Tag Archive for: concert

FELLY COMING TO ATLANTA’S TERMINAL WEST ON OCT 9

Posted by Liz and John Attaway, 9/22/25

SHARES STANDOUT RECORD AMBROXYDE (LP)

OUT NOW  

HEADLINE TOUR KICKS OFF THIS SEPTEMBER

“He bounces between soft folk and rugged southern rock. Today, he’s shared another single called “Wildfire” that (ironically) feels perfect to blare outside in the blossoming weather.” 

Stereogum on “Wildfire”

“An elevation of FELLY’s jangle-pop directive, refining his already dream-seeped atmospheres with a buoyant rhythm section and a bed of delicate vocal melodies.”

Paste Magazine on ” High On You”

“There’s a quiet kind of magic to Felly’s “Ambroxyde” – a dreamy, gentle indie folk meditation that stirs the soul in ways I still can’t quite articulate.”

Atwood Magazine on “Ambroxyde”

“Ambroxyde” drips like incense smoke—slow, heady, and intoxicating. It’s a genre-blurring haze of psychedelia, R&B, and coastal cool, delivered with lyrical mystique.”

Glasse Factory on “High On You”

“Felly has continued to step into different comfort zones…and comes full circle as a stronger lyricist and storyteller.”

American Songwriter

“Felly is back to his independent roots”

Beats Per Minute

“[Felly’s] gathered a growing fan base along the way, with his laid-back demeanor and experimental approach”

Grammy.com

Connecticut-born, Los Angeles-based artist Felly is back today with the release of his standout record, Ambroxyde (LP). Produced alongside Grammy-nominated and Mercury Prize-winning producer Gianluca Buccellati (Lana Del Rey, Arlo Parks, The Marias), the album was created across a range of remote and inspiring locations—from the northernmost tip of Iceland to the sun-drenched Greek island of Hydra, to Tornillo, Texas. 

Across its 12 distinct tracks, Ambroxyde (LP) marks a bold new chapter for the ever-evolving artist. With Ambroxyde (LP), Felly dives deeper than he ever has. He made his name as a rapper and producer, but on the album, Felly taps into the indie and alternative music that has always soundtracked his life. This isn’t Felly 2.0 – it’s Felly as he has always been, removed from all expectation. “This is the album I’ve always wanted to make,” he says. 

Last week, Felly shared the latest tease of the record with the lilting “Route 44,” a pure love song. Watch HERE

Ambroxyde (LP) Tracklisting

Spinning Around

Black Shoes

Shoes in a Glasshouse

High on You

Route 44

Emmy

Wildfire

Let me down easy

Marigold

Ambroxyde

Song for the Crows

Cool River

Flóki Studios sits at the northernmost point of Iceland on a sliver of land abetted on both sides by water. On lucky nights, that water reflects the enchanting Aurora Borealis. Those lights drew Christian Robert Felner, BKA Felly, to Flóki, where he recorded part of his striking new album, Ambroxyde (LP). The title refers to a synthetic molecule found in perfume and the scent memories that carry us from one stage of life into the next.“ Ambroxyde (LP) is the start of something new being born,” Felly says. 

To make Ambroxyde (LP), Felly chased inspiration outside of his familiar Los Angeles. Accompanied by producer Gianluca Buccellati, he traveled to remote parts of California and far-flung parts of the world. “Luca approaches production holistically. He’ll pick up a project and work with the artist for a long time,” Felly says. In this case, the duo spent over a year on the road together between Felly’s tour dates. “We went to Iceland first where we were really far from the rest of the world and could really tune out any type of influence.” They wrote “Wildfire” inspired in part by the remote, natural beauty of their surroundings. Its chorus  blows in like an unanticipated gale-force wind as Felly sings: “Come around like a wildfire/ When my wells run dry/ You fill my desire/ And make it all feel alright.” 

Beyond Iceland, they wrote and recorded on the Greek island of Hydra, where cars have been banned since the 1950s and Felly could record at all hours of the night surrounded by crystalline Mediterranean water. There’s a hazy road narrative to be found on Ambroxyde (LP), heard especially on songs like “High on You” and “Route 44,” wherein whole passing days are distilled into a single detail. Felly wrapped the Ambroxyde (LP) at the storied Sonic Ranch in Tornillo, TX, alongside a group of eleven musicians, ten of whom he’s worked with on past tours and records. This tightknit group of longtime collaborators weaved the disparate threads of Ambroxyde (LP) together over the course of two weeks. “I pieced this record together over a year or so writing almost entirely just me and the guitar. It’s my first proper ‘studio’ album which is crazy to think about – First time you can hear all my friends actually playing with me.” Though the pieces of Ambroxyde (LP) were recorded across long distances, they converged in post-production. Each song on the album combines takes from the various studios Felly and Buccellati frequented over a transformative year. “As we pieced these songs together, we tried to catch the soul of different places we’d been. On a single song we might take the Greece drums, the Iceland vocals, and the guitars from Sonic Ranch,” Felly says.

That patchwork process contributes to the textural, sensory experience of the album. When Felly talks about Ambroxyde (LP), he tends to speak visually, using words like “dark indigo purple, northern sky at night, sunset” to describe it.
While Ambroxyde (LP) might mark a departure for Felly, he is still operating on a continuum. “This album might put people off who maybe hold me to a certain version of myself. “I’ve got to be honest with where I am, and who I am,” he reflects. That message of preserving authenticity resounds on “Black Shoes,” which has been sitting in Felly’s audio notes for years “just waiting for some context.” That context took time and experience to reveal itself. “I wrote that song when I was feeling wrapped up in a situation that didn’t feel right to me anymore,” he says. “It’s always nice when something you think is dead pokes its head up and takes in the light.” Like that song, this album didn’t emerge from the ether; it is in conversation with past iterations of an artist in a constant state of becoming. “It’s about coming into your being,” Felly says. With Ambroxyde (LP), Felly is closer to his truest self than he’s ever been as he continues to create authentically over vast physical and emotional distances. 

Felly will celebrate the release of the new record on the road this fall! The ‘For The Crows’ tour kicks off September 23rd in Louisville, KY, and will see stops in New York, Boston, Chicago, Nashville, Austin, Los Angeles, Seattle, and more! See below for full list of tour dates and find tickets HERE.

