COMING TO ATLANTA AT THE EASTERN ON DEC 9 – PORTUGAL. THE MAN!

Posted by Liz and John Attaway, 12/1/25

To celebrate their 10th studio album, they’ll be hitting the road! They’ll play on Dec 9th at The Eastern.


SHISH finds Portugal.The Man on the edge of discovery – pulling the curtain back further. Across its ten distinct tracks, the band leans into discomfort, vulnerability, and the warped pop sensibility that only Portugal. The Man can offer. SHISH represents a period of intense reappraisals for Gourley, both in music and in life and it combines Gourley’s most revealing writing yet, not only about the lessons he learned being raised in Alaska, but also some of the lessons he’s already learned raising his daughter, Frances, who was diagnosed with one of the world’s rarest genetic disorders four years ago. 

These personal tales and philosophies mirror a broader sense of musical freedom than Portugal. The Man has ever before embraced, in spite of how wide-ranging their music has always been.

The band’s released some great teases of the record so far with their tracks: “Angoon,” “Denali”, “Tanana,” and “Mush.” 

Praise for Portugal. the Man:


“Shish, the most explicitly Alaskan record Gourley has written, because he felt he owed it to Alaska and he owed it to himself.” – SPIN

“Shish’s early singles hint at a certain propulsiveness to the structures of these songs, even if Gurley’s falsetto, surfy guitars, and bubblegum psych-pop aesthetic tend to bring MGMT’s Congratulations to mind.” – FLOOD 

“Tanana” finds the band in hazy psych-pop mode, while “Mush” is a little more rocking and propulsive.” – Brooklyn Vegan

“Portugal. The Man, whose 2017 smash “Feel It Still” has been stuck in your head no fewer than six times, have announced their forthcoming album, “SHISH,” with these two new songs. “Tanana” — a city in Alaska, the band’s birth state — evokes a woozy psych-rock freefall, countered by the skittering alt-rock anxiety of “Mush.”  – Boston Globe

“SHISH is yet another awe-inspiring effort from Gourley and his Portugal. The Man project turned out to be some of the most honest, refreshing music the artist has added to his discography in some time. These ten songs pinpoint the exact time and space Gourley is currently in, and turn his point of view into relatable slices of daring, artistic indie rock.” Glide Magazine

“SHISH saw Gourley scale-back from the limitless world to a tightened circle. It became a call back to the band’s Alaskan origins and upbringing, adopting a mentality of taking only what you need rather than everything at your fingertips. Through SHISH, Portugal. The Man invites listeners into their home, proudly representing the community they came from.” Luna Collective

“The Grammy-winning indie-rock mainstays’ next project shows them braving fearsome new sonic possibilities and drawing inspiration from their origins in Alaska” – Relix 


“A pretty eclectic mix of music that hops extravagantly from foot to foot” – 13th Floor

Rest of the tour:

Dec 2 – Brooklyn, NY – Music Hall of Williamsburg (The Lords of Portland Present Portugal. The Man)

Dec 3 – New York, NY – Terminal 5
Dec 4 – Philadelphia, PA – Union Transfer
Dec 5 – Washington, DC – The Anthem
Dec 7 – Pelham, TN – The Caverns
Dec 8 – Asheville, NC – The Orange Peel
Dec 9 – Atlanta, GA – The Eastern
Dec 11 – Dallas, TX – The Bomb Factory
Dec 12 – Austin, TX – ACL Live – Moody Theater

JAY SOM COMING TO ATLANTA’S AISLE 5 ON DEC 5

Posted by Liz and John Attaway, 11/9/25

Los Angeles-based / Bay area- raised multi-instrumentalist, songwriter and producer Melina Duterte aka Jay Som recently released the critically acclaimed Belong – her first new album in over six years. The record has received praise from NPRThe New York TimesBillboard, Rolling Stone, Stereogum, The Needle Drop, Alternative Press and Paste Magazine, calling it “one of Jay Som’s strongest works of late.” Next month, she will be heading on tour, playing at Aisle 5 on 12/5.

Early praise for Jay Som & Belong:

“Indie’s secret weapon” – Rolling Stone

“Duterte’s third album, ‘Belong,’ has both pillowy guitar textures and plenty of bite.” 

The New York Times 

“Come for the gauzy songwriting, stay for the hooks stuck in your head” – Pitchfork

the full thrush of this is very much pop-punk catharsis..the eruption of it, it’s just so satisfying”

 – NPR Music 

“a startling, spectacular return…’Float’ is one of the most purely pleasurable rock songs in recent memory.” – Stereogum

“a tender electro-pop track featuring textured synths, piano, and dreamy vocals. The evolving soundscape feels effortless and vibrant” 

Paste

“’Belong’ is an expansion of her once nascent talents, a rush of electro-synths, punk-pop and other variously nostalgic indie genres, presented in a new way.” – Associated Press

“While she indulges in a bit of nostalgia, this is no aughts radio rock pastiche; her sound remains refreshingly her own”

 – them

“‘Float’ feels like an organic collaboration mixing Jay Som’s dream pop sensibilities with Adkins’ signature sound” – Consequence

“a truly excellent electro-pop track…with some of her best vocals to date.”

 – Billboard 

 “Even on her most collaborative release yet, Duterte’s individual vision has never been stronger or clearer.” – Brooklyn Vegan

“another triumph” – Interview Magazine

“…the production and attention to the tiniest details throughout Belong show a new level of artistry.” – PopMatters


Jay Som – the project of Los Angeles-based multi-instrumentalist, songwriter and producer Melina Duterte – just released Belong, her first new album in over six years. Belong features Jay Som’s first-ever collaborations and today she shares a music video for one of the album’s biggest moments – “Past Lives” featuring Hayley Williams of Paramore. 

Studio Sparks (Cristiana Figueiredo & Lucas Moreira) who directed the video note:

“We wanted the animation to reflect the journey of personal discovery that the song represents.

We imagined a tiny, music-box-sized character who escapes into a vast frozen world, haunted by shadowy reflections of her past self as she travels through melting cliffs, falling stars, and cracking ice — a fragmented narrative mirroring her emotions and confusions through surreal sequences. Caught between collapse and transformation, she spirals upward through abstract scenes of memory and feeling, ultimately reconnecting with all the lives that live within her.”

Watch Jay Som spiraling up in the mesmerizing animated video HERE

Jay Som will embark on her first North American tour in over 5 years this winter, but first she’ll return to the EU/UK starting this weekend. See below to find a show near you, and get your tickets HERE.

