Tag Archive for: concert

BIG WILD PLAYING IN ATLANTA – FRIDAY, SEPTEMBER 5 AT THE EASTERN

Posted by Liz and John Attaway, 8/7/25

ANNOUNCES THE AUGUST 29 RELEASE OF NEW ALBUM WILD CHILD VIA GIANT MUSIC

SHARES NEW SINGLE “TOO LOUD (FEAT. PHANTOGRAM)” 

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North American Tour This Fall On-Sale Now: Dates Include Brooklyn On September 12 And Los Angeles On October 4

$1 From Every Ticket Sold To Benefit Portland’s Ethos Center

Big Wild (aka Jackson Stell) is excited to announce the release of his bold and vibrant new album Wild Child, out August 29 via Giant Music. The album is Stell’s most dynamic and personal project to date. After 2022’s The Efferusphere, he found himself craving the curiosity and joy that first drew him to music. That search led him to reconnect with his “inner child”—a creative alter ego he calls Wild Child, sparking a sonic journey that’s equal parts playful, fearless, and emotionally resonant.  The LP finds him trading electronic foundations for a richer palette that draws from indie-pop, psychedelic rock, and the colorful textures of ’60s music. These songs pulse with live instrumentation and embrace the kind of playful unpredictability that comes from creating without constraints.

Primarily written and produced by Stell with a close-knit group of collaborators, Wild Child explores themes of renewal, resilience, and connection to the earth that echo throughout the album’s lyrics and sonic textures. 

Alongside today’s announcement, Big Wild has also revealed the funky and reflective new single, “Too Loud (feat Phantogram).” The song premiered via Flood Magazine who say, “Big Wild has served as a form of musical escapism for the electronic project’s creator Jackson Stell for a decade now, but with his newly announced third LP Wild Child, the songwriter fully frees himself from his adult hangups. With a pivot to analog instruments and a dismissal of his ego, these 13 tracks signal a new chapter for the artist most easily discernible by the tonal shift from post-disco synths to indie-pop.” Stell told them:

“I first made the demo while I was making The Efferusphere. I can’t really pinpoint inspiration besides following what excites me. I try to trust that feeling and not overthink it. As simple as the demo sounded, there was something that consistently grabbed me when I listened back. It was sexy and ethereal. I was hung up on the second verse and the lyrics until I was connected with Sarah from Phantogram. Her voice was perfect and was the last big piece to the puzzle. She smashed it and my team and I were so stoked to work with her. I remember the head of the label, Nate Albert, telling me the song needed to be finished in a week to make it to vinyl. It’s such a cliche when finishing an album, but this truly was one of those songs submitted in the final hour in a mad hellish dash.”  

On working with Phantogram, Stell further states, “Sarah’s voice was meant for this track, she really occupied the imaginary space of the track. Her tone and attitude was the perfect compliment to the production. Sexy and ethereal. I’m really excited for the day when we can play this one together on stage.”

Phantogram’s Sarah Barthel shares: “This song makes me want to roll the windows down and turn the volume all the way up. Working with Jackson has been such a blast and we can’t wait to dance with you to this soon.”

This Fall Big Wild will embark on his “Wild Child Tour” of North America with dates kicking off on September 4 at Marathon Music Works in Nashville, TN.  The tour makes stops at the Mission Ballroom in Denver, CO on September 27, and at The Wiltern in Los Angeles on October 4 before its conclusion on October 11 in Troutdale, OR.  A $1 donation from every ticket sold on the “Wild Child Tour” will go to Portland’s Ethos Music Center, a 501(c)(3) nonprofit that provides free and sliding scale music lessons, ensembles, summer camps, and community outreach to thousands of students across Oregon each year.  All dates are listed below and tickets are available here. 

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When Jackson Stell began crafting his new album as Big Wild, he was on a mission to reconnect with the part of himself that first fell in love with music: his inner child. After releasing The Efferusphere, Stell realized he had started taking the creative process too seriously—so seriously, in fact, that it dulled the spark that drew him to music in the first place. To Stell, the inner child represents curiosity and an openness to experience that Stell was feeling estranged from. 

To bridge that gap, he imagined a superhero alter ego: Wild Child. “I felt like the more serious my career became, the less I enjoyed making music,” he reflects. “I lost some of that vitality you have as a kid, where you get really excited about things, there’s this exuberance that I wanted to find again.” 

Stell channels that exuberance on Wild Child, an experimental, high-energy odyssey that dives deep into the contours of his imagination. Primarily written and produced by Stell alongside a team of collaborators the album strikes a vibrant balance between his mature self and the childlike wonder that fuels his creative output. “Wild Child runs throughout the album and is fighting to stay alive and thriving despite the things the world throws at us,” Stell says. “The album’s about exploring that side of ourselves that we don’t explore much as we age. I think we’re often pushed to repress that part of ourselves when we get older, because it’s deemed silly or irresponsible, but I’ve realized that maturity is about balancing both aspects of ourselves.” 

The exploratory nature heard on Wild Child has always guided Stell’s music. Growing up, he discovered his broad musical pallette over the internet. “I ended up with an eclectic taste at a young age.” He started making beats as a teenager, then worked briefly as a composer for an ad agency before he ventured west to Los Angeles, where Big Wild started in earnest.  

