Tag Archive for: live music

ROCKET PERFORMING AT AISLE 5 ON NOV 4TH!

Posted by Liz and John Attaway, 10/15/25

R is for Rocket, out Oct 3rd via Transgressive Records / Canvasback (Greg Freeman, War on Drugs) sees the band deliver on all of the promise of their 2023 self-released debut EP. Great introductory story at Rolling Stone if you’re unfamiliar. Stream the new album, check out the Press Kit, and watch videos for “Wide Awake” & “Crossing Fingers,” both great examples of their fully formed sound. 

The band’s jagged, fuzzed-out sound has antecedents in ‘90s guitar bands like Sonic Youth and My Bloody Valentine, but Rocket are doing something uniquely their own with those touchstones. It’s no wonder they are widely considered one of the most promising guitar-forward bands of their generation. They’ve just wrapped up a tour with Smashing Pumpkins, and this will be their debut headline tour. Definitely worth catching this very promising band at this stage!

“an explosive introduction.. levels up their dynamic, Nineties-inspired rock sound” – Rolling Stone

“nods to ’90s indie rock staples..blissfully detached dream-pop..hard-hitting numbers..Rocket have built themselves a solid launching pad” – Stereogum ‘Best New Artists of 2024’

“It’s rare to find a band so fully developed without an album out.. they’re certainly not lacking in the songwriting department” – Consequence ‘Artists to Watch in 2025’

“combines a laid-back California charm with biting lyricism and tight, synergetic compositions. If Sonic Youth made pop chart-friendly hits, you’d have Rocket”- Paste Magazine 

“The harmonies glide, whereas the riffy, daydreamy guitars build to a glorious climax in the back half, reminiscent of Sonic Youth and Momma” – Alternative Press ‘Rising Artists to Know’

“this underground band are making big, open-hearted anthems for a new generation to rally around” – NME ‘Cover Story’

“catchy, yearning ballads that evoke nostalgia for adolescent frustrations” – Document Journal

Los Angeles, CA’s Rocket have released their highly anticipated debut album, R is for Rocket, their first for Transgressive Records / Canvasback. “We dedicated this record to Alithea’s dad, who passed away unexpectedly this year,” the band shared in a heartfelt statement. “Choosing him as the cover was the perfect way to immortalize him forever on our first record. This record is so special and close to our hearts and we spent years getting it to the place it is now.”

Comprised of Alithea Tuttle (vocals, bass), Baron Rinzler (Guitar), Cooper Ladomade (Drums) and Desi Scaglione (Guitar), Rocket have had a busy few years. The Los Angeles crew with friendships stretching back to their childhood formed in 2021, convening in an unmarked shed to put their debut EP to tape. Despite it being the first time any of them had seriously approached the idea of a ‘band,’ they seemed to arrive fully formed with combustible, airtight songs.

R is for Rocket, the quartet’s remarkable debut album, is a joyride through sonic terrain that is gloriously loud, anthemic, bombastic and beautiful, with instantly captivating songs that achieve the rare feat of evoking nostalgia while sounding completely new. The band’s jagged, fuzzed-out sound has antecedents in ‘90s guitar bands like Sonic Youth and My Bloody Valentine, but Rocket are doing something uniquely their own with those touchstones. It’s no wonder they are widely considered one of the most promising guitar-forward bands of their generation.

While the album builds on the energy of their critically lauded Versions of You EP, R is for Rocket is also hugely evolutionary, elevating the band’s craft in major ways. By the time they began work on the album in early 2024, they’d been on a near constant touring schedule, spending countless hours on the road opening for their heroes Ride, Sunny Day Real Estate and Silversun Pickups, and writing in their modest studio – a back house in drummer Cooper Ladomade’s parents’ yard – both refining and expanding their sound.

The quartet have been slowly releasing their first new music since the 2023 EP this year, sharing album cuts “Crossing Fingers” & “One Million,” before formerly announcing the album in July with the head turning “Wide Awake,” which arrived alongside an in-depth Rolling Stone profile, and support from Alt Press, Stereogum, Brooklyn Vegan, FLOOD Magazine, Consequence and many more, and was followed by the euphoric and sparkling “Act Like Your Title.” The album’s final single, “Another Second Chance,” arrived alongside an iconic music video featuring a medley of homages to Devo, Kiss, The Beatles, and Blue Man Group, and an in-depth ‘Best of What’s Next’ feature with Paste Magazine. 