Felly – For The Crows Tour Dates

7/1 – Nantucket, MA – Chicken Box 

7/2 – Nantucket, MA – Chicken Box 

9/23 – Louisville, KY – Headliners

9/24 – Indianapolis, IN – Hi Fi

9/26 – Brooklyn, NY – Music Hall of Williamsburg 

9/27 – Boston, MA – Sinclair 

9/28 – Philadelphia, PA – The Foundry 

9/30 – Pittsburgh, PA – Thunderbird 

10/1 – Columbus, OH – Ace of Cups 

10/3 – Detroit, MI – Loving Touch 

10/4 – Chicago, IL – Lincoln Hall 

10/7 – Nashville, TN – Basement East 

10/9 – Atlanta, GA – Terminal West 

10/10 – Birmingham, AL – Saturn 

10/14 – Dallas, TX – Deep Ellum 

10/15 – Austin, TX – Antones 

10/17 – Phoenix, AZ – Crescent Ballroom 

10/23 – Los Angeles, CA – Echo 

10/25 – San Diego, CA – Music Box 

10/29 – Santa Barbara, CA – SoHo

10/30 – Santa Cruz, CA – Moes 

11/1 – San Francisco, CA – The Independent 

11/2 – Reno, NV – Cypress 

11/4 – Portland, OR – Holocene 

11/5 – Seattle, WA – Madame Lous 

11/7 – Vancouver, BC – The Pearl 

11/8 – Bellingham, WA – Wild Buffalo

11/11 – Boise, ID – Shrine Social Club 

11/12 – Salt Lake City, UT – Soundwell 

11/13 – Fort Collins, CO – Aggie

11/14 – Boulder, CO – Fox Theatre 

TUNE-YARDS ON TOUR PLAYING TERMINAL WEST ATLANTA ON SEPTEMBER 25

Posted by Liz and John Attaway, 8/24/25

Tune-Yardsthe dynamic duo of Merrill Garbus and Nate Brenner, released their new album Better Dreaming on 4AD earlier this year. To continue celebrating the album, they will be headed back on the road for a second leg of their North American tour and making a stop in Atlanta, GA to play Terminal West on 9/25.

Return with New Album 

Better Dreaming

Out May 16th on 4AD

PRE-ORDER HERE

New Single “Limelight” & Video Out Now

LISTEN / WATCH HERE

Announce First US Tour Dates Since 2022

Today Tune-Yards, the dynamic duo of Merrill Garbus and Nate Brenner, share details of their sixth studio album, Better Dreaming, out May 16th on standard vinyl, limited edition vinyl and CD. The album showcases some of their most effortlessly groove-filled music in their career.

PRE-ORDER THE ALBUM HERE

To kick off this new era, Tune-Yards unveiled the infectious single, “Limelight.” The song was born from dancing together as a family to George Clinton, and Garbus and Brenner’s 3-year-old can be heard singing on the track. Garbus reflects on the new track: “This one almost didn’t make it onto the album because it felt trite, especially given multiple genocides across the globe and the particular impact on children (the kids are not ‘alright’). But it kept coming back as people kept responding positively to it, in particular our own kid. Who am I to talk about getting free, about us all getting free? Fannie Lou Hamer said, “Nobody’s free until everybody’s free” and it feels vulnerable but important to see myself as part of that ‘everybody’.”

Tune-Yards – “Limelight”

Official Video by Jayla Smith

WATCH HERE

Additionally, Tune-Yards will return to the road this May for their first U.S. headlining tour since 2022, with a special run of East Coast dates. Performing as a duo, Garbus and Brenner will bring Better Dreaming to life in intimate venues, offering fans a rare chance to experience the album’s vitality and messages up close. Known for their electrifying live performances – where layered rhythms, looping beats, and Garbus’ powerhouse vocals collide – these shows promise a versatile return to the stage. The tour includes beloved indie spaces like The Stone Church in Vermont and Space 538 in Maine, before wrapping up with a celebratory night at New York’s 101 Club, highlighting the album’s danceable energy and deeper themes in a setting designed for connection. Tickets go on sale to the general public this Friday, March 7th at 10AM local time. For more information head HERE.

Based in Oakland, California, Tune-Yards shot to fame with their 2011 4AD label debut  

W H O K I L L, which topped numerous critics year end lists. The album was preceded by their self-released cassette BiRd-BrAiNs and followed by three phenomenal records for the label – Nikki Nack, I can feel you creep into my private life and 2021’s sketchy. Garbus and Brenner are also known for their film score and composition work including the Boots Riley film Sorry To Bother You and TV series I’m A Virgo. They continue that collaboration with Riley on the upcoming NEON feature, I Love Boosters starring Keke Palmer, LaKeith Standfield and Demi Moore.

Better Dreaming is out on May 16th on all digital platforms, CD, standard black vinyl and clear blue wave vinyl (indie retail only). For more information, and to pre-order, head HERE.

More on Better Dreaming:

Distraction, depression, and heartbreak reign supreme in 2025. “Making art in this day and age for me is a battle for focus; we’re in an age of interruption,” says Garbus of Tune-Yards’ sixth album Better Dreaming. Proudly waving an anti-fascist, liberation, freak flag, Better Dreaming contains some of Tune-Yards smoothest, funkiest, and most direct pop music to date, and yes, you can dance to it. And when you do dance to it, be prepared to sweat out something that’s been long stuck inside, and pretty deep down.

The songs of Better Dreaming came to Garbus and Brenner with unusual ease. They asked themselves what would happen if they simply let the songs come out, following any trail they wished – first thought, best thought style. There was a strong desire to move, to make music that would enter the ear and immediately loosen up the joints, get the whole body wiggling. After covid-isolation, and time away from touring and live shows, the desire to be moved by music was undeniable. The insane experience of growing an actual human being influenced this as well.

The rhythms throughout the record carry a certain freshness, with deep pockets full of subtle idiosyncrasies that stem from Tune-Yards’ return to making an album primarily as a duo. All but one of these songs are built around Garbus’ drum looping and rhythm building, as they were on some of the early albums like BiRd-BrAiNs and  W H O K I L L – no full kit drummer here, and the songs love it.

Better Dreaming is ferocious in its invocation of self-love, of collective action, of dance floor liberation, ego-death deliverance, and a future we could all thrive in. When diving into the present darkness of the world, Tune-Yards asks themselves how much literal energy and joy can be conjured and pumped through the music. In its life-affirming art- pop of the apocalypse, Better Dreaming comes true.

Tune-Yards – Better Dreaming

May 16 2025

PRE-ORDER HERE

TRACKLIST:
1. Heartbreak
2. Swarm
3. Never Look Back
4. Suspended
5. Limelight
6. Get Through
7. Better Dreaming
8. How Big Is The Rainbow
9. See You There
10. Perpetual Motion
11. Sanctuary

TUNE-YARDS TOUR DATES
May 7 – Philadelphia, PA, Johnny Brenda’s
May 9 – Kingston, NY, Assembly
May 10 – Portland, ME, Space 538
May 12 – Brattleboro, VT, The Stone Church
 May 13 – Northampton, MA, Iron Horse Music Hall
May 15 – New York, NY, 101 Club

TUNE-YARDS ONLINE
Website
Instagram

Twitter 

Facebook

PUP & JEFF ROSENSTOCK IN ATLANTA AT THE EASTERN – SEPTEMBER 22

Posted by Liz and John Attaway, 8/24/25

PUP

ANNOUNCE NEW ALBUM 

WHO WILL LOOK AFTER THE DOGS

OUT MAY 2ND VIA LITTLE DIPPER / RISE RECORDS 

NEW SINGLE & VIDEO FOR HALLWAYS” OUT NOW

“The Toronto band Pup has long made frenetic punk-pop with neat verse-chorus-bridge structures underlying Stefan Babcock’s raucously overwrought and fully self-aware lead vocals.” – New York Times