Following a string of successful self-released singles that helped him build a massive following and land a tour with collaborators Odesza, Big Wild’s debut full-length, Superdream, arrived in 2019 and was followed by 2022’s The Efferusphere and subsequent collaborative album The Efferusphere With Friends.  

Throughout Big Wild’s evolution, the project has been rooted in a reverence for nature’s healing power and fueled by Stell’s time spent gardening, hiking, and visiting the ocean. He integrates sustainable practices into his creative work whenever possible and uses his platform to highlight the planet’s beauty and fragility – that ethos carries through on Wild Child, where natural imagery and themes of renewal, resilience, and connection to the earth echo throughout the album’s lyrics and sonic textures. 

From the outset, the project has also been defined by diverse musicality and Stell’s multidimensional skills as a producer and vocalist. This creative freedom reaches its fullest expression on Wild Child, an album that captures the uninhibited spirit of rediscovering wonder in both music and life.

Big Wild boldly introduced Wild Child with “You Belong Here” this past April,  a symphonic anthem for coming together. Gauzy, atmospheric instrumentation cradles Stell’s falsetto as he sings of dropping out of the digital world and back to the physical. “‘You Belong Here’ is a FIFA World Cup victory song, there’s a lot of camaraderie in it,” he says. “It’s about not getting so wrapped up in the digital world and being more in touch with reality, reality being the space that our bodies actually exist in and the air we breathe, the water we drink, not the things on the screen. It’s encouraging a sense of belonging and togetherness.” 

This tension between connection and disconnection weaves throughout the album, surfacing again in the funky “Too Loud,” which features Phantogram.  Stell says was inspired by two people trying to connect only to be drowned out by the soundsystem. The easy groove of the track explodes on the bridge, mirroring the song’s lyrical content as Stell’s voice distorts and radiates outward like sonic fallout. “Sarah’s voice was meant for this track, “Stell shares. “Funny enough, I didn’t know what to think when her initial vocal demo had a really similar melody to my own. I had already built up this idea in my head that the melody should be a lot different, that it needed to progress in this specific way, blah, blah, blah. I played Too Loud with her vocals to some trusted ears and everyone loved it. That’s when I slowly realized I was being completely closed-minded and not truly listening. I started to appreciate how incredible she sounded and how she really occupied the imaginary space of the track. Her tone and attitude was the perfect compliment to the production. Sexy and ethereal. Long story short, it was a lesson in letting go of control and not overthinking. I’m really excited for the day when we can play this one together on stage.”

Stell’s collaborative spirit brought key voices into this world, including iDA HAWK on the expansive “Universe” and rock band Twen on the enigmatic single “Anymore.” The latter song emerges based on pure feeling, and Stell can’t pinpoint its meaning, preferring that listeners discover one on their own. This openness mirrors the freewheeling sensibility he brought into the studio, working without inhibition and chasing whatever excited him, unworried whether certain sounds or aesthetics cohered.

The resulting collection of songs is as ambitious as it is surprising. Inspired by 1960s pop music Stell describes as “having a lot of color in it,” Stell produced an album that truly encapsulates the spirit that made him start making music in the first place. You can hear that color from the album’s first moments: the expansive, guitar-driven opener “Farewell” gives way to “Universe,” a sprawling, playful dance track with an enlivening message: “You are an expression of the universe.”

That life-affirming optimism is the purest expression of the Wild Child guiding this album. He surfaces clearly again on the propulsive anthem “Love Any Longer,” a song that commands you “get up, listen with your heart now.” To Stell, the song distills what makes rediscovering your inner child such a rewarding process. Children don’t overthink things–they move with the rhythms of the universe, radically open to experience. “That song is about being fearless with your love when you express it for others. There’s freedom in that vulnerability.” 

Wild Child stands as a pure expression of that freedom—vulnerable, colorful, and unafraid. In offering it up to the world, Big Wild invites us all to remember what it feels like to create and connect without fear, to move with the universe’s rhythm rather than against it.

“The Wild Child Tour”

9/4 – Marathon Music Works – Nashville, TN

9/5 – The Eastern – Atlanta, GA

9/6 – The Fillmore – Charlotte, NC

9/8 – The National – Richmond, VA

9/9 – Union Transfer – Philadelphia, PA

9/11 – Echostage – Washington, DC

9/12 – Avant Gardner – Brooklyn, NY

9/13 – Citizens House of Blues – Boston, MA

9/15 – State Theatre – Portland, ME

9/16 – The Danforth Music Hall – Toronto, ON

9/18 – Royal Oak Music Theatre – Detroit, MI

9/19 – The Salt Shed – Chicago, IL

9/20 – The Sylvee – Madison, WI

9/23 – First Avenue – Minneapolis, MN

9/24 – The Truman – Kansas City, MO

9/26 – Gerald R. Ford Amphitheater – Vail, CO

9/27 – Mission Ballroom – Denver, CO

9/30 – Rockwell at The Complex – Salt Lake City, UT

10/2 – Channel 24 – Sacramento, CA

10/3 – The Greek Theatre – Berkeley, CA

10/4 – The Wiltern – Los Angeles, CA

10/7 – Knitting Factory Concert House – Boise, ID

10/9 – Showbox SoDo – Seattle, WA

10/11 – Edgefield Concerts on the Lawn – Portland, OR

WAR ON SLEEP CELBRATES DEBUT EP COOL SUMMER WITH RECORD RELEASE SHOW AT SMITH’S OLDE BAR ON JULY 18

Posted by Liz and John Attaway, 7/6/25

Atlanta-based indie rock band War On Sleep will celebrate the release of their debut EP Cool Summer with a full-band performance at Smith’s Olde Bar (Atlanta Room) on Thursday, July 18, 2025. The show will feature support from fellow Atlanta artists Warfather and Ole Fateful. Doors open at 7 PM. Tickets are $12 in advance and $15 at the door.