This Fall, Rocket will embark on their debut US headline tour, kicking off in October after having wrapped international festival appearances and a UK run supporting Smashing Pumpkins. They’ve also announced their debut headline tour of Europe kicking off in early 2026. They’ll perform a special LA show at Amoeba Hollywood next Tuesday, Oct 7th. Tickets on sale HERE. 

“All of the touring led to the songs changing for the better,” says Tuttle, “because we got to play them for so many different kinds of audiences and hear what worked and what didn’t.” Whenever they got home from a tour, they were infused with new ideas for how to finish the in-progress tunes, and many were upgraded in major ways thanks to the time Rocket took to hone them. “Recording the second half of the album eight months after the first half gave us a lot of time to think about what we were doing,” says Scaglione.

With guitarist Desi Scaglione again at the helm as their producer, Rocket logged time at two Los Angeles studios that provided the perfect balance between those extremes. They tracked the more introspective elements at 64 Sound in Highland Park, which offered an array of tasty vintage gear that was ideal for the quieter, more intimate tunes. The heavier moments were captured during sessions at the Foo Fighters’ Studio 606 in Northridge, where they could get the massive drum sound they wanted for tracks like “Crossing Fingers” and “Wide Awake.”

TOUR DATES:

Tickets Here

2025

Oct 7th – Los Angeles, CA @ Amoeba Hollywood

Oct 27th – Phoenix, AZ @ Rebel Lounge

Oct 30th – Denton, TX @ Rubber Gloves

Oct 31st – Austin, TX @ Mohawk (Indoors)

Nov 3rd – Nashville, TN @ drkmttr

Nov 4th – Atlanta, GA @ Aisle 5

Nov 6th – Washington, DC @ DC9

Nov 7th – Philadelphia, PA @ Warehouse on Watts

Nov 8th – New York, NY @ Baby’s All Right

Nov 11th – Toronto, ON @ The Garrison

Nov 13th – Columbus, OH @ Ace of Cups

Nov 14th – Chicago, IL @ Schubas Tavern

Nov 15th – Minneapolis, MN @ 7th St Entry

Nov 18th – Seattle, WA @ Barboza

Nov 19th – Portland, OR @ Polaris Hall

Nov 21st – San Francisco, CA @ Bottom of the Hill

Nov 22nd – Los Angeles, CA @ The Roxy 

2026

Feb 10 – Bristol, UK @ The Croft

Feb 11 – Leeds, UK @ Brudenell Social Club

Feb 12 – Glasgow, UK @ King Tut’s

Feb 14 – Dublin, IE @ The Workmans Club

Feb 16 – Manchester, UK @ Deaf Institute

Feb 17 – London, UK @ Scala

Feb 19 – Brussels, BE @ Botanique – Witloof Bar

Feb 20 – Rotterdam, NL @ Rotown

Feb 21 – Utrecht, NL @ EKKO

Feb 23 – Berlin, DE @ Neue Zukunft

Feb 24 – Cologne, DE @ Bumann & SOHN

Feb 26 – Paris, FR @ Point Ephémère

Feb 27 – Tourcoing, FR @ Le Grand Mix

RAY AND PAUL TO PLAY AT THE MASQUERADE ATLANTA ON OCT 28

Posted by Liz and John Attaway, 10/13/25

Ray and Paul Drop Fading — A Bold New EP Blending Surf and Garage Rock, Available Now

Music Video For Title Track “Fading” is Out now

 Ray and Paul are proud to share their brand-new EP, Fading, now streaming everywhere.

“These six songs reflect the past five years of our lives—love, heartbreak, sadness, doubt, confusion, and pain,” the duo says. “They’ve shaped who we are and changed how we see the world and our music. We’re so grateful to finally share this with you and excited for what’s ahead.”

Fading is a 6-track collection featuring the fan-favorite and top-streaming single “Pelican,” live staple “Blue,” three new tracks released earlier this year, and the title track “Fading.” The EP will also be available on limited edition vinyl.

CLICK HERE TO WATCH THE MUSIC VIDEO TO “FADING”

Hailing from the SF Bay Area, brothers Ray and Paul started the band at just 17 and 13 years old. After building a loyal local following, they found their stride playing house shows in Isla Vista while attending school in Santa Barbara. Their signature surf-rock-meets-garage-rock sound shines on Fading, shaped by producer Jarvis Taveniere (Mild High Club, Surf Curse, Allah-Las) and three tracks produced by John Goodmanson (Weezer, Pavement, Nada Surf, Hockey Dad).