Since Jay Som’s critically acclaimed sophomore album Anak Ko came out in 2019, Duterte has spent the last few years cultivating her passion for production and audio engineering. This lead to producing credits on the GRAMMY-winning boygenius album the record, Lucy Dacus’ latest Forever Is A Feeling, and countless beloved indie records. She also joined boygenius as a touring band member, collaborated alongside the likes of Troye Sivan and beabadoobee with No Rome, contributed to the I Saw the TV Glow soundtrack, and more. Yes, Jay Som itself has been on a bit of a break; Duterte, however, has perhaps been busier than ever.

Finally, Jay Som returns with Belong. While Jay Som has always been a solo project for Duterte, this album finds her expanding her world by collaborating with outside musicians, writers and producers. Duterte wrote, composed, performed, produced, engineered and mixed the record with contributions from Joao Gonzalez (of Soft Glas), Mal Hauser (a collaborator to Mk.gee and Illuminati Hotties), Steph Marziano (producer for Vundabar, Hot Wax, Sir Chloe) and Kyle Pulley, and she also welcomed guest vocalists for the first time. The album finds Duterte searching for her place, or somewhere she belongs, within an indie rock ecosystem that Jay Som stepped away from for the past six years. The result is an album unlike any Jay Som record before it: a gripping 11-song set about self-definition that floats between supercharged power-pop hits and hazy ballads, between electronic curiosities and lighters-up anthems. 

DOWNLOAD, STREAM & PURCHASE BELONG – OUT NOW!

Tour Dates

11/03 – Berlin, Germany @ Kantine am Berghain

11/05 – Paris, France @ Pitchfork Paris – Le Trabendo  

11/06 – Brussels, Belgium @ Botanique – Rotonde

11/08 – London, UK @ Pitchfork London – Earth Theatre

11/22 – San Francisco, CA @ Bimbos 365 Club %

11/23 – Los Angeles, CA @ El Rey +

12/02 – Austin, TX @ Brushy Street Commons*^

12/03 – Dallas, TX @ Club Dada*

12/05 – Atlanta, GA @ Aisle 5 *

12/06 – Memphis, TN @ Raised By Sound Fest

12/08 – Washington, DC @ Atlantis ~

12/09 – Philadelphia, PA @ The Foundry ~

12/11 – New York, NY @ Warsaw ~

12/12 – Pittsburgh, PA @ Spirit Hall ~#

12/13 – Chicago, IL @ Lincoln Hall ~

12/14 – Minneapolis, MN @ Fine Line ~

12/19 – Seattle, WA @ Neumos ~

12/20 – Portland, OR @ Aladdin Theater ~

% w/ Sour Widows

+ w/ Fashion Club

~ w/ Sea Lemon

* w/ Jahnah Camille

^ w/ proun

# w/ Tory Silver

HAYDEN PEDIGO PLAYS ATLANTA’S MASQUERADE ALTAR ON DEC 3RD

Posted by Liz and John Attaway, 11/9/25

Texas-born and Oklahoma City-based fingerstyle guitarist Hayden Pedigo released his remarkable and genre-defying new album I’ll Be Waving As You Drive Away earlier this year via Mexican Summer, which Pitchfork named as Best New Music. He’s now gearing up for his headline tour and will play Masquerade (Altar) in Atlanta on 12/3.

“warm, patient and uplifting” – THE NEW YORK TIMES

“Brilliant” – NPR MUSIC

“We’re lucky that Hayden Pedigo stumbled upon the footsteps of John Fahey and followed them into the deep wordless wood.” – GILLIAN WELCH

“Refined compositional craft and well-executed technique” – PREMIER GUITAR

“studious and inventive…an honesty and understanding of self here that feels refreshing, especially amid so much fingerstyle traditionalism.” – PITCHFORK

“The list of human beings who have conjured this much beauty from steel strings and some wood is short, and Pedigo is on it.” – BANDCAMP

“one of the world’s best guitarists” – PASTE

“[Pedigo] redefines the term “renaissance person.”” – STEREOGUM

Texas-born and Oklahoma City-based fingerstyle guitarist Hayden Pedigo announces his remarkable and genre-defying new album I’ll Be Waving As You Drive Away, out June 6th via Mexican Summer. Since the release of his 2023 record, The Happiest Times I Ever Ignored, Pedigo earned widespread critical acclaim, performed a stunning NPR Tiny Desk Concert, toured non-stop with the likes of Jenny Lewis, Devendra Banhart and Hiss Golden Messenger, and more. He then decamped on a 20,000-acre ranch at an artist residency in Wyoming to write his new album, which he’d later record in Ojai with Scott Hirsch and name for a “pretty devastating” episode of Little House on the Prairie from 1978. The resulting album, I’ll Be Waving As You Drive Away, is the final installment of what Pedigo has dubbed ‘The Motor Trilogy’ – his three latest solo albums, tied together by their vehicular Jonathan Phillips artwork. An innovator of the instrumental genre, challenger of the stereotypical, and son of a truck-stop preacher, Pedigo has crafted an intentionally maximalist, genre-resistant work of warped instrumental Americana on this release, which he calls “a micro-dose psychedelic album…as if somebody had cut up a tab of LSD and put on a Fahey record.” 

Out today is the album opener, “Long Pond Lily.” An outsized and fragrant bloom of intent; a simultaneous echo of Hayden’s previous work and a big, blousy departure. “It’s very heavy and huge” he says of the song, “the low end is rattling on it — it sounds bonkers, and feels like it’s on the verge of going off the rails. It’s so maximalist, so much more energetic than anything I’ve ever written.” Accompanied by a cinematic music video by Matt Muir that manages to make opening a small-town scaregrounds feel like the American Dream, “Long Pond Lily” is out now HERE

Tour dates

05/12/25 – Berklee Performance Center – Boston, MA*

05/14/25 – Kings Theatre – Brooklyn, NY*

05/17/25 – Miller Theater – Philadelphia, PA*

05/18/25 – Warner Theatre – Washington, DC*

08/26/2025 – London – Kings Place

08/28/2025 – Manchester – St. Michael’s

08/29/2025 – Larmer Tree Gardens – End of The Road Festival

08/30/2025 – Cardiff – Clwb Ifor Bach

09/01/2025 – Dublin – The Grand Social

09/02/2025 – Belfast – The Deer’s Head

09/04/2025 – Glasgow – Mono

09/05/2025 – Edinburgh – St. Vincent’s Chapel

09/06/2025 – Newcastle – The Lubber Fiend

09/07/2025 – Leeds – The Attic

09/10/2025 – Aarhus – Alter Festival

09/12/2025 – Berlin – Gretchen

09/13/2025 – Bochum – Die Trompete

09/14/2025 – Leffinge – Leffingeleuren Festival

09/16/2025 – Laval – La Guinguette le 11-22

09/17/2025 – Lyon – Le Sonic

09/18/2025 – Milano – ARCI Bellezza

09/19/2025 – Reggio Emilia – Acid Tank

09/21/2025 – Marseille – Le Molotov

09/22/2025 – Barcelona – Sala Upload

09/24/2025 – Lisboa – ZDB

09/25/2025 – Vigo – Radar Estudios

09/26/2025 – San Sebastian – Lugaritz K.E.