War On Sleep, the latest project from Eric Michaels (formerly of Paper Thick Walls and SAYERS) and guitarist Jacques Hebert, combines intimate songwriting with textured guitar layers and pedal steel. The Cool Summer EP was produced by multi-instrumentalist and longtime collaborator Ross Harrell, whose subtle, cinematic arrangements help bring the band’s nostalgic vision to life.

Their sound has drawn comparisons to The National, Wilco, and Pedro the Lion, and has already gained critical attention in the indie blog world. MP3hugger praised the band’s recent single “Some Men” as “a lovely statement, put together with a warmth that makes it even more accessible,” noting that “it was as if The National were at the controls and things were never going to get too hot and heavy.”

The Cool Summer EP explores themes of nostalgia, aging, and the quiet beauty in moments we once took for granted. Songs like the title track and “Some Men” reflect on friendships that fade and the struggle to balance art with adulthood. This release show marks the band’s first full live set and will include tracks from the EP and new material from their forthcoming full-length album.

Listen to the Cool Summer EP on Spotify on July 18th here: https://open.spotify.com/artist/4l2FIlaqlnZj7SIIxuSclF?si=QQ0jW6asTomjLLpw21ZH1A

Eric Michaels – Lead Singer and Songwriter

Sam Britt – Lead Guitar

Dale Nacke – Drums

Jacques Rene Hebert – Lead Guitar

Bass – Max Heeden

Producer – Ross Harrell

EVENT DETAILS:
War On Sleep EP Release Show
with Warfather and Ole Fateful
Thursday, July 18, 2025
Smith’s Olde Bar – Atlanta Room
Doors at 7 PM | $12 advance / $15 day of show
Tickets: https://www.sobatl.com/events/war-on-sleep-debut-record-release-with-warfather-and-ole-fateful

GINGER ROOT PLAYS ATLANTA AT TERMINAL WEST ON JUNE 14

Posted by Liz and John Attaway, 5/27/25, photo David Gutel

ANNOUNCES SHINBANGUIMI: A MUSIC MOVIE VHS

ON TOUR WITH JAPANESE BREAKFAST
SHINBANGUMI OUT NOW ON GHOSTLY INTERNATIONAL

Hot on the heels of two blistering performances at Coachella that attracted attention from places like KCRW and Nylon, Ginger Root announces that the accompanying film for his acclaimed 2024 album, SHINBANGUMI, which aired on Adult Swim’s Toonami over the weekend, will be available via a limited edition VHS. The film combines all of the music videos for the album into one cohesive story that builds upon the world that Cameron Lew has been creating over his various releases.

Ginger Root, who is currently on tour with Japanese Breakfast and joined her on stage for a rousing cover of Gorillaz’s “On Melancholy Hill” at Coachella, is nominated for two Music Awards Japan in the Best International Alternative Song and Listener’s Choice categories. Lew is also the only non-Japanese artist who will be performing at the ceremony. The awards take place on May 21st and 22nd. 

SHINBANGUMI was released last year via Ghostly International. His long-awaited third LP finds the multi-instrumentalist, producer, songwriter, and visual artist more poised, idiosyncratic, and intentional than ever in a new chapter of life.

On SHINBANGUMI, Lew perfects his handmade yet immaculately polished synth-pop, alt-disco, boogie, and soul — taking shape through his lens as an Asian-American growing up enamored by 1970s and ’80s music, specifically the creative and cultural dialogue between Japanese City Pop and its Western counterparts from French Pop to Philly Soul to Ram-era McCartney.

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Tour Dates with Japanese Breakfast:

4/26 – Atlanta, GA @ Tabernacle  

4/27 – Charlotte, NC @ The Fillmore Charlotte  

4/28 – Nashville, TN @ Ryman Auditorium  

4/30 – Chicago, IL @ The Salt Shed  

5/01 – Chicago, IL @ The Salt Shed  

5/02 – Chicago, IL @ The Salt Shed  

5/03 – Detroit, MI @ The Fillmore Detroit  

5/05 – Toronto, ON @ Massey Hall  

5/06 – Toronto, ON @ Massey Hall  

5/07 – Boston, MA @ MGM Music Hall at Fenway  

5/09 – Brooklyn, NY @ Brooklyn Paramount  

5/10 – Brooklyn, NY @ Brooklyn Paramount  

5/11 – Brooklyn, NY @ Brooklyn Paramount  

5/12 – Brooklyn, NY @ Brooklyn Paramount  

5/15 – Philadelphia, PA @ The Met  

5/16 – Philadelphia, PA @ The Met  

6/10 – Durham, NC @ Motorco Music Hall  

6/11 – Asheville, NC @ The Grey Eagle  

6/12 – Manchester, TN @ Bonnaroo 2025  

6/14 – Atlanta, GA @ Terminal West  

6/15 – Birmingham, AL @ Saturn  

6/17 – Pensacola, FL @ Handlebar  

6/18 – Tampa, FL @ The Orpheum  

6/20 – Orlando, FL @ The Abbey  

6/21 – Fort Lauderdale, FL @ Culture Room  

8/20 – San Diego, CA @ Cal Coast Credit Union Open Air Theatre  

8/22 – Los Angeles, CA @ The Greek Theatre  

8/23 – Santa Barbara, CA @ Santa Barbara Bowl  

8/27 – San Francisco, CA @ The Masonic  

8/28 – San Francisco, CA @ The Masonic  

8/30 – Bend, OR @ Hayden Homes Amphitheater  

9/01 – Vancouver, BC @ The Orpheum  

9/02 – Seattle, WA @ Woodland Park Zoo  

9/03 – Seattle, WA @ Woodland Park Zoo  

9/05 – Salt Lake City, UT @ Gallivan Center  

9/06 – Denver, CO @ Mission Ballroom  

9/09 – Saint Paul, MN @ Palace Theatre  

9/10 – Madison, WI @ The Sylvee  

BLONDSHELL PLAYS VARIETY PLAYHOUSE WITH DAFFO ON JUNE 27

Posted by Liz and John Attaway, 5/27/25

ANNOUNCES 2025 WORLD HEADLINE TOUR 

IF YOU ASKED FOR A PICTURE OUT MAY 2, 2025 VIA PARTISAN RECORDS 

“‘T&A’ is a home run of an opening statement, and the sound of Blondshell becoming an indie star.” – Billboard

“vulnerable, often funny, always honest record delivered in melodic, pop-leaning indie rock.” – PAPER 

“‘T&A’ feels like an elevated version of the Blondshell we know.” – Paste 

“‘T&A’ is a dose of typical Blondshell self-destruction mixed with alluring guitars and humor to lighten the mood.” – Stereogum

”Indie rock darling” – The Needle Drop

“a crunchy alt-rock number with big drums and bigger guitars and biggest vocals from Teitelbaum.” – FLOOD on “T&A”

Blondshell (Sabrina Teitelbaum) today announces If You Asked For A Tour, her upcoming 2025 headline tour in support of her forthcoming sophomore album, If You Asked For A Picture. Kicking off on May 28th in San Diego, Blondshell will play 19 shows in North America making stops in Los Angeles, Seattle, Chicago, New York City, Washington, DC and more before embarking on UK/EU dates in September. Blondshell will receive support from Jahnah Camille, Meg Elsier and Daffo across each leg of the U.S leg. General on sale will take place on Friday, January 17th at 10am local times, all dates are below and for more ticketing and on-sale information, please visit https://www.blondshellmusic.com/tour. 

Last week, Blondshell announced the May 2, 2025 release of her highly anticipated sophomore album, If You Asked For A Picture, via Partisan Records. Returning to the studio with producer Yves Rothman, the project brims with an urgency, ambition, and devastating potency hinted at on Blondshell’s 2023 self-titled debut, the specificity, self-examination, and nonchalant humor of which turned her into one of the most lauded new artists in recent memory.

Alongside the album announcement, Blondshell also shared the crushingly catchy accidental love story “T&A” with a music video directed by Hannah Bon.

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If You Asked For A Picture’s title borrows its title from a 1986 poem by the cherished American writer Mary Oliver, titled “Dogfish.” In it, Oliver grapples with the idea of telling one’s own story: how much to share, how much to keep for oneself — all questions Teitelbaum asked herself while writing the forthcoming LP. “There’s a part of the poem that says: ‘I don’t need to tell you everything I’ve been through. It’s just another story of somebody trying to survive,’” Teitelbaum says. “Something I love about songs is that you’re showing a snapshot of a person or a relationship, and showing a glimpse into a story can be just as important as trying to capture the entire thing. Sometimes it’s even truer to the entire picture than if you tried to write everything down.”

If You Asked For A Picture is alive with a more vital nuance both sonically and thematically, gesturing towards a deeper autobiographical story that taps into something painfully universal without being too overt. Teitelbaum explains, “The first record feels really black-and-white to me. This record has more questions.”

In the studio, Teitelbaum found herself confident and at home like never before, trusting her instincts as she developed an almost telekinetic shorthand with producer Yves Rothman. The result is a record of astounding sonic range – including sky-scraping ballads and colossal hooks that soar over waves of distortion, mixing layered textures and harmonic flourishes, or making unexpected hairpin turns between them. Primary among her production touchstones were unexpected curveballs like Queens of the Stone Age’s Rated R and Red Hot Chili Peppers’ Californication. Teitelbaum reveled in appropriating those hyper-masculine aesthetics for her uncompromising examinations of young womanhood, playing with performances of gender in rock. “It’s empowering for me to use sonic references that feel reserved for men,” she explains.

Blondshell’s self-titled 2023 debut unleashed a swiss-army-knife writing style that gets under your skin: songs that are as visceral and anthemic as pop music with all the specificity, self-examination, and nonchalant humor of the best indie rock — songs you want to let crash over you, even as their strength is too concrete to be washed away. The release garnered her critical acclaim and a devoted fan base,  She has since toured relentlessly, playing 150+ shows including major festivals and a tour with Liz Phair, on top of her own sold-out headline dates. In Summer 2024, she made appearances at high profile festivals including Governors Ball, Glastonbury, and Lollapalooza. Rolling Stone remarked that her “shows reliably give a sense of catharsis to attendees, and to Teitelbaum herself.” 