2025 has been a breakthrough year for Ray and Paul. They’ve performed at SXSW, Treefort Festival, and toured in support of The Moss and Sun Room. This fall, they’ll hit the road for a California headline tour in September, followed by a full U.S. tour in October supporting Australian band Dice. See all tour dates below.

2025 TOUR DATES 

September 11 – Santa Barbara, CA – Soho Music Club

September 12 – San Francisco, CA – The Independent

September 19 – San Luis Obispo, CA – Libertine Brewing Company

September 20 – Fresno, CA – Strummers

October 4 – Santa Cruz, CA – The Catalyst

November 29 – Los Angeles, CA – The Troubadour

SUPPORTING DICE 

October 7 – Seattle, WA – Barboza

October 8 – Portland, OR – Polaris Hall

October 9 – Boise, ID – Shrine Social Club

October 10 – Salt Lake City, UT – The DLC at Quarters

October 11 – Denver, CO – Meow Wolf Denver

October 14 – St. Paul, MN – Turf Club

October 15 – Chicago, IL – Schubas Tavern

October 16 – Columbus, OH – A & R Music Bar

October 17 – Ferndale, MI – The Magic Bag

October 18 – Toronto, ON – Velvet Underground

October 21 – Cambridge, MA – Middle East Upstairs

October 23 – Brooklyn, NY – Baby’s All Right

October 24 – Philadelphia, PA – Johnny Brenda

October 25 – Washington, DC – DC9

October 26 – Durham, NC – Motorco Music Halle

October 28 – Atlanta, GA – The Masquerade

October 29 – Nashville, TN – The Basement

October 31 – Houston, TX – White Oak Music Hall

November 1 – Austin, TX – 3TEN ACL Live

November 2 – Dallas ,TX – Ruins

November 5 – Tucson, AZ – Club Congress

LEGENDARY PRODUCER, DJ JAZZY JEFF IGNITES WESTSIDE MOTOR LOUNGE’S MAGNIFICENT PARTY, OCTOBER 04

Posted by Liz and John Attaway, 9/25/25

Mixing An Unforgettable Mix of House, Hip-Hop, Go-Go, and R&B for One Night Only

Tickets Available Now

Muddywater Live and Peteyparty presents Philadelphia’s own DJ Jazzy Jeff at Westside Motor Lounge’s Magnificent Party Saturday, October 4, 2025. Hip-hop legend, A Touch of Jazz production founder and one half of the multi-platinum and GRAMMY-winning duo DJ Jazzy Jeff & The Fresh Prince, known for such hits as “Parents Just Don’t Understand,” “Summertime,” and “A Nightmare on My Street” will spin a mix of soulful house, hip-hop classics, smooth R&B, and deep cuts across the Westside Motor Lounge complex- lovingly known as the Hi-Fi Dive. 

Kicking off at 6 p.m. and running deep into the night, The Magnificent Party will feature expertly crafted cocktails, food, a heavy dose of vibes, and the energy that makes Westside Motor Lounge Atlanta’s favorite adult playground. Tickets are available now starting at $40, plus fees.  VIP options, including reserved outdoor group seating and indoor couch seating complete with a leather couch for four, cocktail tables, and bottle service, are also available. For full details and to purchase tickets, visit https://web.myle.com/ticket/CsbjwYpQNuX5BC. Westside Motor Lounge’s Magnificent Party is rain or shine.

Westside Motor Lounge is located on the corner of Northside Drive and Donald Lee Hollowell Parkway at 725 Echo Street NW, Atlanta, GA 30318. Stay connected on Instagram @Westside_Motor_Lounge.

SHAKY KNEES 2025 DAY 3: WE’RE NIRVANA

Posted by Liz and John Attaway, 9/22/25

Photo: Pooneh Ghana, Shaky Knees

Now that Shaky Knees day three has wrapped, it’s time to reminisce about our favorite moments from the final day of the festival. Our legs hurt, we’ve walked over 13,000 steps each day, and all of it was totally worth it. From seeing Weird Al for the first time to taking a trip down memory lane with Devo, we ended Shaky Knees 2025 on a high note.

I want to go straight for the jugular today and hit it off with my favorite performance of the day, Weird Al! I didn’t ever think I would be saying that but, he really is animated and puts on a great show. It has you rolling laughing! My friend even cried a little he was thought it was so funny. He started out with We’re Nirvana (Smells Like Teen Spirit) and dressed like Kurt Kobain in the original video, and we found out online that he used the same set, janitor, and extras. He then moved on to a Devo parody, literally wearing the same outfit that Devo, who played right before him wore!