09/27/2025 – Bordeaux – Base Sous-Marine de Bordeaux

09/28/2025 – Paris – La Boule Noire

* denotes dates supporting Ichiko Aoba

DAVID BYRNE IS ON TOUR AT THE FOX THEATRE ATLANTA – DEC 2 & 3

Posted by Liz and John Attaway, 11/5/25

DAVID BYRNE ANNOUNCES NEW ALBUM 

AND WORLD TOUR

WHO IS THE SKY?

DUE SEPTEMBER 5 FROM MATADOR RECORDS

A COLLABORATION WITH PRODUCER KID HARPOON AND GHOST TRAIN ORCHESTRA

ALSO FEATURING HAYLEY WILLIAMS, ST. VINCENT AND TOM SKINNER

HEAR FIRST SINGLE “EVERYBODY LAUGHS

David Byrne is proud to announce Who Is the Sky?, his first new album since 2018’s acclaimed and award-winning American Utopia, which will be released September 5th by Matador Records. The album was produced by the Grammy-winning Kid Harpoon (Harry Styles, Miley Cyrus), while its 12 songs were arranged by the members of New York-based chamber ensemble Ghost Train Orchestra. Click here to pre-order the album, including a limited Cantaloupe Orange / Strawberry Pink split vinyl featuring a lenticular cover.

Musical friends old and new, including St. Vincent, Paramore’s Hayley Williams, The Smile drummer Tom Skinner and American Utopia percussionist Mauro Refosco, also make appearances on Who Is the Sky?, which is led by the infectious single “Everybody Laughs.”  Along with the song, Byrne has released its official video, directed by multimedia artist Gabriel Barcia-Colombo.

“Someone I know said, ‘David, you use the word “everybody” a lot.’ I suppose I do that to give an anthropological view of life in New York as we know it,” says Byrne. “Everybody lives, dies, laughs, cries, sleeps and stares at the ceiling. Everybody’s wearing everybody else’s shoes, which not everybody does, but I have done. I tried to sing about these things that could be seen as negative in a way balanced by an uplifting feeling from the groove and the melody, especially at the end, when St. Vincent and I are doing a lot of hollering and singing together. Music can do that – hold opposites simultaneously. I realized that when singing with Robyn earlier this year. Her songs are often sad, but the music is joyous.”

“It took me a second to realize, oh yeah, these songs are personal, but with David’s unique perspective on life in general,” adds Kid Harpoon (aka Tom Hull). “Walking around New York listening to the demo of ‘Everybody Laughs’ was so joyous, because it made me feel like we’re all the same – we all laugh, cry and sing. The thing about David that resonates with a lot of people is that he’s in on the joke. He gets the absurdity of it all, and all of these personal observations are his perspective on it.”

Byrne will also return to the road with a brand new live show in support of Who Is the Sky?. The touring band will comprise 13 musicians, singers and dancers, including members of the American Utopia band, all of whom will be mobile throughout the set. The North American tour begins in September, with Australia & New Zealand dates kicking off in January 2026 and European & United Kingdom dates starting the following month. Tickets go on sale Friday, June 13 and can be purchased HERE. Fans can sign up for the artist presale now through June 12th at 10:00 pm local HERE. The artist presale will begin Tuesday, June 10th 10:00am ET through Thursday, June 12th at 10:00pm local. See the full tour itinerary below.

In 2023, as his triumphant American Utopia era came to a close after morphing from an album and tour into an acclaimed Broadway show and then a Spike Lee-directed HBO film, Byrne began jotting down the occasional groove, chord or melody. It had been a minute.

During the tumultuous three prior years, “I did a LOT of cooking (Mexican and Indian mostly) and a LOT of drawing,” says Byrne, who also started compiling lyric ideas and phrases for possible songs. “I’ve found that when the time comes, it’s easier to start if there’s a little stockpile – and before too long there was. Very rudimentary songs began to emerge, with just me on acoustic guitar singing over a programmed loop or beat.”

And with the world, and the in-progress American Utopia Broadway run, on pause, he, like much of humanity, took the opportunity to ask, “Do I like what I’m doing? Why am I writing songs, or working this job, or whatever? Does any of it matter?”

Byrne’s attempts to answer those weighty questions can be found on Who Is The Sky?, which builds upon the optimistic themes laid out by American Utopia and its supporting tour, and more specifically spelled out by the Grammy-winning Broadway show and subsequent movie. With this offering, Byrne continues his lifelong exploration of human connection and the potential for societal unity against the chaotic backdrop of the world. Who Is the Sky? is particularly cinematic, humorous and joyful, but often with a lesson baked in – that love is unexplainable, that enlightenment means very different things to different people and that it’s always a good idea to moisturize, whether you wake up the next morning with skin like a baby or not. Most importantly, the songs evince Byrne’s gift for riding the razor’s edge of avant-garde and accessible pop.

Byrne was inspired to enlist Ghost Train Orchestra for the album after hearing their 2023 tribute album to the blind New York composer and street poet Moondog, and later that year jumped on stage with the group during a Brooklyn performance. Enticed by the 15-member Ghost Train’s varied instrumental lineup – which includes drums, percussion, guitar and bass along with strings, winds and brass – he thought to himself, “what if that’s what these new songs of mine sounded like?” Byrne asked if they’d want to serve as his band for the Who Is The Sky? sessions, and they quickly agreed.

“David sent me some demos and asked us to put together some orchestral ideas,” says Ghost Train Orchestra leader Brian Carpenter. “Curtis Hasselbring and I quickly wrote a couple rough draft arrangements of his songs for Ghost Train, including ‘My Apartment Is My Friend,’ which was the first song we rehearsed at our tiny rehearsal space in Chinatown. To hear him singing with us for the first time on that song was just incredible.”

Via an introduction at a party by a friend, Kid Harpoon came into the picture next. “Sometimes things do happen at parties,” Byrne notes. “I knew this could all get complicated and I also wanted to be sure the recordings sounded as good as possible. An outside set of ears can be super helpful. A few artists I knew had worked with Kid Harpoon, and I thought those records sounded really good.” Byrne sent Harpoon some demos, and after a discussion at the former’s Santa Monica hotel, he jumped aboard too.

There are “more story songs than usual” on Who Is the Sky?, according to Byrne. These “mini-narratives based on personal experience” include “She Explains Things to Me” (sample lyric: “how come it’s all so obvious to her?”), “A Door Called No” (which magically opens after Byrne receives a kiss), “My Apartment Is My Friend” (“you’ve seen me at my very worst / but we always get along,” he sings) and “I Met the Buddha at a Downtown Party” (at which the onetime spiritual guru is more interested in the unhealthy deserts than deification).