In support of the album she performed on The Tonight Show and CBS Saturday and the album garnered countless year-end accolades and landed on Obama’s Best Songs of 2023 list. In 2024, Blondshell released the standalone single “Docket” featuring Bully, which landed on NPR, Rolling Stone, and Esquire’s top songs of the year, and she was featured on A24’s Everyone’s Getting Involved: A Tribute To Talking Heads Stop Making Sense, covering the band’s “Thank You For Sending Me An Angel”.  

In the time since Blondshell, the image of Teitelbaum’s life has changed considerably. As the accolades accrued she spent more time on the road than at home.  This rootlessness naturally impacted Teitelbaum’s relationships with others and with herself. “When you travel a lot, you see different possibilities for who you can be,” Teitelbaum says. “So there were a lot more questions coming up. What do I want my life to look like? Maybe it’s just the nature of being two years older, but I’m more comfortable with nuance now, and I’m more comfortable with gray areas.” There’s an open-endedness to where If You Asked For A Picture lands: it’s a no-skips, triumphant sophomore record that captures the unresolved process of figuring out who you are, too wise to suggest that it has a definitive answer.

U.S TOUR DATES

5/28/25 – San Diego, CA @ Belly Up^

5/30/25 – Los Angeles, CA @ The Fonda^

5/31/25 – San Francisco, CA @ Fillmore^

6/2/25 – Portland, OR @ Wonder Ballroom^

6/3/25 – Seattle, WA @ Showbox^

6/6/25 – Salt Lake City, UT @ Soundwell^

6/8/25 – Denver, CO @ Bluebird^

6/11/25 – Minneapolis, MN @ Fine Line*

6/13/25 – Chicago IL, @ Metro*

6/14/25 – Columbus, OH @ Skully’s*

6/16/25 – Toronto, ON @ Axis*

6/17/25 – Montreal, QC @ Theatre Fairmount*

6/19/25 – Boston, MA @ Sinclair%

6/20/25 – New York, NY @ Webster Hall%

6/21/25 – Philadelphia, PA @ Union Transfer%

6/24/25 – Washington, DC @ 9:30 Club%

6/26/25 – Asheville, NC @ Orange Peel%

6/27/25 – Atlanta, GA @ Terminal West%

6/28/25 – Nashville, TN @ Basement East%

^ support from Jahnah Camille

* support from Meg Elsier 

% support from Daffo

EU/UK TOUR DATES

7/10/25 – Madrid, ES @ MadCool Festival

7/12/25 – Trancin, SK @ Pohoda Festival

9/2/25 –  Dublin, IE @ Whelans

9/4/25 – Manchester, UK @ New Century

9/6/25 – Glasgow, SC @ Oran Mor

9/7/25 – Leeds, UK @ Brudenell Social Club

9/8/25 – Bristol, UK @ SWX

9/10/25 – Brighton, UK @ Chalk

9/12/25 – London, UK @ Electric Brixton

9/14/25 – Lille, FR @ L’Aéronef

9/15/25 – Paris, FR @ Le Trabendo

9/17/25 – Brussels, BE @ Botanique

9/18/25 – Amsterdam, NL @ Paradiso Tolhuistuin

9/20/25 – Hamburg, DE @ Reeperbahn Festival

9/21/25 – Copenhagen, DK @ VEGA

9/23/25 – Berlin, DE @ Hole44

9/25/25 – Cologne, DE @ Helios37

If You Asked For A Picture tracklisting 

  1. Thumbtack
  2. T&A
  3. Arms
  4. What’s Fair
  5. Two Times
  6. Event Of A Fire
  7. 23’s A Baby
  8. Change
  9. Toy
  10. He Wants Me
  11. Man
  12. Model Rockets

PEACH PIT & BRISTON MARONEY ON TOUR – COMING TO ATLANTA JUNE 20

Posted by Liz and John Attaway, 5/27/25

ANNOUNCE NEW “FALL QUEST 2025” TOUR DATES

Tickets Available Via 3 Pre-sales Starting May 14 

General On-sale Begins Friday, May 16 at 10am Local

NORTH AMERICAN CO-HEADLINE TOUR WITH BRISTON MARONEY KICKS OFF MAY 20 

Includes 2 Sold-Out Nights at NYC’s Pier 17 + Red Rocks, The Greek Theater In Los Angeles and More

Today, Vancouver four-piece Peach Pit share Magpie (Expansion Pack), out now via Columbia Records. The expansion pack finds the quartet—lead singer Neil Smith, guitarist Chris Vanderkooy, bassist Peter Wilton, and drummer Mikey Pascuzzi—diving deeper into the world of their 2024 album Magpie with 8 alternative versions, a cover, and a brand new song titled, “Tell Me You Love Me.” Full tracklisting below. 

Peach Pit are extending their already robust 2025 schedule with the addition of 20 U.S. cities for their “Fall Quest 2025″ tour later this year. Kicking off in Portland, ME on September 12, the band’s fall tour will see them perform to an additional 20 cities in the U.S. before wrapping in Pittsburgh, PA. 