After that, Weird Al did a compilation singing everything from Eat It (Beat It), Like a Surgeon (Like a Virgin), and so many more all rolled together. Moving on to White & Nerdy riding a segway on the stage to Amish Paradise (Gangstas Paradise). Finally, doing a whole ending about Star Wars, the Yoda song, and the oddest set of mixed together chanting I have ever heard. I can’t imagine getting everyone in sync acapella on this song!

Best of the rest, included getting to hear Devo sing Whip It live. We loved watching all of their really funny graphic like a donut and a french fry. Plus, they work their iconic red hats. They threw some out into the audience, but I was too far back. The Stereophonics did their main song, Dakota and it was fun to hear it live. We caught Vampire Weekend and my friend exclaimed, “They sound like the Jonas Brothers.” Do they? I’ve never heard the Jonas Brothers. As we walked out, a couple was getting married on stage of the Lucy Dacus show. I’ve never seen anything like that before, so we stopped and watched!

Oops, I did it again. Our ride was leaving before Blink 182, so we didn’t stay. How much did we miss?

With Shaky Knees in the rear view, my favorite performances in this order included Deftones at the top. Then Cage the Elephant came in second for me. Then, rounding out the top three is Cage the Elephant. What was yours?

FELLY COMING TO ATLANTA’S TERMINAL WEST ON OCT 9

Posted by Liz and John Attaway, 9/22/25

SHARES STANDOUT RECORD AMBROXYDE (LP)

OUT NOW  

HEADLINE TOUR KICKS OFF THIS SEPTEMBER

“He bounces between soft folk and rugged southern rock. Today, he’s shared another single called “Wildfire” that (ironically) feels perfect to blare outside in the blossoming weather.” 

Stereogum on “Wildfire”

“An elevation of FELLY’s jangle-pop directive, refining his already dream-seeped atmospheres with a buoyant rhythm section and a bed of delicate vocal melodies.”

Paste Magazine on ” High On You”

“There’s a quiet kind of magic to Felly’s “Ambroxyde” – a dreamy, gentle indie folk meditation that stirs the soul in ways I still can’t quite articulate.”

Atwood Magazine on “Ambroxyde”

“Ambroxyde” drips like incense smoke—slow, heady, and intoxicating. It’s a genre-blurring haze of psychedelia, R&B, and coastal cool, delivered with lyrical mystique.”

Glasse Factory on “High On You”

“Felly has continued to step into different comfort zones…and comes full circle as a stronger lyricist and storyteller.”

American Songwriter

“Felly is back to his independent roots”

Beats Per Minute

“[Felly’s] gathered a growing fan base along the way, with his laid-back demeanor and experimental approach”

Grammy.com

Connecticut-born, Los Angeles-based artist Felly is back today with the release of his standout record, Ambroxyde (LP). Produced alongside Grammy-nominated and Mercury Prize-winning producer Gianluca Buccellati (Lana Del Rey, Arlo Parks, The Marias), the album was created across a range of remote and inspiring locations—from the northernmost tip of Iceland to the sun-drenched Greek island of Hydra, to Tornillo, Texas. 

Across its 12 distinct tracks, Ambroxyde (LP) marks a bold new chapter for the ever-evolving artist. With Ambroxyde (LP), Felly dives deeper than he ever has. He made his name as a rapper and producer, but on the album, Felly taps into the indie and alternative music that has always soundtracked his life. This isn’t Felly 2.0 – it’s Felly as he has always been, removed from all expectation. “This is the album I’ve always wanted to make,” he says. 

Last week, Felly shared the latest tease of the record with the lilting “Route 44,” a pure love song. Watch HERE. 

Ambroxyde (LP) Tracklisting

Spinning Around

Black Shoes

Shoes in a Glasshouse

High on You

Route 44

Emmy

Wildfire

Let me down easy

Marigold

Ambroxyde

Song for the Crows

Cool River

Flóki Studios sits at the northernmost point of Iceland on a sliver of land abetted on both sides by water. On lucky nights, that water reflects the enchanting Aurora Borealis. Those lights drew Christian Robert Felner, BKA Felly, to Flóki, where he recorded part of his striking new album, Ambroxyde (LP). The title refers to a synthetic molecule found in perfume and the scent memories that carry us from one stage of life into the next.“ Ambroxyde (LP) is the start of something new being born,” Felly says. 