“PUP’s fourth album, ‘The Unraveling of PUPTheBand,’ finds the quartet completely removing any of the limits left on their music, pushing things as far as possible” – The New Yorker

“Hearts on their sleeves, the group captures the rage and frustration of human fallibility with crashing drums and infectious irreverence” – NPR Music

“The new songs are boisterous, catchy, and meta while also earnestly wading through the nuances of depression in a manner often reserved for “confessional” indie rock…an instant mood-booster.” – Pitchfork

“transmuting life’s frustrations into unhinged visceral joy” – Stereogum (Album of the Week)

“‘The Unraveling of PUPTHEBAND’…reinforces the message that it’s okay to be yourself, no matter who you are.” – Vulture 

“PUP’s winning recipe is 49% snark, 51% heart” – Bandcamp (Album of the Day)

Toronto punk heroes PUP— comprised of Stefan Babcock, Nestor Chumak, Zack Mykula, and Steve Sladkowski— will release their highly anticipated forthcoming album Who Will Look After The Dogs? On May 2nd via Little Dipper / Rise Records. Who Will Look After The Dogs?, PUP’s pummeling and cathartic fifth LP, is their most immediate, no-frills, and hard-hitting full-length yet. It was made in Los Angeles with producer John Congleton over the course of three weeks, and it’s the culmination of PUP’s past decade of constant touring and their palpable, livewire chemistry. The album evokes the lightning-in-a-bottle intensity of their self-titled debut (except they are much better at their instruments now), and finds our self-deprecating frontman Stefan Babcock at his most reflective, vulnerable and prolific. Over 12 tracks, Babcock excavates his life’s relationships—romantic, with his bandmates, and most ruthlessly, his relationship to himself. There’s plenty of growth, but also plenty of unpredictable mayhem in the arrangements and an acerbic bite in the writing. And while PUP historically are at one another’s throats during the album process, this time they scrapped their tedious perfectionism and rediscovered the joy of making loud music together. They had fun this time, we swear! 

PRE-ORDER WHO WILL LOOK AFTER THE DOGS? NOW

Also out today is the album’s lead single “Hallways.” The first song Babcock wrote for the album, “Hallways” is bracing and raw, but its lightness keeps it together: “Cause when one door closes, it might never open / There might be no other doors.” Listen to the song and watch the incredibly surreal music video, directed by Sterling Larose, now HERE.

EMBED

“Within days of announcing our last album, coincidentally titled The Unraveling of PUPTHEBAND, my life unexpectedly imploded. I wrote the lyrics for ‘Hallways’ while all that was going on. It was a weird fucking week,” says Babcock. “The title of our new record, Who Will Look After The Dogs?, is what I wrote at the top of the page, the very first thing written for this album. I think it’s devastating, but in a ‘holy shit this is overdramatic’ kinda way. At least in context of the line that comes before it. That’s what makes it funny to us. That overblown stuff we all say in our dark moments can be hilarious once you’ve cooled off a bit. I don’t know if anyone else thinks it’s funny, but sometimes you gotta laugh at yourself. It’s the only way out of the abyss. Trust me.”

Who Will Look After The Dogs? Tracklist:

01 No Hope

02 Olive Garden

03 Concrete 

04 Get Dumber

05 Hunger For Death 

06 Needed To Hear It 

07 Paranoid 

08 Falling Outta Love

09 Hallways 

10 Cruel

11 Best Revenge 

12 Shut Up

TOUR DATES

05/07/25 – Birmingham, UK @ XOYO Birmingham*&

05/08/25 – Leeds, UK @ Project House*&

05/10/25 – Manchester, UK @ O2 Ritz*&

05/11/25 – Glasgow, UK @ SWG3 (TV Studio)*&

05/12/25 – Newcastle, UK @ Newcastle University*&

05/13/25 – Bristol, UK @ Marble Factory*&

05/15/25 – Southampton, UK @ Engine Rooms*&

05/16/25 – London, UK @ O2 Forum Kentish Town*&

05/18/25 – Amsterdam, NL @ Melkweg*

05/20/25 – Cologne, DE @ Club Volta*

05/21/25 – Hamburg, DE @ Logo*

05/22/25 – Berlin, DE @ Hole44*

05/23/25 – Munich, DE @ Strom*

05/25/25 – Paris, FR @ Bellevilloise*

05/27/25 – Madrid, ES @ Sala Mon

05/28/25 – Barcelona, ES @ Upload

05/29/25 – València, ES @ Loco Club

05/30/25 – San Sebastian, ES @ Dabadaba

* support from Illuminati Hotties

& support from Goo 

SAMIA PLAYING ATLANTA AT TERMINAL WEST ON 9/8

Posted by Liz and John Attaway, 8/7/25

SHARES “POOL” (STRIPPED) AS NPR TINY DESK PERFORMANCE GOES VIRAL 

Bloodless out now via Grand Jury Music & North American Tour Continues This Fall

Praise for Samia: 

“[Samia] possesses a remarkable knack for specificity in her songwriting…charisma, vocal talent and deftly detailed lyricism.” – NPR Music 

“No one writes a lyrical knockout like Samia…one of indie rock’s most poignant songwriters” – Rolling Stone

“An album held taut between the introspective and the spectacular, a record of self-discovery that takes audible pleasure in discovering new frontiers for her sound.”- Pitchfork

“The sound of a talented artist achieving clarity: Samia Finnerty has released intriguing albums before, but nothing comes close to the stylistic command and singular point of view she demonstrates on her third album, which oscillates between alt-folk and indie-pop to study gender norms in modern society and present Samia’s full self without compromise” – Billboard

“Bloodless is the work of a poet at the top of her game.” – Paste

“Bloodless, Samia’s third and best LP, affirms her as a true talent deserving of her place in the firmament of accessible, alt-slanted singer-songwriter music” – Stereogum

“…some of the most compelling pop instrumentation of the year.” – The Needle Drop

“Three albums into her career, Bloodless feels like a major level up for Samia, with songs that have both immediate appeal and layers of meaning to uncover.” – Brooklyn Vegan

Minneapolis-based singer and songwriter Samia released her breathtaking third album, Bloodless, earlier this year to widespread critical acclaim, countless top 10 chart debuts and millions of streams. But it’s a gut-wrenching and tremendously poignant NPR Tiny Desk performance of “Pool,” the opening track of Samia’s debut album from 2020, that is having a major moment right now. Samia is going viral on TikTok, thanks to a user post highlighting a particularly heartbreaking part of “Pool” as Samia sings: “How long do I have left with my dog / ’til I start forgetting shit? / How long ’til we’re rich / and then we’re not and then we’re rich? / How much longer ’til I’m taller? / How much longer ’til it’s midnight? / How much longer ’til the mornin’? / Are my legs gonna last? / Is it too much to ask?”