Marked by the inviting vocal interplay between Byrne and Paramore’s Williams, the jaunty “What Is the Reason for It?” aims to codify love in a way logic can rarely accomplish (“does it do something useful? / nobody understands it”), while “The Avant Garde” wrestles with the merits of art for art’s sake (“it’s ahead of the curve / it’s deceptively weighty, profound, absurd / it’s whatever fits” – a meta observation if ever there was one from one of the most iconoclastic artists to emerge from the New York rock underground.

“I suspected that intimate orchestral arrangements would bring out the emotion I sense is there in these songs,” says Byrne. “It’s something that folks don’t always hear in my work, but this time for sure I thought it was there. At the same time, I also see myself as someone who aspires to be accessible. I imagined that Kid Harpoon would help with that, as well as being a set of trusted ears, since there was a lot going on. People think of producers as people who mainly make a record sound good, and Kid Harpoon did that, but he was also aware of how important the storytelling is.”

An admitted “stickler when it comes to grooves,” Byrne welcomed late-in-the-game contributions from Skinner and Refosco, with whom he’s recorded and toured for more than 30 years. Mixed by Mark “Spike” Stent and mastered by Emily Lazar, the finished product is about both hiding and revealing, or as Byrne puts it, “a chance to be the mythical creature we all harbor inside. A chance to step into another reality. A chance to transcend and escape from the prison of our ‘selves.’” These concepts are heavily incorporated in the Who Is The Sky? album package, which was designed by Shira Inbar and finds Byrne nearly obscured by radiating, colored patterns and psychedelic, spiky outfits designed by Belgian artist Tom Van Der Borght.

“At my age, at least for me, there’s a ‘don’t give a shit about what people think’ attitude that kicks in,” Byrne says. “I can step outside my comfort zone with the knowledge that I kind of know who I am by now and sort of know what I’m doing. That said, every new set of songs, every song even, is a new adventure. There’s always a bit of, ‘how do I work this?’ I’ve found that not every collaboration works, but often when they do, it’s because I’m able to clearly impart what it is I’m trying to do. They hopefully get that, and as a result, we’re now joined together heading to the same unknown place.”

Who Is the Sky? track list:

  1. Everybody Laughs
  2. When We Are Singing
  3. My Apartment Is My Friend
  4. A Door Called No
  5. What Is the Reason for It?
  6. I Met the Buddha at a Downtown Party
  7. Don’t Be Like That
  8. The Avant Garde
  9. Moisturizing Thing
  10. I’m an Outsider
  11. She Explains Things to Me
  12. The Truth

WORLDWIDE TOUR DATES

North America: 

09/14/2025 – Providence, RI – Veterans Memorial Auditorium

09/16/2025 – Pittsburgh, PA – Benedum Center PAC

09/17/2025 – Columbus, OH – Mershon Auditorium

09/19/2025 – Akron, OH – Akron Civic Theatre

09/21/2025 – Schenectady, NY – Proctors

09/23/2025 – Syracuse, NY – Landmark Theatre

09/25/2025 – Buffalo, NY – Shea’s Buffalo Theatre

09/27/2025 – Washington D.C. – The Anthem

09/28/2025 – Washington D.C. – The Anthem

09/30/2025 – New York, NY – Radio City Music Hall

10/01/2025 – New York, NY – Radio City Music Hall

10/03/2025 – Boston, MA – Boch Center Wang Theatre

10/04/2025 – Boston, MA – Boch Center Wang Theatre

10/07/2025 – Wallingford, CT – Toyota Oakdale Theatre

10/08/2025 – Portland, ME – Merrill Auditorium at City Hall

10/10/2025 – New York, NY – Radio City Music Hall

10/14/2025 – Richmond, VA – Altria Theater 

10/16/2025 – Philadelphia, PA – The Met Philadelphia presented by Highmark

10/17/2025 – Philadelphia, PA – The Met Philadelphia presented by Highmark

10/21/2025 – Toronto, ON, Canada – Massey Hall

10/22/2025 – Toronto, ON, Canada – Massey Hall

10/25/2025 – Detroit, MI – Fox Theatre

10/28/2025 – Chicago, IL – The Auditorium

10/29/2025 – Chicago, IL – The Auditorium

10/31/2025 – Chicago, IL – The Auditorium

11/03/2025 – Minneapolis, MN – Orpheum Theatre

11/04/2025 – Minneapolis, MN – Orpheum Theatre

11/06/2025 – Denver, CO – Bellco Theatre

11/07/2025 – Denver, CO – Bellco Theatre

11/11/2025 – Seattle, WA – Paramount Theatre

11/12/2025 – Seattle, WA – Paramount Theatre

11/16/2025 – San Francisco, CA – The Theater at Bill Graham Civic Auditorium

11/17/2025 – San Francisco, CA – The Theater at Bill Graham Civic Auditorium

11/20/2025 – Los Angeles, CA – Dolby Theatre

11/21/2025 – Los Angeles, CA – Dolby Theatre

11/25/2025 – Austin, TX – Bass Concert Hall

11/26/2025 – Austin, TX – Bass Concert Hall

11/28/2025 – Dallas, TX – Music Hall at Fair Park

11/29/2025 – Dallas, TX – Music Hall at Fair Park

12/02/2025 – Atlanta, GA – Fox Theatre

12/03/2025 – Atlanta, GA – Fox Theatre

12/05/2025 – Miami, FL – Fillmore Miami Beach At Jackie Gleason Theatre

12/06/2025 – Miami, FL – Fillmore Miami Beach At Jackie Gleason Theatre

TICKETS: Tickets will be available starting with presales that will run throughout the week ahead of the general onsale beginning Friday, June 13 at 10am local time at LiveNation.com.  Select packages include premium tickets, a tour of the stage and an on-stage photo op, a signed copy of David Byrne’s photo book and early entry into the venue. For more information, visit vipnation.com.

LEON MAJCEN PLAYING THE EASTERN IN ATLANTA ON NOV 19 AND 20

Posted by Liz and John Attaway, 10/28/25

MAKING A LIVIN’ (NOT A KILLIN’) OUT TODAY VIA CLOVERDALE RECORDS

ON TOUR THIS FALL AND WINTER

Dates Include Support For Margo Price, Kip Moore, Sam Barber + Headline Shows

Majcen makes music reflective of his journey from growing up in the Gulf Coast of Florida as the son of Bosnian war refugees, to honing his craft in New York City, to finding his voice in Nashville’s Americana scene. Influenced by legends like Townes Van Zandt, John Prine, Bob Dylan, and Guy Clark, he blends Americana, folk, and country into songs that are as soulful as they are sincere. Making A Livin’ (Not a Killin’) – out October 17 –is his fourth album in five years and produced with multi-instrumentalist Pat Lyons (Colter Wall), who helped Majcen expand his sonic palette while staying true to his roots. Inspired by the tours that have taken him far beyond his adopted home of Nashville, the result is an album alive with motion, roadside revelations, and the lessons learned along the way.