To make Ambroxyde (LP), Felly chased inspiration outside of his familiar Los Angeles. Accompanied by producer Gianluca Buccellati, he traveled to remote parts of California and far-flung parts of the world. “Luca approaches production holistically. He’ll pick up a project and work with the artist for a long time,” Felly says. In this case, the duo spent over a year on the road together between Felly’s tour dates. “We went to Iceland first where we were really far from the rest of the world and could really tune out any type of influence.” They wrote “Wildfire” inspired in part by the remote, natural beauty of their surroundings. Its chorus  blows in like an unanticipated gale-force wind as Felly sings: “Come around like a wildfire/ When my wells run dry/ You fill my desire/ And make it all feel alright.” 

Beyond Iceland, they wrote and recorded on the Greek island of Hydra, where cars have been banned since the 1950s and Felly could record at all hours of the night surrounded by crystalline Mediterranean water. There’s a hazy road narrative to be found on Ambroxyde (LP), heard especially on songs like “High on You” and “Route 44,” wherein whole passing days are distilled into a single detail. Felly wrapped the Ambroxyde (LP) at the storied Sonic Ranch in Tornillo, TX, alongside a group of eleven musicians, ten of whom he’s worked with on past tours and records. This tightknit group of longtime collaborators weaved the disparate threads of Ambroxyde (LP) together over the course of two weeks. “I pieced this record together over a year or so writing almost entirely just me and the guitar. It’s my first proper ‘studio’ album which is crazy to think about – First time you can hear all my friends actually playing with me.” Though the pieces of Ambroxyde (LP) were recorded across long distances, they converged in post-production. Each song on the album combines takes from the various studios Felly and Buccellati frequented over a transformative year. “As we pieced these songs together, we tried to catch the soul of different places we’d been. On a single song we might take the Greece drums, the Iceland vocals, and the guitars from Sonic Ranch,” Felly says.

That patchwork process contributes to the textural, sensory experience of the album. When Felly talks about Ambroxyde (LP), he tends to speak visually, using words like “dark indigo purple, northern sky at night, sunset” to describe it.
While Ambroxyde (LP) might mark a departure for Felly, he is still operating on a continuum. “This album might put people off who maybe hold me to a certain version of myself. “I’ve got to be honest with where I am, and who I am,” he reflects. That message of preserving authenticity resounds on “Black Shoes,” which has been sitting in Felly’s audio notes for years “just waiting for some context.” That context took time and experience to reveal itself. “I wrote that song when I was feeling wrapped up in a situation that didn’t feel right to me anymore,” he says. “It’s always nice when something you think is dead pokes its head up and takes in the light.” Like that song, this album didn’t emerge from the ether; it is in conversation with past iterations of an artist in a constant state of becoming. “It’s about coming into your being,” Felly says. With Ambroxyde (LP), Felly is closer to his truest self than he’s ever been as he continues to create authentically over vast physical and emotional distances. 

Felly will celebrate the release of the new record on the road this fall! The ‘For The Crows’ tour kicks off September 23rd in Louisville, KY, and will see stops in New York, Boston, Chicago, Nashville, Austin, Los Angeles, Seattle, and more! See below for full list of tour dates and find tickets HERE.