The viral “Pool” audio has been used nearly 25,000 times across TikTok & Reels in the past week, with Samia earning over 75k new followers and 1 million new streams, with 90% of those streams being active and intentional listening, rather than through playlists or the algorithm. While this is a nascent but rapidly-growing viral moment, the connection fans are experiencing to the song is already massive. Given the reaction to the song and performance from 2023, Samia has gone back into the studio to meet the demand for a stripped version of the song, akin to the performance. Out now is “Pool (Stripped)” – listen HERE

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Samia will continue her North American tour this Fall – see below to find a show near you, and get your tickets HERE

Tour dates

09-08 – Atlanta, GA – Terminal West +

09-09 – Birmingham, AL – Saturn +

09-11 – Dallas, TX – The Echo Lounge & Music Hall +

09-12 – Austin, TX – Scoot Inn +

09-13 – Houston, TX – The Heights Theater +

09-16 – Phoenix, AZ – Crescent Ballroom +

09-17 – San Diego, CA – Music Box +

09-19 – Los Angeles, CA – The Fonda Theatre + ^

09-20 – San Francisco, CA – The Fillmore ^

09-22 – Portland, OR – Wonder Ballroom ^

09-23 – Vancouver, BC – Hollywood Theatre ^

09-24 – Seattle, WA – Neptune Theatre ^

09-26 – Salt Lake City, UT – Soundwell ^

09-27 – Englewood, CO – Gothic Theatre ^

09-29 – Omaha, NE – The Waiting Room ^

09-30 – St. Louis, MO – Delmar Hall ^

10-01 – Nashville, TN – Brooklyn Bowl ^

10-26 – Glasgow, UK – G2 * SOLD OUT 

10-27 – Manchester, UK – Yes (Pink Room) * SOLD OUT 

10-28 – London, UK – KOKO *

+ w/ Hank Heaven

^ w/ Renny Conti

* w/ Sarah Julia

Bloodless, out now, is Samia’s  follow-up to her 2023 breakout and award-winning record Honey. Recorded in North Carolina and her new home of Minneapolis, Bloodless is a richly layered album that was made with longtime collaborators co-producers Caleb Wright and Jake Luppen, as well as frequent songwriting partners Christian Lee Hutson and Raffaella.  

“It’s easier to be what someone wants you to be if you give as little as possible,” says Samia. With Bloodless, she seeks comfort in absence, and explores the allure of existing as fantasy. Drawing inspiration from unsolved mysteries – inexplicable cattle mutilations, the presence of God, the impossibility of femininity – Samia examines how shadows can loom larger than their source.  “I noticed a pattern in my life of wanting to live up to the person I became in someone’s head; you become a lot bigger with distance.” Bloodless, which shifts seamlessly from sparse folk to sweeping indie-pop epics, adorned with haunting harmonies and spectral imagery, seeks a path through that space between void and flesh-and-blood presence. Samia would like to be both, to be whole, to be impossible. 

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BIG WILD PLAYING IN ATLANTA – FRIDAY, SEPTEMBER 5 AT THE EASTERN

Posted by Liz and John Attaway, 8/7/25

ANNOUNCES THE AUGUST 29 RELEASE OF NEW ALBUM WILD CHILD VIA GIANT MUSIC

SHARES NEW SINGLE “TOO LOUD (FEAT. PHANTOGRAM)” 

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North American Tour This Fall On-Sale Now: Dates Include Brooklyn On September 12 And Los Angeles On October 4

$1 From Every Ticket Sold To Benefit Portland’s Ethos Center

Big Wild (aka Jackson Stell) is excited to announce the release of his bold and vibrant new album Wild Child, out August 29 via Giant Music. The album is Stell’s most dynamic and personal project to date. After 2022’s The Efferusphere, he found himself craving the curiosity and joy that first drew him to music. That search led him to reconnect with his “inner child”—a creative alter ego he calls Wild Child, sparking a sonic journey that’s equal parts playful, fearless, and emotionally resonant.  The LP finds him trading electronic foundations for a richer palette that draws from indie-pop, psychedelic rock, and the colorful textures of ’60s music. These songs pulse with live instrumentation and embrace the kind of playful unpredictability that comes from creating without constraints.

Primarily written and produced by Stell with a close-knit group of collaborators, Wild Child explores themes of renewal, resilience, and connection to the earth that echo throughout the album’s lyrics and sonic textures. 

Alongside today’s announcement, Big Wild has also revealed the funky and reflective new single, “Too Loud (feat Phantogram).” The song premiered via Flood Magazine who say, “Big Wild has served as a form of musical escapism for the electronic project’s creator Jackson Stell for a decade now, but with his newly announced third LP Wild Child, the songwriter fully frees himself from his adult hangups. With a pivot to analog instruments and a dismissal of his ego, these 13 tracks signal a new chapter for the artist most easily discernible by the tonal shift from post-disco synths to indie-pop.” Stell told them:

“I first made the demo while I was making The Efferusphere. I can’t really pinpoint inspiration besides following what excites me. I try to trust that feeling and not overthink it. As simple as the demo sounded, there was something that consistently grabbed me when I listened back. It was sexy and ethereal. I was hung up on the second verse and the lyrics until I was connected with Sarah from Phantogram. Her voice was perfect and was the last big piece to the puzzle. She smashed it and my team and I were so stoked to work with her. I remember the head of the label, Nate Albert, telling me the song needed to be finished in a week to make it to vinyl. It’s such a cliche when finishing an album, but this truly was one of those songs submitted in the final hour in a mad hellish dash.”  

On working with Phantogram, Stell further states, “Sarah’s voice was meant for this track, she really occupied the imaginary space of the track. Her tone and attitude was the perfect compliment to the production. Sexy and ethereal. I’m really excited for the day when we can play this one together on stage.”

Phantogram’s Sarah Barthel shares: “This song makes me want to roll the windows down and turn the volume all the way up. Working with Jackson has been such a blast and we can’t wait to dance with you to this soon.”

This Fall Big Wild will embark on his “Wild Child Tour” of North America with dates kicking off on September 4 at Marathon Music Works in Nashville, TN.  The tour makes stops at the Mission Ballroom in Denver, CO on September 27, and at The Wiltern in Los Angeles on October 4 before its conclusion on October 11 in Troutdale, OR.  A $1 donation from every ticket sold on the “Wild Child Tour” will go to Portland’s Ethos Music Center, a 501(c)(3) nonprofit that provides free and sliding scale music lessons, ensembles, summer camps, and community outreach to thousands of students across Oregon each year.  All dates are listed below and tickets are available here

***

When Jackson Stell began crafting his new album as Big Wild, he was on a mission to reconnect with the part of himself that first fell in love with music: his inner child. After releasing The Efferusphere, Stell realized he had started taking the creative process too seriously—so seriously, in fact, that it dulled the spark that drew him to music in the first place. To Stell, the inner child represents curiosity and an openness to experience that Stell was feeling estranged from. 

To bridge that gap, he imagined a superhero alter ego: Wild Child. “I felt like the more serious my career became, the less I enjoyed making music,” he reflects. “I lost some of that vitality you have as a kid, where you get really excited about things, there’s this exuberance that I wanted to find again.” 