Peach Pit U.S. tour dates with Briston Maroney are on sale now. For the newly announced Fall Quest Tour dates, Peach Pit’s fan club members will have access to an exclusive artist pre-sale beginning Tuesday, May 13th at 10 AM local time. Local pre-sales are set to run starting on Wednesday, May 14th at 10 AM local time. Spotify will run their Fans First presale on Thursday, May 15th at 10 AM local time. Finally, tickets will go on sale to the general public beginning Friday, May 16th at 10 AM local time. For more information fans can visit www.peachpitmusic.com

The fall run will follow an already banner year of touring for Peach Pit, which started with dates in Australia, New Zealand, and Europe. The group is now set to hit the road for nearly 30 dates across the U.S. this May and June, seeing the band perform at iconic venues such as Red Rocks Amphitheatre, Greek Theatre and Petco Park. Full 2025 tour routing below.

Peach Pit North American Tour With Briston Maroney

5/20 – The Met Philadelphia – Philadelphia, PA
5/22 – The Rooftop at Pier 17 – New York, NY SOLD OUT

5/23 – The Rooftop at Pier 17 – New York, NY SOLD OUT

5/25 – Michigan Lottery Amphitheatre at Freedom Hill – Sterling Heights, MI
5/26 – Everwise Amphitheater – Indianapolis, IN
5/28 – BMO Pavilion – Milwaukee, WI
5/29 – Huntington Bank Pavilion at Northerly Island – Chicago, IL
5/30 – The Armory – Minneapolis, MN
6/1 – Red Rocks Amphitheatre – Morrison, CO
6/3 – Sandy City Amphitheater – Sandy, UT SOLD OUT
6/5 – Chateau Ste. Michelle Winery – Woodinville, WA
6/6 – Deer Lake Park – Festival Lawn – Burnaby, BC
6/7 – McMenamins Edgefield – Troutdale, OR
6/10 – Bill Graham Civic Auditorium – San Francisco, CA
6/11 – Greek Theatre – Los Angeles, CA
6/13 – Petco Park – San Diego, CA
6/14 – Arizona Financial Theatre – Phoenix, AZ
6/16 – Moody Amphitheater – Austin, TX
6/17 – Gilley’s Dallas – South Side Ballroom – Dallas, TX
6/18 – 713 Music Hall – Houston, TX
6/20 – Cadence Bank Amphitheatre at Chastain Park – Atlanta, GA
6/21 – Skyla Credit Union Amphitheatre – Charlotte, NC
6/22 – The Anthem – Washington, DC
6/24 – MGM Music Hall at Fenway – Boston, MA
6/25 – The Green at Shelburne Museum – Shelburne, VT
6/26 – Budweiser Stage – Toronto, ON

*JUST ANNOUNCED “FALL QUEST” TOUR DATES*

9/12 – State Theatre Portland – Portland, ME

9/13 – College Street Music Hall – New Haven, CT

9/15 – Buffalo Riverworks – Buffalo, NY

9/16 – The Intersection – Grand Rapids, MI

9/17 – Bogart’s – Cincinnati, OH

9/19 – House of Blues – Cleveland – Cleveland, OH

9/20 – Kemba Live! – Columbus, OH

9/21 – The Pageant – Saint Louis, MO

9/23 – Val Air Ballroom – West Des Moines, IA

9/24 – Rose Park – Columbia, MO

9/26 – Iron City – Birmingham, AL

9/27 – House of Blues New Orleans – New Orleans, LA

9/29 – House of Blues Orlando – Orlando, FL

10/1 – Revolution – Fort Lauderdale, FL

10/3 – The Ritz – Raleigh, NC

10/4 – Marathon Music Works – Nashville, TN

10/5 – The Orange Peel – Asheville, NC

10/8 – The Windjammer – Isle Of Palms, SC

10/9 – The National – Richmond, VA

10/10 – Roxian Theatre – Pittsburgh, PA

Magpie (Expansion Pack) Tracklisting

  1. Am I Your Girl (Dance Version) 
  2. Tell Me You Love Me
  3. Did You Love Somebody (feat. Sir Chloe)
  4. Crying, Laughing, Loving, Lying 
  5. Your Long Black Hair (Full Band) 
  6. Magpie (Live in Bangkok) 
  7. Little Dive (Session 1)
  8. Yasmina (Session 1)
  9. Am I Your Girl (Congleton Version)
  10. Am I Your Girl (Demo)

DEAD PIONEERS AT STATE FARM ARENA ON MAY 1, OPENING FOR PEAL JAM

Posted by Liz and John Attaway, 5/23/25

On May 1, 2025, Denver’s Dead Pioneers brought their punk energy to Atlanta’s State Farm Arena, opening for Pearl Jam in a night that blended rebellion with rock legacy. Picked by Pearl Jam bassist Ament, the indigenous-fronted band, led by Gregg Deal, delivered a performance that was thought-provoking. Though the early crowd was small, those in attendance were treated to a performance that was a discovery. Dead Pioneers’ set was a reminder of punk’s power to inspire, and their selection by Ament underscored their rising status in music. 

Taking the stage around 7:30 PM, Dead Pioneers —featuring Shane Zweygardt on drums, Lee Tesche on bass, and guitarists Josh Rivera and Abe Brennan—launched into a raw and real set. Their performance drew mostly from their sophomore album, PO$T AMERICAN that was released April 11, 2025. As well as their 2023 self-titled debut, offering a blend of punk’s raw edge with social commentary. 