Felly – For The Crows Tour Dates

7/1 – Nantucket, MA – Chicken Box 

7/2 – Nantucket, MA – Chicken Box 

9/23 – Louisville, KY – Headliners

9/24 – Indianapolis, IN – Hi Fi

9/26 – Brooklyn, NY – Music Hall of Williamsburg 

9/27 – Boston, MA – Sinclair 

9/28 – Philadelphia, PA – The Foundry 

9/30 – Pittsburgh, PA – Thunderbird 

10/1 – Columbus, OH – Ace of Cups 

10/3 – Detroit, MI – Loving Touch 

10/4 – Chicago, IL – Lincoln Hall 

10/7 – Nashville, TN – Basement East 

10/9 – Atlanta, GA – Terminal West 

10/10 – Birmingham, AL – Saturn 

10/14 – Dallas, TX – Deep Ellum 

10/15 – Austin, TX – Antones 

10/17 – Phoenix, AZ – Crescent Ballroom 

10/23 – Los Angeles, CA – Echo 

10/25 – San Diego, CA – Music Box 

10/29 – Santa Barbara, CA – SoHo

10/30 – Santa Cruz, CA – Moes 

11/1 – San Francisco, CA – The Independent 

11/2 – Reno, NV – Cypress 

11/4 – Portland, OR – Holocene 

11/5 – Seattle, WA – Madame Lous 

11/7 – Vancouver, BC – The Pearl 

11/8 – Bellingham, WA – Wild Buffalo

11/11 – Boise, ID – Shrine Social Club 

11/12 – Salt Lake City, UT – Soundwell 

11/13 – Fort Collins, CO – Aggie

11/14 – Boulder, CO – Fox Theatre 

SHAKY KNEES 2025 DAY 2: MESS AROUND

Posted by Liz and John Attaway, 9/21/25

Photo: Roger Ho, Shaky Knees

With day 2 in the Shaky Knees book, yesterday was a whirl wind of bands and music. We call it the mess around, a nod to my favorite Cage the Elephant Song. We saw as many bands as we could from Radio City Alice to kick it off to Public Enemy to end the night. Here are some of our thoughts on them.

Starting with Radio Free Alice, they had a solid sound and vocals and were impressed with them for such young men. Next, we joined our friends to watch Johnny Marr. I should know who he is as he is the guitarist from the Smiths, but I had no idea until my writer and photographer friend, Reece told me, so I had to go. They didn’t disappoint playing greats like my favorite of theirs, How is Soon Now? and The Charming Man. Morrisey who?

We walked over to Highly Suspect but it was more a chat fest for our group. We agreed they were like a folky Cage the Elephant. Returning back to the Peachtree stage, we caught TV On the Radio. I have always wanted to see Wolf Like Me live since falling in love with the cover by Local H. They turned me on to the song.

Now on to Cage the Elephant, the best show of the day. I have so many stories about their music, like my niece, Katherine, was a huge fan in her teens and I took her to their concert as her birthday present and really enjoyed it. Shultz is so animated and seems to really enjoy his own music. When we covered Shaky back in 2016 at Centennial Park, the group was in the media room doing interviews, so we listened in and caught the show there and were impressed. This one was just as good, maybe better. We were on the hill, and the light show and pyrotechnics were fun, the energy high. They played all of their hits from my favorite Mess Around to Trouble, their first hit Ain’t No Rest for the Wicked, and ending with Cigarette Dreams.

We ended our night seeing a few songs from The Black Keys and heard the iconic Lonely Boy to open. But we really wanted to catch Public Enemy because we love old school rap. They are so engaging, really talk to the crowd, and want the crowd to be in it. They actually have new music that was good!! It was a nice reprieve from all the rock we’d heard all day and a great way to end the night.

I know, we didn’t stay for My Chemical Romance. I liked their first album but was disappointed in a concert I saw before the pandemic. To be honest, I was just so tired by then, I hit a wall.

Pro tip: bring a flashlight!

GRAMMY AWARD-WINNING ARTIST MOLLY TUTTLE AT VARIETY PLAYHOUSE IN ATLANTA – OCTOBER 4

Posted by Liz and John Attaway, 9/17/25

Grammy Award-Winning Artist Molly Tuttle at Variety Playhouse on Atlanta October 4th.

On the heels of two Grammy-winning albums in succession, with her band Golden Highway—2022’s Crooked Tree and 2023’s City of Gold—plus a nomination for Best New Artist, Molly Tuttle returns with a solo album that’s her most dazzling to date: So Long Little Miss Sunshine. 

Recorded in Nashville with producer Jay Joyce (Orville Peck, Miranda Lambert, Lainey Wilson, Eric Church, Cage the Elephant), the fifth full album from the California-born, Nashville-based singer, songwriter, and virtuoso guitarist features twelve new songs—eleven originals and one highly unexpected cover of Icona Pop and Charli xcx’s “I Love It.” 

Tuttle’s career, which began at age fifteen, has charted a course between honoring bluegrass and stretching its boundaries. On this album—a hybrid of pop, country, rock, and flat-picking, plus one murder ballad—she goes to a whole new place. Her stunning guitar work is more up-front on this album than ever before. (One of the most decorated female guitarist alive, Tuttle was the first woman to win the prestigious International Bluegrass Music Award’s Guitar Player of the Year in 2017, at age twenty-four, and won again the following year, with nominations nearly every year since; she has also won Americana Music Association’s Instrumentalist of the Year award.) So Long Little Miss Sunshine also features Tuttle playing banjo, something she’s never done on one of her albums before. 