Stell channels that exuberance on Wild Child, an experimental, high-energy odyssey that dives deep into the contours of his imagination. Primarily written and produced by Stell alongside a team of collaborators the album strikes a vibrant balance between his mature self and the childlike wonder that fuels his creative output. “Wild Child runs throughout the album and is fighting to stay alive and thriving despite the things the world throws at us,” Stell says. “The album’s about exploring that side of ourselves that we don’t explore much as we age. I think we’re often pushed to repress that part of ourselves when we get older, because it’s deemed silly or irresponsible, but I’ve realized that maturity is about balancing both aspects of ourselves.” 

The exploratory nature heard on Wild Child has always guided Stell’s music. Growing up, he discovered his broad musical pallette over the internet. “I ended up with an eclectic taste at a young age.” He started making beats as a teenager, then worked briefly as a composer for an ad agency before he ventured west to Los Angeles, where Big Wild started in earnest.  

Following a string of successful self-released singles that helped him build a massive following and land a tour with collaborators Odesza, Big Wild’s debut full-length, Superdream, arrived in 2019 and was followed by 2022’s The Efferusphere and subsequent collaborative album The Efferusphere With Friends.  

Throughout Big Wild’s evolution, the project has been rooted in a reverence for nature’s healing power and fueled by Stell’s time spent gardening, hiking, and visiting the ocean. He integrates sustainable practices into his creative work whenever possible and uses his platform to highlight the planet’s beauty and fragility – that ethos carries through on Wild Child, where natural imagery and themes of renewal, resilience, and connection to the earth echo throughout the album’s lyrics and sonic textures. 

From the outset, the project has also been defined by diverse musicality and Stell’s multidimensional skills as a producer and vocalist. This creative freedom reaches its fullest expression on Wild Child, an album that captures the uninhibited spirit of rediscovering wonder in both music and life.

Big Wild boldly introduced Wild Child with “You Belong Here” this past April,  a symphonic anthem for coming together. Gauzy, atmospheric instrumentation cradles Stell’s falsetto as he sings of dropping out of the digital world and back to the physical. “‘You Belong Here’ is a FIFA World Cup victory song, there’s a lot of camaraderie in it,” he says. “It’s about not getting so wrapped up in the digital world and being more in touch with reality, reality being the space that our bodies actually exist in and the air we breathe, the water we drink, not the things on the screen. It’s encouraging a sense of belonging and togetherness.” 

This tension between connection and disconnection weaves throughout the album, surfacing again in the funky “Too Loud,” which features Phantogram.  Stell says was inspired by two people trying to connect only to be drowned out by the soundsystem. The easy groove of the track explodes on the bridge, mirroring the song’s lyrical content as Stell’s voice distorts and radiates outward like sonic fallout. “Sarah’s voice was meant for this track, “Stell shares. “Funny enough, I didn’t know what to think when her initial vocal demo had a really similar melody to my own. I had already built up this idea in my head that the melody should be a lot different, that it needed to progress in this specific way, blah, blah, blah. I played Too Loud with her vocals to some trusted ears and everyone loved it. That’s when I slowly realized I was being completely closed-minded and not truly listening. I started to appreciate how incredible she sounded and how she really occupied the imaginary space of the track. Her tone and attitude was the perfect compliment to the production. Sexy and ethereal. Long story short, it was a lesson in letting go of control and not overthinking. I’m really excited for the day when we can play this one together on stage.”

Stell’s collaborative spirit brought key voices into this world, including iDA HAWK on the expansive “Universe” and rock band Twen on the enigmatic single “Anymore.” The latter song emerges based on pure feeling, and Stell can’t pinpoint its meaning, preferring that listeners discover one on their own. This openness mirrors the freewheeling sensibility he brought into the studio, working without inhibition and chasing whatever excited him, unworried whether certain sounds or aesthetics cohered.

The resulting collection of songs is as ambitious as it is surprising. Inspired by 1960s pop music Stell describes as “having a lot of color in it,” Stell produced an album that truly encapsulates the spirit that made him start making music in the first place. You can hear that color from the album’s first moments: the expansive, guitar-driven opener “Farewell” gives way to “Universe,” a sprawling, playful dance track with an enlivening message: “You are an expression of the universe.”

That life-affirming optimism is the purest expression of the Wild Child guiding this album. He surfaces clearly again on the propulsive anthem “Love Any Longer,” a song that commands you “get up, listen with your heart now.” To Stell, the song distills what makes rediscovering your inner child such a rewarding process. Children don’t overthink things–they move with the rhythms of the universe, radically open to experience. “That song is about being fearless with your love when you express it for others. There’s freedom in that vulnerability.” 

Wild Child stands as a pure expression of that freedom—vulnerable, colorful, and unafraid. In offering it up to the world, Big Wild invites us all to remember what it feels like to create and connect without fear, to move with the universe’s rhythm rather than against it.

“The Wild Child Tour”

9/4 – Marathon Music Works – Nashville, TN

9/5 – The Eastern – Atlanta, GA

9/6 – The Fillmore – Charlotte, NC

9/8 – The National – Richmond, VA

9/9 – Union Transfer – Philadelphia, PA

9/11 – Echostage – Washington, DC

9/12 – Avant Gardner – Brooklyn, NY

9/13 – Citizens House of Blues – Boston, MA

9/15 – State Theatre – Portland, ME

9/16 – The Danforth Music Hall – Toronto, ON

9/18 – Royal Oak Music Theatre – Detroit, MI

9/19 – The Salt Shed – Chicago, IL

9/20 – The Sylvee – Madison, WI

9/23 – First Avenue – Minneapolis, MN

9/24 – The Truman – Kansas City, MO

9/26 – Gerald R. Ford Amphitheater – Vail, CO

9/27 – Mission Ballroom – Denver, CO

9/30 – Rockwell at The Complex – Salt Lake City, UT

10/2 – Channel 24 – Sacramento, CA

10/3 – The Greek Theatre – Berkeley, CA

10/4 – The Wiltern – Los Angeles, CA

10/7 – Knitting Factory Concert House – Boise, ID

10/9 – Showbox SoDo – Seattle, WA

10/11 – Edgefield Concerts on the Lawn – Portland, OR

WAR ON SLEEP CELBRATES DEBUT EP COOL SUMMER WITH RECORD RELEASE SHOW AT SMITH’S OLDE BAR ON JULY 18

Posted by Liz and John Attaway, 7/6/25

Atlanta-based indie rock band War On Sleep will celebrate the release of their debut EP Cool Summer with a full-band performance at Smith’s Olde Bar (Atlanta Room) on Thursday, July 18, 2025. The show will feature support from fellow Atlanta artists Warfather and Ole Fateful. Doors open at 7 PM. Tickets are $12 in advance and $15 at the door.

War On Sleep, the latest project from Eric Michaels (formerly of Paper Thick Walls and SAYERS) and guitarist Jacques Hebert, combines intimate songwriting with textured guitar layers and pedal steel. The Cool Summer EP was produced by multi-instrumentalist and longtime collaborator Ross Harrell, whose subtle, cinematic arrangements help bring the band’s nostalgic vision to life.