For the highlights, the band played “PO$T AMERICAN,” the title track of their new album, setting the tone with its driving rhythm and Deal’s large vocals. Tracks like “My Spirit Animal Ate Your Spirit Animal” and “Working Class Warfare” embraces the band’s disruptive spirit, while “Tired” from their debut album showcased their ability to balance melody and aggression. Leading us to “Rage,” an anthem that left everyone prepped for Pearl Jam. All of this while, Deal, took the time to weave in his political spoken poetry with themes of indigenous resistance and inequality.  

In conclusion, Dead Pioneers’ appearance at State Farm Arena was more than an opening act—it reflected Pearl Jam’s social advocacy. Their raw politically charged performance introduced Atlanta to a band unafraid to challenge the status quo. This is one to watch. 

Sources: 

Colorado Springs Independent, Setlist checked from Setlist.fm, Dead Pioneer’s band members and background pulled from deadpioneers.band , YouTube 

THE RENAISSANCE ORCHESTRA ANNOUNCES A SPECIAL ONE-NIGHT ONLY CONCERT EVENT, MAY 30, AT CENTER STAGE

Posted by Liz and John Attaway, 5/12/25

‘Up the Score’ Takes Classical Back to the Lab with the Help of Guest Artists Genre Bending Violinist Michael Prince and Piano Prodigy BLKBOK 

Tickets Are On Sale Now

What if the score wasn’t the final version? What if you scratched beneath the surface, infused it with your own vibe remixed for the culture, tossed it with R&B and hip-hop, and set it with a full accompaniment of strings fueled by scores of the past?  These are the very questions The Renaissance Orchestra will answer as they ‘Up the Score’ on May 30 at Center Stage in Atlanta, GA.  Fueled by visionary founder Tyrone “OG” Bowie- a multi-talented, Atlanta-based musician, producer, and DJ, The Renaissance Orchestra is a groundbreaking musical collective that blends classical instrumentation with the pulse of modern production and what you end up with is a sound as much rooted in tradition as it is radically redefined and new.

“This isn’t just music, it’s personal,” says Tyrone “OG” Bowie, Founder of The Renaissance Orchestra. “When people experience ‘Up the Score,’ I want them to leave feeling like they have just witnessed a new cultural moment where orchestral music reflects the stories, energy, and excellence of Black artistry.”

‘Up the Score’ will not be the typical night at the symphony, while top hats and tails won’t be discouraged; this is a cultural experience and should be embraced as such. Guests can expect classical music tossed on its head, remixed for the culture — where hip-hop meets violin, R&B gets reimagined with full strings, and original scores get flipped like samples. 

For this special one-night-only concert event, Houston-born violinist producer and composer Michael Prince, known for his innovative fusion of classical hip-hop R&B jazz and pop music, will join The Renaissance Orchestra. Prince has collaborated with notable artists such as Jon Batiste, T-Pain, A$AP, Rocky Timbaland, and LaRussell and is revved up to bring that same collaboration spirit to ‘Up the Score.’  Additionally, BLKBOK, a classically trained pianist and composer known for blending classical music with hip-hop R&B and jazz influences, will tickle the ivories, adding another dimension to The Renaissance Orchestra’s sound. BLKBOK has toured with stars like Justin Timberlake and Rihanna before launching his solo career and redefining what it means to be a modern classical artist.

General Admission tickets for ‘Up the Score’ with Michael Prince and BLKBOK are on sale now at www.CenterStage.com. ‘Up the Score’ is produced by The Renaissance Orchestra. Visit www.TheRenaissanceOrchestra.com for the most up-to-date information. Stay connected on Facebook @TheRenaissanceOrchestra and Instagram at @RenaissanceOrchestra_. Center Stage is located at 1374 West Peachtree Street, Atlanta, Georgia.

RIVAL ENTERTAINMENT PRESENTS BIG NIGHT OUT FEAT. LAKE STREET DIVE & MARVELOUS 3

Posted by Liz and John Attaway, 5/12/25

Hosted at the Historic Fourth Ward Skatepark, the Event is Part of a Series of Concerts Under the Stars in Public Spaces

Call off your dogs and grab your freak of the week because Big Night Out is back as a two-part story featuring Lake Street Dive and Marvelous 3, October 03 and 04 at the Historic Fourth Ward Skatepark. Presented by Atlanta festival producer Rival Entertainment, Big Night Out is a series of concerts under the stars in public places, which has included last year’s An Evening with CAKE, Big Boi, Futurebirds, Marcus King Trio, Moon Taxi, Pigeons Playing Ping Pong, and others. 

Lake Street Dive, the genre-blending band with a sound described as “if the Beatles and Motown had a party,” will get the party started- headling night one. Hometown heroes Marvelous 3, who have recently enjoyed a resurgence and have recently played three sold-out nights at The Tabernacle to celebrate their 25th anniversary, will close out the festivities on night two. Additional details, including special guests, will be released soon.

Located at the Historic Fourth Ward Skatepark on the Atlanta Beltline Eastside Trail, which hosted last year’s near-capacity crowd, organizers are encouraging fans to take advantage of the proximity of the venue to several landmarks such as Inman Park (.3 miles), Ponce City Market (.5 miles), Krog Market (.6 miles), and Piedmont Park (1.2 miles). While the event will be walkable for many, there will also be a complimentary bicycle valet, ride-share drop-off locations, and nearby parking.