“I like to be a bit of a chameleon with my music,” she says. “Keep people guessing and keep it full of surprises.” 

Tuttle has been slowly building this collection of songs over the last five years, while also writing and releasing two hugely successful albums and a six-song EP (last year’s Into the Wild) and playing more than 100 shows each year with Golden Highway. Along the way she’d send songs to Joyce, who she first started talking to about collaborating on the album a few years ago. 

“I’ve been wanting to make this record for such a long time. Part of me was scared to do such a big departure, and that went into the album title So Long Little Miss Sunshine. It’s like, ‘You know what? I’m just not going to care what people think. I’m going to do what I want.’” 

The album was recorded with a group of musicians that includes drummer/percussionists Jay Bellerose and Fred Eltringham, bassist Byron House, and Joyce on multiple instruments. Ketch Secor (Old Crow Medicine Show) also plays banjo, fiddle, and harmonica, as well as singing harmony. 

Tuttle also conceived the artwork for So Long Little Miss Sunshine, which features multiple Mollys, each wearing a different wig except for one with nothing on her head at all. (“I probably own as many wigs as I own guitars,” she says.) Tuttle has been bald since she was three years old due to the autoimmune condition alopecia areata; she acts as a spokesperson for the National Alopecia Areata Foundation.  

“I love raising awareness,” she says. “I talk about it onstage a lot and broaden it to include anyone who’s ever had something that makes them stick out and look or feel different from others. Playing my song ‘Crooked Tree’ live is very meaningful to me, because it’s a moment where sometimes I’ll take off my wig and talk about my struggles with self-acceptance.” 

One album track, “Old Me (New Wig),” is “about leaving all these things behind that don’t serve you anymore,” she says. “Parts of yourself that really aren’t in your best interest, like low self-esteem, anxieties, and not feeling confident. Learning to own these different aspects of my personality but not letting them control me is another theme of the record that inspired the album title and the cover art. Those are all things I’ve struggled with through the years—just feeling like an impostor, like I wasn’t good enough. I like singing this song because there are days when I still have to tell myself to leave that stuff behind.’”  

Most of the So Long Little Miss Sunshine songs were co-written with Secor, who is also Tuttle’s partner. “We spend so much time together, we live together, and anytime I have a song idea, or he has one, it’s just so easy to transition from whatever we’re doing into writing a song.” 

Although they were written in different times and circumstances, Tuttle found to her surprise that the songs were all tied together by interwoven themes. The opening track, “Everything Burns”—a dark, intense, big-guitar song—was written in 2020, during the chaos and division of the start of the Covid pandemic. It might as easily refer to the current chaos and division in America since Election Day 2024, though. In fact, they recorded it the day after the election. 

There are several songs about traveling—sometimes down the open road, like “Highway Knows” and “Oasis”—but also back in time, as on “Easy” and “Golden State of Mind.” 

The record also tells “a kind of coming-of-age story,” Tuttle says. “‘Golden State of Mind’ is one of the songs I feel is a through-line to that. It makes me think about people I’ve been close to in the past that I’ve drifted away from, and about growing up and figuring out who you are.” 

That theme is in turn picked up in the beautiful ballad “No Regrets,” one of the last songs Tuttle wrote for the album. “It’s about looking back on your life and thinking, ‘Well, maybe I could have done things differently, but if I hadn’t made certain mistakes or gone down certain roads, then I wouldn’t be here.’ And I really like where I am now!” 

So Long Little Miss Sunshine closes, as her last two albums did, with an autobiographical song, “Story of My So-Called Life.” “This is me looking back on my life, from growing up to going to school in Boston to moving to Nashville to where I am now—taking stock of all these pivotal moments throughout my life that made me who I am. I feel like after I’ve said so much in all the other songs, it’s just kind of nice to end it on a note of, ‘Here’s how this all came to be,’” she says. 

***** 

Earlier this year, Tuttle played guitar and sang on Ringo Starr’s new country album, Look Up. She also played with him and a host of other stellar musical guests at Nashville’s Ryman Auditorium and Grand Ole Opry as part of his televised Ringo & Friends shows. She was inspired by his fearlessness in following his passion for country music. “It is cool to see someone like that who has done everything you could imagine doing in a music career and he’s still just so psyched and still has a list of things that he wants to accomplish,” Tuttle says. 