Their sound has drawn comparisons to The National, Wilco, and Pedro the Lion, and has already gained critical attention in the indie blog world. MP3hugger praised the band’s recent single “Some Men” as “a lovely statement, put together with a warmth that makes it even more accessible,” noting that “it was as if The National were at the controls and things were never going to get too hot and heavy.”

The Cool Summer EP explores themes of nostalgia, aging, and the quiet beauty in moments we once took for granted. Songs like the title track and “Some Men” reflect on friendships that fade and the struggle to balance art with adulthood. This release show marks the band’s first full live set and will include tracks from the EP and new material from their forthcoming full-length album.

Listen to the Cool Summer EP on Spotify on July 18th here: https://open.spotify.com/artist/4l2FIlaqlnZj7SIIxuSclF?si=QQ0jW6asTomjLLpw21ZH1A

Eric Michaels – Lead Singer and Songwriter

Sam Britt – Lead Guitar

Dale Nacke – Drums

Jacques Rene Hebert – Lead Guitar

Bass – Max Heeden

Producer – Ross Harrell

EVENT DETAILS:
War On Sleep EP Release Show
with Warfather and Ole Fateful
Thursday, July 18, 2025
Smith’s Olde Bar – Atlanta Room
Doors at 7 PM | $12 advance / $15 day of show
Tickets: https://www.sobatl.com/events/war-on-sleep-debut-record-release-with-warfather-and-ole-fateful

GINGER ROOT PLAYS ATLANTA AT TERMINAL WEST ON JUNE 14

Posted by Liz and John Attaway, 5/27/25, photo David Gutel

ANNOUNCES SHINBANGUIMI: A MUSIC MOVIE VHS

ON TOUR WITH JAPANESE BREAKFAST
SHINBANGUMI OUT NOW ON GHOSTLY INTERNATIONAL

Hot on the heels of two blistering performances at Coachella that attracted attention from places like KCRW and Nylon, Ginger Root announces that the accompanying film for his acclaimed 2024 album, SHINBANGUMI, which aired on Adult Swim’s Toonami over the weekend, will be available via a limited edition VHS. The film combines all of the music videos for the album into one cohesive story that builds upon the world that Cameron Lew has been creating over his various releases.

Ginger Root, who is currently on tour with Japanese Breakfast and joined her on stage for a rousing cover of Gorillaz’s “On Melancholy Hill” at Coachella, is nominated for two Music Awards Japan in the Best International Alternative Song and Listener’s Choice categories. Lew is also the only non-Japanese artist who will be performing at the ceremony. The awards take place on May 21st and 22nd. 

SHINBANGUMI was released last year via Ghostly International. His long-awaited third LP finds the multi-instrumentalist, producer, songwriter, and visual artist more poised, idiosyncratic, and intentional than ever in a new chapter of life.

On SHINBANGUMI, Lew perfects his handmade yet immaculately polished synth-pop, alt-disco, boogie, and soul — taking shape through his lens as an Asian-American growing up enamored by 1970s and ’80s music, specifically the creative and cultural dialogue between Japanese City Pop and its Western counterparts from French Pop to Philly Soul to Ram-era McCartney.

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Tour Dates with Japanese Breakfast:

4/26 – Atlanta, GA @ Tabernacle  

4/27 – Charlotte, NC @ The Fillmore Charlotte  

4/28 – Nashville, TN @ Ryman Auditorium  

4/30 – Chicago, IL @ The Salt Shed  

5/01 – Chicago, IL @ The Salt Shed  

5/02 – Chicago, IL @ The Salt Shed  

5/03 – Detroit, MI @ The Fillmore Detroit  

5/05 – Toronto, ON @ Massey Hall  

5/06 – Toronto, ON @ Massey Hall  

5/07 – Boston, MA @ MGM Music Hall at Fenway  

5/09 – Brooklyn, NY @ Brooklyn Paramount  

5/10 – Brooklyn, NY @ Brooklyn Paramount  

5/11 – Brooklyn, NY @ Brooklyn Paramount  

5/12 – Brooklyn, NY @ Brooklyn Paramount  

5/15 – Philadelphia, PA @ The Met  

5/16 – Philadelphia, PA @ The Met  

6/10 – Durham, NC @ Motorco Music Hall  

6/11 – Asheville, NC @ The Grey Eagle  

6/12 – Manchester, TN @ Bonnaroo 2025  

6/14 – Atlanta, GA @ Terminal West  

6/15 – Birmingham, AL @ Saturn  

6/17 – Pensacola, FL @ Handlebar  

6/18 – Tampa, FL @ The Orpheum  

6/20 – Orlando, FL @ The Abbey  

6/21 – Fort Lauderdale, FL @ Culture Room  

8/20 – San Diego, CA @ Cal Coast Credit Union Open Air Theatre  

8/22 – Los Angeles, CA @ The Greek Theatre  

8/23 – Santa Barbara, CA @ Santa Barbara Bowl  

8/27 – San Francisco, CA @ The Masonic  

8/28 – San Francisco, CA @ The Masonic  

8/30 – Bend, OR @ Hayden Homes Amphitheater  

9/01 – Vancouver, BC @ The Orpheum  

9/02 – Seattle, WA @ Woodland Park Zoo  

9/03 – Seattle, WA @ Woodland Park Zoo  

9/05 – Salt Lake City, UT @ Gallivan Center  

9/06 – Denver, CO @ Mission Ballroom  

9/09 – Saint Paul, MN @ Palace Theatre  

9/10 – Madison, WI @ The Sylvee  

BLONDSHELL PLAYS VARIETY PLAYHOUSE WITH DAFFO ON JUNE 27

Posted by Liz and John Attaway, 5/27/25

ANNOUNCES 2025 WORLD HEADLINE TOUR 

IF YOU ASKED FOR A PICTURE OUT MAY 2, 2025 VIA PARTISAN RECORDS 

“‘T&A’ is a home run of an opening statement, and the sound of Blondshell becoming an indie star.” – Billboard

“vulnerable, often funny, always honest record delivered in melodic, pop-leaning indie rock.” – PAPER 

“‘T&A’ feels like an elevated version of the Blondshell we know.” – Paste 

“‘T&A’ is a dose of typical Blondshell self-destruction mixed with alluring guitars and humor to lighten the mood.” – Stereogum

”Indie rock darling” – The Needle Drop

“a crunchy alt-rock number with big drums and bigger guitars and biggest vocals from Teitelbaum.” – FLOOD on “T&A”

Blondshell (Sabrina Teitelbaum) today announces If You Asked For A Tour, her upcoming 2025 headline tour in support of her forthcoming sophomore album, If You Asked For A Picture. Kicking off on May 28th in San Diego, Blondshell will play 19 shows in North America making stops in Los Angeles, Seattle, Chicago, New York City, Washington, DC and more before embarking on UK/EU dates in September. Blondshell will receive support from Jahnah Camille, Meg Elsier and Daffo across each leg of the U.S leg. General on sale will take place on Friday, January 17th at 10am local times, all dates are below and for more ticketing and on-sale information, please visit https://www.blondshellmusic.com/tour

Last week, Blondshell announced the May 2, 2025 release of her highly anticipated sophomore album, If You Asked For A Picture, via Partisan Records. Returning to the studio with producer Yves Rothman, the project brims with an urgency, ambition, and devastating potency hinted at on Blondshell’s 2023 self-titled debut, the specificity, self-examination, and nonchalant humor of which turned her into one of the most lauded new artists in recent memory.