“The 12-song experience tells a tale that is inspired by a journey of growth for a songwriter but also a man. It is a quintessential offering for an early summer sit down with a record player and a thunderstorm in the background, a perfect escapism opportunity.” – American Songwriter on Better Days

“Leon Majcen is an up & comer you need to know, & his new record Better Days is proof” Whiskey Riff

“his live performance made me an instant fan” The Pitch

Today, singer-songwriter Leon Majcen releases his fourth full-length album in five years, Making A Livin’ (Not a Killin’), via Cloverdale. A modern-day folk singer in the tradition of Townes Van Zandt and John Prine, Majcen was by Bosnian refugee parents who moved the family to Florida in search of a better life. His father introduced him to outlaw country at an early age, and he soon began developing his own voice while performing locally. Majcen gained national attention as a teenager when his single “Love and Misery” became a hit on SiriusXM’s The Coffee House Channel.  The new album reflects a decade spent touring, performing, and chasing stories across the country, balancing solo acoustic intimacy with full-band energy. From the reflective “Down The Road” to the bluesy rocker “Walking Down The Street,” Making A Livin’ (Not a Killin’) captures the highs, lows, and humor of life on the move, marking it Leon’s most layered and honest work to date. Stream/purchase Making A Livin’ (Not a Killin’) here

Majcen’s unmistakable talent has earned the attention of Nashville’s finest including Margo Price, who personally invited him to join her on tour. He’ll be on the road throughout 2025, performing both headline shows and support slots alongside Price, Kip Moore, and more. All dates are below and tickets are available here.

Leon Majcen tour dates

10/17 – Pueblo Memorial Hall – Pueblo, CO*

10/18 – The Lincoln – Cheyenne, WY*

10/23 – Knitting Factory Concert House – Boise, ID*

10/24 & 10/25 – The Elm – Bozeman, MT*

10/30 – The Intersection – Grand Rapids, MI*

10/31 & 11/1 – Saint Andrew’s Hall – Detroit, MI*

11/6 – Petersen Events Center – Pittsburgh, PA%

11/7 – The Anthem – Washington, D.C.%

11/8 – Wolstein Center – Cleveland, OH%

11/11 – The Commonwealth Room – Salt Lake City, UT^

11/12 – Belly Up Aspen – Aspen, CO^

11/14 – Longhorn Ballroom – Dallas, TX^

11/15 – Emo’s – Austin, TX^

11/16 – John T. Floore’s Country Store – Helotes, TX^

11/19 & 11/20 – The Eastern – Atlanta, GA+

11/22 – St. Pete Country Festival – St. Petersburg, FL

12/5 – Billy Bob’s Texas – Fort Worth, TX+

12/12 – Jack Rabbits – Jacksonville, FL***

12/13 – The Merry Widow – Mobile, AL***

*support for Kip Moore

+support for Sam Barber

%support for Turnpike Troubadours

^support for Margo Price

***support for Liam St. John

^^^support for American Aquarium

PALMYRA! HEADING TO TERMINAL WEST IN ATLANTA ON NOVEMBER, 20TH!

Posted by Liz and John Attaway, 10/27/25

The wildly talented trio, Palmyra, are heading to Atlanta on Nov 20th and will be opening for Ethan Regan at Terminal West

PALMYRA 

SHARES NEW SINGLE “ARIZONA”

DEBUT ALBUM RESTLESS

OUT MARCH 28TH ON OH BOY RECORDS

Listen Here

Watch Live Performance Video Here

“a spiritual, tender trip unbound to any one genre.” – Paste Magazine

“a throwback to the heart-on-sleeve catharses that bands like Sunny Day Real Estate and Texas is the Reason were able to so successfully mine in the 90s”- Beats Per Minute

“Vulnerable And Dynamic” – UPROXX

Last month, rising Virginia trio Palmyra announced that their debut album Restless will arrive on March 28th via Oh Boy Records. Today, the band returns with the standout track – an on-the-road rambler titled “Arizona.” The track explores the conflict between the pleasure and loneliness one feels on a journey. Of the song, Teddy shares, “Arizona was a moment of joy in a dark, uncertain period of my life. I was roadtripping with my brother through the southwest, driving through national parks and living off of energy drinks, cigarettes, and hot dogs. The car was filled with sand from having to break down our tent during a sandstorm, and it reeked of lighter fluid (my brother left it open and it drenched the backseat). It was a beautiful, brief escape from facing reality, and I never wanted it to end.” 

Peppered with electric bass and organ, the song journeys into retro soundscapes fitting for a desert road trip. Mānoa adds, “It has become a core live song for us and one that I think will exist for Palmyra forever. I’m so glad we didn’t give up on it after the demo.” 

The live performance video is the band in their happiest and purest form— camped in a tent with just themselves and a stripped-back setup, letting their voices steal the show. The video was filmed in a friend’s backyard in Richmond, Virginia.  

E

Palmyra will play a string of shows in Virginia this February before they officially kick off their headline tour this March 27th in Pittsburgh, PA and wrap May 8th in Amherst, MA. Highlights include The Basement in Nashville, TN on April 3rd, DC9 in Washington DC on April 29th and The Mercury Lounge in NYC on May 1st. They’ll play an album release show at The Jefferson Theatre in Charlottesville, VA on the album’s release day, March 28th. The band will also play at Iron Blossom Music Festival alongside artists like Vampire Weekend, Rainbow Kitten Surprise, and The Lumineers this September. Find tickets here: https://www.palmyratheband.com/