General Admission and VIP ticket options for Big Night Out will go on sale Friday, May 16, through Rival Entertainment at Big Night Out. Lake Street Dive has partnered with PLUS1, donating $1 per ticket to First Peoples Fund and their work supporting artists and culture bearers helping Native communities heal and thrive, and the PLUS1 LA Fires Fund, providing critical relief and long-term recovery support for individuals, families, and communities impacted by the devastating LA wildfires.  Big Night Out is an all-ages event. Free admission for children under seven with a ticketed adult.

Big Night Out is produced by Rival Entertainment. Visit www.BigNightOutATL.com for the most up-to-date information. Stay connected on Facebook @RivalEntertainmentATL and Instagram at @RivalEntertainment. Historic Fourth Ward Skatepark is located at 830 Willoughby Way, Atlanta, Georgia.

COLLEGE FOOTBALL HALL OF FAME 10TH ANNIVERSARY CELEBRATION AND KICKOFF GAME FOOTBALL FEST

Posted by Liz and John Attaway, 8/7/24

Grammy-Winning Artist & ATLien Antwan “Big Boi” Patton Headlines Free Celebration Concert on Aug. 24

Chick-fil-A College Football Hall of Fame and “Big Boi” 

The College Football Hall of Fame is marking its 10th anniversary in Atlanta and is bringing the community together at its 10th Anniversary Celebration and Kickoff Game Football Fest. 

The milestone celebration underscores the Hall’s pivotal role in helping establish Atlanta as the Capital of College Football and includes:

  • The unveiling of innovative new exhibits and enhanced fan engagement inside the Hall
  • Football and cheer clinics with notable Atlanta Falcons players and cheerleaders on the Peach Bowl Playing Field 
  • A star-studded lineup of live DJs, including DJ Jay Envy, DJ Euphoria and DJ Danny M, as well as MC Carlos Morales
  • Guest appearances from former Atlanta Falcons, Atlanta Falcons cheerleaders, representatives of the Atlanta Vibe, local team mascots, cheerleaders and marching bands
  • The famed Home Depot GameDay Bus, inflatables and prize giveaways
  • The day will be capped off with a concert entirely free to the public put on by Grammy-winning artist and Atlantan Antwan “Big Boi” Patton of the famed Outkast

A great experience for both families and general fans of college football complete with activities both inside the Hall and outside in front of the Hall on Marietta Street, keeping the excitement levels at a premium all day.

In addition to the complimentary concert from Big Boi, everyone can get in on the festivities, as the Hall and Coca-Cola have partnered to create the “Coca-Cola Free Admission Day,” allowing guests to experience all that the anniversary event has to offer both inside and outside the Hall. While tickets are not mandatory, guests do have the option to reserve their spot online prior to arrival.

To register for clinics, get advanced tickets and more, visit cfbhall.com.

Those planning to attend are encouraged to consider using Atlanta’s public transportation system, MARTA. 

SURYA ENSEMBLE HEATS UP ATLANTA THIS SUMMER WITH ELEMENTS

Posted by Liz and John Attaway, 6/24/24

World music experience takes audiences beyond borders and genres to connect with nature through music

Upcoming shows: The Lawrenceville Arts Center on Sept. 12, SCADshow on Oct. 10, and at the Brookhaven International Festival on Oct. 20

This summer Surya Ensemble is set to take Atlanta on a journey through the four elements of earth, water, wind and fire. In its signature style, the Atlanta-based world music group will bring East and West together in a fusion of instrumental music, dance and storytelling with the current show, Elements. The enchanting performance will take audiences through four distinct movements embodying the four elements, culminating in an unforgettable experience.

“While Atlanta offers a range of diverse live entertainment and cultural performances, Surya Ensemble is an experience like no other,” says Ankit Patel, Surya Ensemble’s founder and Shehnai player. “At a Surya concert, expect to be transported to faraway lands, moved by the emotional depth of our music and energized by the sheer joy of the performance.”

Surya Ensemble is a creative ensemble of performers who host concerts around Atlanta. United under the motto “Beyond borders, beyond genres,” the talented group effortlessly creates a fusion experience that transcends the ordinary. The familiar instruments of a violin, guitar and viola are accompanied by the uncommon sound of the Persian drums and Shehnai, a traditional Indian oboe, to bring together a unique yet harmonious blend of Eastern and Western influences. A cultural dancer adds an extra layer of color and energy to the experience. The ensemble was founded by Ankit Patel, a Shehnai player who has gained a large following on Instagram as “shehnaiguy.” He is accompanied by a talented group of local artists including Michelle Winters (violin), Nima Ghadiri(daf, a Middle Eastern frame drum), Catherine Evergreen (viola), Sean Thrower (guitar) and Maria Martynova (dancer).

In the debut show, Elements, the troupe will reconnect audiences with nature through narrative journey across the four elements. With the soulful melodies, infectious rhythms and virtuosic improvisation that define the Surya experience, each piece conveys distinct emotions and elicits the essence of each element, with audience members at the show’s premiere commenting they could “practically smell the fire.” Each movement is followed by a brief note from a member of the ensemble explaining the history and usage of their instrument, tying in a vital educational moment that enhances the audience’s understanding of the show and its mission.

The next showing of Elements will take place on Thursday, July 11 at the Atlanta Theater, with additional performances of the musical journey to be announced monthly in 2024 and into 2025. Tickets can be purchased at eventbrite.com.

For more information on Surya Ensemble and upcoming performances of Elements visit suryaensemble.com, and keep up with the group on Instagram, Facebook and TikTok.