Alongside the album announcement, Blondshell also shared the crushingly catchy accidental love story “T&A” with a music video directed by Hannah Bon.

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If You Asked For A Picture’s title borrows its title from a 1986 poem by the cherished American writer Mary Oliver, titled “Dogfish.” In it, Oliver grapples with the idea of telling one’s own story: how much to share, how much to keep for oneself — all questions Teitelbaum asked herself while writing the forthcoming LP. “There’s a part of the poem that says: ‘I don’t need to tell you everything I’ve been through. It’s just another story of somebody trying to survive,’” Teitelbaum says. “Something I love about songs is that you’re showing a snapshot of a person or a relationship, and showing a glimpse into a story can be just as important as trying to capture the entire thing. Sometimes it’s even truer to the entire picture than if you tried to write everything down.”

If You Asked For A Picture is alive with a more vital nuance both sonically and thematically, gesturing towards a deeper autobiographical story that taps into something painfully universal without being too overt. Teitelbaum explains, “The first record feels really black-and-white to me. This record has more questions.”

In the studio, Teitelbaum found herself confident and at home like never before, trusting her instincts as she developed an almost telekinetic shorthand with producer Yves Rothman. The result is a record of astounding sonic range – including sky-scraping ballads and colossal hooks that soar over waves of distortion, mixing layered textures and harmonic flourishes, or making unexpected hairpin turns between them. Primary among her production touchstones were unexpected curveballs like Queens of the Stone Age’s Rated R and Red Hot Chili Peppers’ Californication. Teitelbaum reveled in appropriating those hyper-masculine aesthetics for her uncompromising examinations of young womanhood, playing with performances of gender in rock. “It’s empowering for me to use sonic references that feel reserved for men,” she explains.

Blondshell’s self-titled 2023 debut unleashed a swiss-army-knife writing style that gets under your skin: songs that are as visceral and anthemic as pop music with all the specificity, self-examination, and nonchalant humor of the best indie rock — songs you want to let crash over you, even as their strength is too concrete to be washed away. The release garnered her critical acclaim and a devoted fan base,  She has since toured relentlessly, playing 150+ shows including major festivals and a tour with Liz Phair, on top of her own sold-out headline dates. In Summer 2024, she made appearances at high profile festivals including Governors Ball, Glastonbury, and Lollapalooza. Rolling Stone remarked that her “shows reliably give a sense of catharsis to attendees, and to Teitelbaum herself.” 

In support of the album she performed on The Tonight Show and CBS Saturday and the album garnered countless year-end accolades and landed on Obama’s Best Songs of 2023 list. In 2024, Blondshell released the standalone single “Docket” featuring Bully, which landed on NPR, Rolling Stone, and Esquire’s top songs of the year, and she was featured on A24’s Everyone’s Getting Involved: A Tribute To Talking Heads Stop Making Sense, covering the band’s “Thank You For Sending Me An Angel”.  

In the time since Blondshell, the image of Teitelbaum’s life has changed considerably. As the accolades accrued she spent more time on the road than at home.  This rootlessness naturally impacted Teitelbaum’s relationships with others and with herself. “When you travel a lot, you see different possibilities for who you can be,” Teitelbaum says. “So there were a lot more questions coming up. What do I want my life to look like? Maybe it’s just the nature of being two years older, but I’m more comfortable with nuance now, and I’m more comfortable with gray areas.” There’s an open-endedness to where If You Asked For A Picture lands: it’s a no-skips, triumphant sophomore record that captures the unresolved process of figuring out who you are, too wise to suggest that it has a definitive answer.

U.S TOUR DATES

5/28/25 – San Diego, CA @ Belly Up^

5/30/25 – Los Angeles, CA @ The Fonda^

5/31/25 – San Francisco, CA @ Fillmore^

6/2/25 – Portland, OR @ Wonder Ballroom^

6/3/25 – Seattle, WA @ Showbox^

6/6/25 – Salt Lake City, UT @ Soundwell^

6/8/25 – Denver, CO @ Bluebird^

6/11/25 – Minneapolis, MN @ Fine Line*

6/13/25 – Chicago IL, @ Metro*

6/14/25 – Columbus, OH @ Skully’s*

6/16/25 – Toronto, ON @ Axis*

6/17/25 – Montreal, QC @ Theatre Fairmount*

6/19/25 – Boston, MA @ Sinclair%

6/20/25 – New York, NY @ Webster Hall%

6/21/25 – Philadelphia, PA @ Union Transfer%

6/24/25 – Washington, DC @ 9:30 Club%

6/26/25 – Asheville, NC @ Orange Peel%

6/27/25 – Atlanta, GA @ Terminal West%

6/28/25 – Nashville, TN @ Basement East%

^ support from Jahnah Camille

* support from Meg Elsier 

% support from Daffo

EU/UK TOUR DATES

7/10/25 – Madrid, ES @ MadCool Festival

7/12/25 – Trancin, SK @ Pohoda Festival

9/2/25 –  Dublin, IE @ Whelans

9/4/25 – Manchester, UK @ New Century

9/6/25 – Glasgow, SC @ Oran Mor

9/7/25 – Leeds, UK @ Brudenell Social Club

9/8/25 – Bristol, UK @ SWX

9/10/25 – Brighton, UK @ Chalk

9/12/25 – London, UK @ Electric Brixton

9/14/25 – Lille, FR @ L’Aéronef

9/15/25 – Paris, FR @ Le Trabendo

9/17/25 – Brussels, BE @ Botanique

9/18/25 – Amsterdam, NL @ Paradiso Tolhuistuin

9/20/25 – Hamburg, DE @ Reeperbahn Festival

9/21/25 – Copenhagen, DK @ VEGA

9/23/25 – Berlin, DE @ Hole44

9/25/25 – Cologne, DE @ Helios37

If You Asked For A Picture tracklisting 

  1. Thumbtack
  2. T&A
  3. Arms
  4. What’s Fair
  5. Two Times
  6. Event Of A Fire
  7. 23’s A Baby
  8. Change
  9. Toy
  10. He Wants Me
  11. Man
  12. Model Rockets

PEACH PIT & BRISTON MARONEY ON TOUR – COMING TO ATLANTA JUNE 20

Posted by Liz and John Attaway, 5/27/25

ANNOUNCE NEW “FALL QUEST 2025” TOUR DATES

Tickets Available Via 3 Pre-sales Starting May 14 

General On-sale Begins Friday, May 16 at 10am Local

NORTH AMERICAN CO-HEADLINE TOUR WITH BRISTON MARONEY KICKS OFF MAY 20 

Includes 2 Sold-Out Nights at NYC’s Pier 17 + Red Rocks, The Greek Theater In Los Angeles and More

Today, Vancouver four-piece Peach Pit share Magpie (Expansion Pack), out now via Columbia Records. The expansion pack finds the quartet—lead singer Neil Smith, guitarist Chris Vanderkooy, bassist Peter Wilton, and drummer Mikey Pascuzzi—diving deeper into the world of their 2024 album Magpie with 8 alternative versions, a cover, and a brand new song titled, “Tell Me You Love Me.” Full tracklisting below. 