Palmyra Tour Dates

February 20 – The Vault – Tysons, VA

February 21 – Sipe Theatre – Bridgewater, VA

February 22 – Grand Caverns – Grottoes, VA

March 9 –  Continuum Art – Hendersonville, NC

March 21 – The Harvester – Rocky Mount, VA

March 27 – Crafthouse Stage & Grill – Pittsburgh, PA

March 28 – Jefferson Theater – Charlottesville, VA

March 29 – Cat’s Cradle Back Room – Carrboro, NC

March 30 – Live at Ted’s – Wilmington, NC

April 1 – Charleston Pour House – Charleston, SC

April 2 – Georgia Theater Rooftop – Athens, GA

April 3 – The Basement – Nashville, TN

April 4 – Open Chord – Knoxville, TN

April 5 – Center Stage Vinyl – Atlanta, GA

April 6 – Doodad Farm – Greensboro, NC

April 24 – The Palm Room – Wrightsville Beach, NC

April 25 – Petra’s – Charlotte, NC

April 27 – Eulogy – Asheville, NC

April 29 – DC9 Nightclub – Washington, DC

April 30 – MilkBoy – Philadelphia, PA

May 1 – Mercury Lounge – New York, NY

May 2 – Middle East Upstairs – Cambridge, MA

May 3 – High Ground Lounge – South Burlington, VT

May 4 – Billsville House Concert – Manchester, VT

May 5 – 9th Ward – Buffalo, NY

May 6 – Fan Club Collective – Ithaca, NY

May 8 – The Drake – Amherst, MA

September 21 – Richmond, VA – Iron Blossom Music Festival 

Palmyra’s members met in a college music class. All three members- Landon, Teddy Chipouras and Mānoa Bell grew up in Virginia, all three excellent songwriters, singers and players. But rather than starting their own projects, they formed a trio built on democracy, respect and equal agency. They immediately hit the road and found deep inspiration in the connection they felt communing with their audiences each night. But becoming an adult while living out of a suitcase is complicated, and it’s these experiences that inform the music on Restless. Once they were prepared to write the album, heading to a big city recording studio felt like an impossibility and instead they chose to set up shop in a rural Virginia lakehouse, making for an album that is immediate, warm and unadorned. 

Palmyra may have roots in the South, their music steeped in the sounds of traditional instruments and shaped by their time there, but their spirit defies easy categorization. Palmyra is also a band that confronts complex, often painful topics in their lyrics: suicide, gender dysphoria, identity, and the relentless pressure of capitalism. Their songs, which shift from folk to post-rock and even flirt with emo, reflect a band unafraid to push boundaries. In this way, Palmyra joins the ranks of Southern acts like Julien Baker, Band of Horses, and Cat Power—artists who’ve redefined what it means to come from the South, offering a sound that’s as expansive and evolving as the region itself. It’s this admixture of place and perspective that define the material on Restless.

IRISH SONGWRITER DOVE ELLIS WITH GEESE AT TERMINAL WEST ON NOVEMBER 8TH

Posted by Liz and John Attaway, 10/24/25

OVE ELLIS

ANNOUNCES DEBUT ALBUM

BLIZZARD

OUT DEC 5TH VIA BLACK BUTTER / AMF RECORDS

RELEASES TWO SINGLES – 

PALE SONG” & “LOVE IS

LISTEN HERE

ON TOUR WITH GEESE

ANNOUNCES LA & NYC HEADLINING SHOWS

“the elegant/violent way Ellis throws his voice around reminds me of Jeff Buckley, Rufus Wainwright, and Thom Yorke.. a lush and oft-morphing sophistipop thing that carries traces of British collectives like caroline and Black Country, New Road” – Stereogum on “To The Sandals”

“The indie folk song has a rustic quality to the guitar playing, loose and homespun, while Ellis’ vocals take center stage, conjuring memories of Jeff Buckley’s soaring theatrics” – The FADER on “To The Sandals”

“gravitates toward tonal contrasts; instruments collide until they coalesce. The guitar reminds me of David Gilmour’s on “Wot’s… Uh the Deal?” and Ellis’ vocal isn’t too far away from Thom Yorke’s, his decaying holler never raising itself above Fred Donlon-Mansbridge’s wilted saxophone” – Paste Magazine on “To The Sandals”


Today, Irish artist and songwriter Dove Ellis releases “Love Is / Pale Song”. The two-track offering arrives alongside the announcement of his highly anticipated debut album, Blizzard, set for release on Friday, December 5th. With “Love Is” as the focus track, the double single captures Dove at his most direct and immediate yet, pairing raw lyricism with driving rhythms and atmospheric textures. The album was self-produced and recorded in London and Liverpool with mixing by Sophie Ellis and Andrew Sarlo (Big Thief, Dijon, Mk.Gee, Bon Iver). Next week, Dove Ellis will embark on his first-ever US Tour. He’ll open for New York rock band Geese and also play newly announced select headline shows in Los Angeles & New York City. Full tour dates below. Watch a live performance of “Love Is” below, recorded at The Horse Hospital in London before his recent headline show.

His debut single “To The Sandals” introduced this world with striking clarity. A tender, reflective moment, it has earned near unanimous praise from the likes of Stereogum, The FADER, Wonderland, DIY, and others. “Every song could sound like this and I’d still beg for a thousand more,” said Paste. “He sounds like he’s been here forever.”  With incredible Spotify support that saw Dove’s debut added to over 40 Spotify playlists; ‘To The Sandals’ has amassed 400k global streams, establishing Dove as a rare new voice capable of bridging emotional depth with understated scale.

In addition to the Geese run, Dove will make his debut TV live performance at Other Voices in Dingle, Ireland performing alongside Olivia Dean, Dry Cleaning, and Florence Road, before returning to London for a headline show at the prestigious ICA (Institute of Contemporary Arts) to mark the release of the album (Dec 9).

Dove Ellis Live: 

Tickets

Oct 29th – Los Angeles, CA @ Permanent Records

Oct 31st – San Diego, CA @ Quartyard *

Nov 1st – Phoenix, AZ @ Crescent Ballroom *

Nov 4th – Fort Worth, TX @ Tulips*

Nov 5th – Austin, TX @ Stubb’s Waller Creek Amphitheater *

Nov 6th – Houston, TX @ White Oak Music Hall *

Nov 8th – Atlanta, GA @ Terminal West *

Nov 9th – Asheville, NC @ The Grey Eagle *

Nov 10th – Carrboro, NC @ Cat’s Cradle *

Nov 12th – Washington, D.C. @ 9:30am Club *

Nov 13th – Philadelphia, PA @ Union Transfer *

Nov 14th – Boston, MA @ Paradise Rock Club *

Nov 15th – Woodstock, NY @ Levon Helm Studios *

Nov 18th – Brooklyn, NY @ Main Drag Music

Nov 20th – New York, NY @ Brooklyn Paramount *

Nov 21st – New York, NY @ Brooklyn Paramount *

Dec 9th – London, UK @ The ICA

* w/ Geese

PHOEBE RINGS SUPPORTING THE BETHS AT VARIETY PLAYHOUSE THIS HALLOWEEN

Posted by Liz and John Attaway, 10/24/25

EBUT ALBUM ASEURAI OUT TODAY ON CARPARK

WATCH VIDEO FOR ALBUM HIGHLIGHT “PLAYGROUND SONG

2025 TOURS ANNOUNCED

DATES WITH JAPANESE BREAKFAST & THE BETHS

Rising New Zealand band, Phoebe Rings release their debut album, Aseurai, today via Carpark Records. The band, who will be supporting Japanese Breakfast in Auckland, NZ tomorrow night, have also announced their first ever North America tour with The Beths in the fall.

