indie rock ecosystem that Jay Som stepped away from for the past six years. The result is an album unlike any Jay Som record before it: a gripping 11-song set about self-definition that floats between supercharged power-pop hits and hazy ballads, between electronic curiosities and lighters-up anthems. 

DOWNLOAD, STREAM & PURCHASE BELONG – OUT NOW!

Tour Dates

11/03 – Berlin, Germany @ Kantine am Berghain

11/05 – Paris, France @ Pitchfork Paris – Le Trabendo  

11/06 – Brussels, Belgium @ Botanique – Rotonde

11/08 – London, UK @ Pitchfork London – Earth Theatre

11/22 – San Francisco, CA @ Bimbos 365 Club %

11/23 – Los Angeles, CA @ El Rey +

12/02 – Austin, TX @ Brushy Street Commons*^

12/03 – Dallas, TX @ Club Dada*

12/05 – Atlanta, GA @ Aisle 5 *

12/06 – Memphis, TN @ Raised By Sound Fest

12/08 – Washington, DC @ Atlantis ~

12/09 – Philadelphia, PA @ The Foundry ~

12/11 – New York, NY @ Warsaw ~

12/12 – Pittsburgh, PA @ Spirit Hall ~#

12/13 – Chicago, IL @ Lincoln Hall ~

12/14 – Minneapolis, MN @ Fine Line ~

12/19 – Seattle, WA @ Neumos ~

12/20 – Portland, OR @ Aladdin Theater ~

% w/ Sour Widows

+ w/ Fashion Club

~ w/ Sea Lemon

* w/ Jahnah Camille

^ w/ proun

# w/ Tory Silver