Peach Pit are extending their already robust 2025 schedule with the addition of 20 U.S. cities for their “Fall Quest 2025″ tour later this year. Kicking off in Portland, ME on September 12, the band’s fall tour will see them perform to an additional 20 cities in the U.S. before wrapping in Pittsburgh, PA. 

Peach Pit U.S. tour dates with Briston Maroney are on sale now. For the newly announced Fall Quest Tour dates, Peach Pit’s fan club members will have access to an exclusive artist pre-sale beginning Tuesday, May 13th at 10 AM local time. Local pre-sales are set to run starting on Wednesday, May 14th at 10 AM local time. Spotify will run their Fans First presale on Thursday, May 15th at 10 AM local time. Finally, tickets will go on sale to the general public beginning Friday, May 16th at 10 AM local time. For more information fans can visit www.peachpitmusic.com

The fall run will follow an already banner year of touring for Peach Pit, which started with dates in Australia, New Zealand, and Europe. The group is now set to hit the road for nearly 30 dates across the U.S. this May and June, seeing the band perform at iconic venues such as Red Rocks Amphitheatre, Greek Theatre and Petco Park. Full 2025 tour routing below.

Peach Pit North American Tour With Briston Maroney

5/20 – The Met Philadelphia – Philadelphia, PA
5/22 – The Rooftop at Pier 17 – New York, NY SOLD OUT

5/23 – The Rooftop at Pier 17 – New York, NY SOLD OUT

5/25 – Michigan Lottery Amphitheatre at Freedom Hill – Sterling Heights, MI
5/26 – Everwise Amphitheater – Indianapolis, IN
5/28 – BMO Pavilion – Milwaukee, WI
5/29 – Huntington Bank Pavilion at Northerly Island – Chicago, IL
5/30 – The Armory – Minneapolis, MN
6/1 – Red Rocks Amphitheatre – Morrison, CO
6/3 – Sandy City Amphitheater – Sandy, UT SOLD OUT
6/5 – Chateau Ste. Michelle Winery – Woodinville, WA
6/6 – Deer Lake Park – Festival Lawn – Burnaby, BC
6/7 – McMenamins Edgefield – Troutdale, OR
6/10 – Bill Graham Civic Auditorium – San Francisco, CA
6/11 – Greek Theatre – Los Angeles, CA
6/13 – Petco Park – San Diego, CA
6/14 – Arizona Financial Theatre – Phoenix, AZ
6/16 – Moody Amphitheater – Austin, TX
6/17 – Gilley’s Dallas – South Side Ballroom – Dallas, TX
6/18 – 713 Music Hall – Houston, TX
6/20 – Cadence Bank Amphitheatre at Chastain Park – Atlanta, GA
6/21 – Skyla Credit Union Amphitheatre – Charlotte, NC
6/22 – The Anthem – Washington, DC
6/24 – MGM Music Hall at Fenway – Boston, MA
6/25 – The Green at Shelburne Museum – Shelburne, VT
6/26 – Budweiser Stage – Toronto, ON

*JUST ANNOUNCED “FALL QUEST” TOUR DATES*

9/12 – State Theatre Portland – Portland, ME

9/13 – College Street Music Hall – New Haven, CT

9/15 – Buffalo Riverworks – Buffalo, NY

9/16 – The Intersection – Grand Rapids, MI

9/17 – Bogart’s – Cincinnati, OH

9/19 – House of Blues – Cleveland – Cleveland, OH

9/20 – Kemba Live! – Columbus, OH

9/21 – The Pageant – Saint Louis, MO

9/23 – Val Air Ballroom – West Des Moines, IA

9/24 – Rose Park – Columbia, MO

9/26 – Iron City – Birmingham, AL

9/27 – House of Blues New Orleans – New Orleans, LA

9/29 – House of Blues Orlando – Orlando, FL

10/1 – Revolution – Fort Lauderdale, FL

10/3 – The Ritz – Raleigh, NC

10/4 – Marathon Music Works – Nashville, TN

10/5 – The Orange Peel – Asheville, NC

10/8 – The Windjammer – Isle Of Palms, SC

10/9 – The National – Richmond, VA

10/10 – Roxian Theatre – Pittsburgh, PA

Magpie (Expansion Pack) Tracklisting

  1. Am I Your Girl (Dance Version) 
  2. Tell Me You Love Me
  3. Did You Love Somebody (feat. Sir Chloe)
  4. Crying, Laughing, Loving, Lying 
  5. Your Long Black Hair (Full Band) 
  6. Magpie (Live in Bangkok) 
  7. Little Dive (Session 1)
  8. Yasmina (Session 1)
  9. Am I Your Girl (Congleton Version)
  10. Am I Your Girl (Demo)

DEAD PIONEERS AT STATE FARM ARENA ON MAY 1, OPENING FOR PEAL JAM

Posted by Liz and John Attaway, 5/23/25

On May 1, 2025, Denver’s Dead Pioneers brought their punk energy to Atlanta’s State Farm Arena, opening for Pearl Jam in a night that blended rebellion with rock legacy. Picked by Pearl Jam bassist Ament, the indigenous-fronted band, led by Gregg Deal, delivered a performance that was thought-provoking. Though the early crowd was small, those in attendance were treated to a performance that was a discovery. Dead Pioneers’ set was a reminder of punk’s power to inspire, and their selection by Ament underscored their rising status in music. 

Taking the stage around 7:30 PM, Dead Pioneers —featuring Shane Zweygardt on drums, Lee Tesche on bass, and guitarists Josh Rivera and Abe Brennan—launched into a raw and real set. Their performance drew mostly from their sophomore album, PO$T AMERICAN that was released April 11, 2025. As well as their 2023 self-titled debut, offering a blend of punk’s raw edge with social commentary. 

For the highlights, the band played “PO$T AMERICAN,” the title track of their new album, setting the tone with its driving rhythm and Deal’s large vocals. Tracks like “My Spirit Animal Ate Your Spirit Animal” and “Working Class Warfare” embraces the band’s disruptive spirit, while “Tired” from their debut album showcased their ability to balance melody and aggression. Leading us to “Rage,” an anthem that left everyone prepped for Pearl Jam. All of this while, Deal, took the time to weave in his political spoken poetry with themes of indigenous resistance and inequality.  

In conclusion, Dead Pioneers’ appearance at State Farm Arena was more than an opening act—it reflected Pearl Jam’s social advocacy. Their raw politically charged performance introduced Atlanta to a band unafraid to challenge the status quo. This is one to watch. 

Sources: 

Colorado Springs Independent, Setlist checked from Setlist.fm, Dead Pioneer’s band members and background pulled from deadpioneers.band , YouTube