On Aseurai, Phoebe Rings continue to explore their disco and city-pop influences while staying true to the dream-pop sound of their self-titled EP. “Aseurai means around you in the atmosphere, hard to reach, fading away,” Choi says. “It’s a poetic expression. You wouldn’t say it in normal conversation, but I like that.” The album has garnered praise from outlets like Pitchfork, FLOOD, Beats Per Minute, and Paste Magazine, who said the album finds the band “sharply in the pocket that makes them terrific.”

Alongside the album, the band shares a live video of album standout “Playground Song,” directed by Nahyeon Lee, and filmed in Whangaripo Valley, North of the band’s home town Tāmaki Makaurau, Auckland.

Tour Dates:

06/07 – Auckland, NZ @ Town Hall ~

06/21 – Incheon, KR @ Asian Pop Festival

06/23 – Seoul, KR @ Gimbab Records

06/25 – Busan, KR @ Ovantgarde

06/27 – Tokyo, JP @ Tower Records Shibuya

06/28 – Tokyo, JP @ SPACE

06/29 – Osaka, JP @ Flake Records

06/30 – Osaka, JP @ CONPASS

10/30 – Asheville, NC @ The Orange Peel &

10/31 – Atlanta, GA @ Variety Playhouse &

11/01 – Nashville, TN @ Brooklyn Bowl &

11/03 – Dallas, TX @ The Studio At The Bomb Factory &

11/04 – Austin, TX @ Emo’s &

11/06 – Phoenix, AZ @ The Van Buren &

11/07 – Los Angeles, CA @ The Wiltern &

11/08 – San Francisco, CA @ The Fillmore &

11/09 – San Francisco, CA @ The Fillmore &

11/12 – Sacramento, CA @ Ace of Spades &

11/14 – Portland, OR @ Crystal Ballroom &

11/15 – Seattle, WA @ The Moore Theatre &

11/16 – Vancouver, BC @ Commodore Ballroom &

11/18 – Salt Lake City, UT @ Metro Music Hall &

11/19 – Denver, CO @ Ogden Theatre &

11/21 – Kansas City, MO @ The Truman &

11/22 – Saint Paul, MN @ Palace Theatre &

11/23 – Chicago, IL @ The Salt Shed (Indoor) &

11/24 – Chicago, IL @ Empty Bottle !

11/25 – Cleveland, OH @ Globe Iron &

11/26 – Pittsburgh, PA @ Roxian Theatre &

11/28 – Toronto, ON @ Danforth Music Hall &

11/29 – Montreal, QC @ Beanfield Theatre &

11/30 – Boston, MA @ Deep Cuts $

12/02 – Boston, MA @ Royale &

12/03 – Providence, RI @ Fete Music Hall &

12/04 – New York, NY @ Night Club 101

12/05 – Brooklyn, NY @ Brooklyn Paramount &

12/06 – Philadelphia, PA @ Union Transfer &

12/08 – Philadelphia, PA @ Johnny Brenda’s ^

12/09 – Washington, DC @ 9:30 Club &

12/10 – Washington, DC @ 9:30 Club &

12/11 – Washington, DC @ Songbyrd *

12/13 – Seattle, WA @ Vera Project

12/14 – Portland, OR @ Lollipop Shoppe

~ w/ Japanese Breakfast
& w/ The Beths
^ w/ @, Dylan Baldi (solo sax)
* w/ Memory Tapes

MOTHE PLAYING THE MASQUERADE ATLANTA NOV 3

Posted by Liz and John Attaway, 10/19/25

MOTHÉ

NEW ALBUM TOTAL POPSTAR 

OUT NOW

HEADLINING SHOWS IN AUSTIN, DENVER, SEATTLE, LOS ANGELES & MORE

SUPPORTING INDIGO DE SOUZA ON 

PRECIPICE FALL TOUR

Inspired by club culture and the aura of late-night DJ sets, pop artist, DJ and producer Mothè (they/them or she/her) embodies the spirit of their new album Total Popstar. Their most honest record yet is a journal of raw experiences – from rowdy encounters in after hours warehouses to introspective reflections on the emotional complexities of relationships and self-discovery. Each moment spent within Los Angeles’ underground rave/party scene answered their understanding of freedom, resulting in 10 tracks primarily freestyled in their 1800s Victorian-stylized home following a night’s adventures. “The album is a story about an extremely messy year in my life,” they say. “There’s not a huge throughline to the way life goes, but it does touch on every emotionally complicated aspect of my life while emphasizing the need to let loose.”

To celebrate the release of Total Popstar, Mothé has kicked off their headlining tour, making notable stops in cities including Austin at Empire Control Room, Salt Lake City at Kilby Court, Denver at Globe Hall, ending in Los Angeles at The Echo. This fall, they will support Indigo De Souza for her Precipice tour, starting October 18 in Columbus at Athenaeum Theatre and wrapping November 2 in Asheville at Orange Peel – find a show near you and get tickets HERE. Full list of tour dates below. 

TOUR DATES

8/19 – San Antonio, TX – Paper Tiger Small Room

8/20 -Austin, TX -Empire Control Room

8/22 – Denver, CO – Globe Hall

8/23 – Salt Lake City, UT – Kilby Court

8/25 – Portland, OR – Holocene

8/26 – Seattle, WA – Madame Lou’s

8/29 – Sacramento, CA – Starlet Room

8/30 – Los Angeles, CA – The Echo

10/18 – Columbus, OH – Athenaeum Theatre +

10/19 – Chicago, IL – Thalia Hall +

10/20 – Chicago, IL – Thalia Hall +

10/22 – Philadelphia, PA – Union Transfer +

10/23 – Washington DC – 9:30 Club +

10/25 – Norwalk, CT – District Music Hall +

10/26 – Boston, MA – The Royale +

10/27 – New York, NY – Webster Hall +

10/30 – Charlottesville, VA – The Jefferson +

11/02 – Asheville, NC – Orange Peel +

11/3 – Atlanta, GA – Purgatory

+ supporting Indigo De Souza

ROCKET PERFORMING AT AISLE 5 ON NOV 4TH!

Posted by Liz and John Attaway, 10/15/25

R is for Rocket, out Oct 3rd via Transgressive Records / Canvasback (Greg Freeman, War on Drugs) sees the band deliver on all of the promise of their 2023 self-released debut EP. Great introductory story at Rolling Stone if you’re unfamiliar. Stream the new album, check out the Press Kit, and watch videos for “Wide Awake” & “Crossing Fingers,” both great examples of their fully formed sound. 

The band’s jagged, fuzzed-out sound has antecedents in ‘90s guitar bands like Sonic Youth and My Bloody Valentine, but Rocket are doing something uniquely their own with those touchstones. It’s no wonder they are widely considered one of the most promising guitar-forward bands of their generation. They’ve just wrapped up a tour with Smashing Pumpkins, and this will be their debut headline tour. Definitely worth catching this very promising band at this stage!

“an explosive introduction.. levels up their dynamic, Nineties-inspired rock sound” – Rolling Stone

“nods to ’90s indie rock staples..blissfully detached dream-pop..hard-hitting numbers..Rocket have built themselves a solid launching pad” – Stereogum ‘Best New Artists of 2024’

“It’s rare to find a band so fully developed without an album out.. they’re certainly not lacking in the songwriting department” – Consequence ‘Artists to Watch in 2025’

“combines a laid-back California charm with biting lyricism and tight, synergetic compositions. If Sonic Youth made pop chart-friendly hits, you’d have Rocket”- Paste Magazine 

“The harmonies glide, whereas the riffy, daydreamy guitars build to a glorious climax in the back half, reminiscent of Sonic Youth and Momma” – Alternative Press ‘Rising Artists to Know’

“this underground band are making big, open-hearted anthems for a new generation to rally around” – NME ‘Cover Story’

“catchy, yearning ballads that evoke nostalgia for adolescent frustrations” – Document Journal

Los Angeles, CA’s Rocket have released their highly anticipated debut album, R is for Rocket, their first for Transgressive Records / Canvasback. “We dedicated this record to Alithea’s dad, who passed away unexpectedly this year,” the band shared in a heartfelt statement. “Choosing him as the cover was the perfect way to immortalize him forever on our first record. This record is so special and close to our hearts and we spent years getting it to the place it is now.”

Comprised of Alithea Tuttle (vocals, bass), Baron Rinzler (Guitar), Cooper Ladomade (Drums) and Desi Scaglione (Guitar), Rocket have had a busy few years. The Los Angeles crew with friendships stretching back to their childhood formed in 2021, convening in an unmarked shed to put their debut EP to tape. Despite it being the first time any of them had seriously approached the idea of a ‘band,’ they seemed to arrive fully formed with combustible, airtight songs.

R is for Rocket, the quartet’s remarkable debut album, is a joyride through sonic terrain that is gloriously loud, anthemic, bombastic and beautiful, with instantly captivating songs that achieve the rare feat of evoking nostalgia while sounding completely new. The band’s jagged, fuzzed-out sound has antecedents in ‘90s guitar bands like Sonic Youth and My Bloody Valentine, but Rocket are doing something uniquely their own with those touchstones. It’s no wonder they are widely considered one of the most promising guitar-forward bands of their generation.

While the album builds on the energy of their critically lauded Versions of You EP, R is for Rocket is also hugely evolutionary, elevating the band’s craft in major ways. By the time they began work on the album in early 2024, they’d been on a near constant touring schedule, spending countless hours on the road opening for their heroes Ride, Sunny Day Real Estate and Silversun Pickups, and writing in their modest studio – a back house in drummer Cooper Ladomade’s parents’ yard – both refining and expanding their sound.

The quartet have been slowly releasing their first new music since the 2023 EP this year, sharing album cuts “Crossing Fingers” & “One Million,” before formerly announcing the album in July with the head turning “Wide Awake,” which arrived alongside an in-depth Rolling Stone profile, and support from Alt Press, Stereogum, Brooklyn Vegan, FLOOD Magazine, Consequence and many more, and was followed by the euphoric and sparkling “Act Like Your Title.” The album’s final single, “Another Second Chance,” arrived alongside an iconic music video featuring a medley of homages to Devo, Kiss, The Beatles, and Blue Man Group, and an in-depth ‘Best of What’s Next’ feature with Paste Magazine

This Fall, Rocket will embark on their debut US headline tour, kicking off in October after having wrapped international festival appearances and a UK run supporting Smashing Pumpkins. They’ve also announced their debut headline tour of Europe kicking off in early 2026. They’ll perform a special LA show at Amoeba Hollywood next Tuesday, Oct 7th. Tickets on sale HERE

“All of the touring led to the songs changing for the better,” says Tuttle, “because we got to play them for so many different kinds of audiences and hear what worked and what didn’t.” Whenever they got home from a tour, they were infused with new ideas for how to finish the in-progress tunes, and many were upgraded in major ways thanks to the time Rocket took to hone them. “Recording the second half of the album eight months after the first half gave us a lot of time to think about what we were doing,” says Scaglione.

With guitarist Desi Scaglione again at the helm as their producer, Rocket logged time at two Los Angeles studios that provided the perfect balance between those extremes. They tracked the more introspective elements at 64 Sound in Highland Park, which offered an array of tasty vintage gear that was ideal for the quieter, more intimate tunes. The heavier moments were captured during sessions at the Foo Fighters’ Studio 606 in Northridge, where they could get the massive drum sound they wanted for tracks like “Crossing Fingers” and “Wide Awake.”

TOUR DATES:

Tickets Here

2025

Oct 7th – Los Angeles, CA @ Amoeba Hollywood

Oct 27th – Phoenix, AZ @ Rebel Lounge

Oct 30th – Denton, TX @ Rubber Gloves

Oct 31st – Austin, TX @ Mohawk (Indoors)

Nov 3rd – Nashville, TN @ drkmttr

Nov 4th – Atlanta, GA @ Aisle 5

Nov 6th – Washington, DC @ DC9

Nov 7th – Philadelphia, PA @ Warehouse on Watts

Nov 8th – New York, NY @ Baby’s All Right

Nov 11th – Toronto, ON @ The Garrison

Nov 13th – Columbus, OH @ Ace of Cups

Nov 14th – Chicago, IL @ Schubas Tavern

Nov 15th – Minneapolis, MN @ 7th St Entry

Nov 18th – Seattle, WA @ Barboza

Nov 19th – Portland, OR @ Polaris Hall

Nov 21st – San Francisco, CA @ Bottom of the Hill

Nov 22nd – Los Angeles, CA @ The Roxy 

2026

Feb 10 – Bristol, UK @ The Croft

Feb 11 – Leeds, UK @ Brudenell Social Club

Feb 12 – Glasgow, UK @ King Tut’s

Feb 14 – Dublin, IE @ The Workmans Club

Feb 16 – Manchester, UK @ Deaf Institute

Feb 17 – London, UK @ Scala

Feb 19 – Brussels, BE @ Botanique – Witloof Bar

Feb 20 – Rotterdam, NL @ Rotown

Feb 21 – Utrecht, NL @ EKKO

Feb 23 – Berlin, DE @ Neue Zukunft

Feb 24 – Cologne, DE @ Bumann & SOHN

Feb 26 – Paris, FR @ Point Ephémère

Feb 27 – Tourcoing, FR @ Le Grand Mix