Looking back on her own career, Tuttle admits that she also has pursued what interests her: “It has never been a cookie-cutter thing where I’m just going down a straight road. I always had this crooked path.” 

JANINE COMING TO THE MASQUERADE IN ATLANTA ON 10/16

Posted by Liz and John Attaway, 9/17/25

Jane coming to the Masquerade in Atlanta on October 16th

“Everything had been flipped upside down, my heart ripped out of my chest, and I didn’t know how I could keep living.” New Zealand singer/songwriter Janine is no stranger to grief. A few years ago, the kiwi-born, LA-based songstress unexpectedly lost her hero, her father, while visiting back home and opted to stay in her native homeland to take care of her mum. Since then, Janine has been deeply immersed in writing this album, aptly titled Pain and Paradise, which is out today, Friday, August 22nd, on Little Mixtape Records. From soulful ballads to airy house-influenced anthems, Janine wrote and produced much of the album herself and on the focus track “Happy,” she captures the tension between hope and vulnerability over a classic piano-led melody and hypnotic percussion. 

Melding R&B soundscapes with pop sensibilities, the record’s 16 tracks explore the juxtaposition of life’s beauty and its most painful moments. Standing in the stillness of New Zealand’s rugged beauty, Janine experienced heartache in solace. “I knew I was so lucky to be in such a beautiful place and most importantly, lucky to have loved so deeply that the weight of loss could be so heavy. I stood there and thought, wow this is the most unbearable Pain and Paradise. I decided that the album would be named ‘Pain and Paradise’ because I believe that they always coexist.”

Janine has been on the charts since her debut release in 2014. With several Billboard charting singles & albums, a New Zealand Critics Choice nomination, a 2015 win for Best R&B album for New Zealand Music Awards and numerous sold out tours between Australia, Europe, New Zealand and the US – Janine’s impact is universal. 

Janine will kick off her North American headline tour next month! Starting in Ferndale, Michigan at The Magic Bag the tour will make notable stops in New York with a show at Music Hall of Williamsburg, D.C, Los Angeles at Terragram Ballroom on October 22nd and close out with a final show in Oakland at Crybaby on October 24 – find a show near you and get tickets HERE. Full list of tour dates below. 

Tour Dates

9/28 – The Magic Bag – Ferndale, MI

9/29 – Subterranean – Chicago, IL

10/1 – Music Hall of Williamsburg – Brooklyn, NY

10/3 – Howard Theatre – Washington, DC

10/6 – The Masquerade – Atlanta, GA

10/10 – The Social – Orlando, FL

10/12 – House of Blues – Houston, TX

10/14 – The Studio at The Factory – Dallas, TX

10/16 – Last Exit Live – Phoenix, AZ

10/21 – Constellation Room – Santa Ana, CA

10/22 – Teragram Ballroom – Los Angeles, CA

10/24 – Crybaby – Oakland, CA

Pain and Paradise Tracklisting

 1. Fit 

2. Loving Me 

3. Happy 

4. Make You Proud 

5. Dad’s Interlude 

6. UP 

7. Thank You For Breaking My Heart 

8. Meet Me 

9. How Did I Find You 

10. Saved Me 

11. Best Thing 

12. If I Call

13. Good Vibes 

14. Broke Me Down 

15. Pain and Paradise 

16. Rockstar

LA INDIE-ROCK BAND GOON HEADS TO ATLANTA – SEPTEMBER 25 AT THE EARL

Posted by Liz and John Attaway, 9/6/25

 Los Angeles indie-psych-folk-rock band Goon is headed to Atlanta on 9/25 at The Earl

Photo: Mallory Turner

ABOUT GOON: San Diego-born, LA-based frontman Kenny Beckerhad a record’s worth of new songs ready to record, studio time booked, and a vision for how it would all play out. But weeks into the recording, life hit him like a lightning bolt in the form of the sudden dissolution of his marriage and his subsequent psychic spiral. Blindsided by heartbreak, the music Becker had written for the record began to take on new meaning. What had come from joy was now something closer to agony. In the friction of that moment, Becker pushed his band—and his songwriting—into stranger territory. Facing down the pain and disappointment of life, the band created a masterpiece with their new album, Dream 3.

DREAM 3 ALBUM BIO

We always think we have a plan. We will walk into a situation with a purpose and an idea, only to find that life has other things in store for us. Goon frontman and creative mastermind, Kenny Becker, had a record’s worth of new songs ready to record, studio time booked, and a vision for how it would all play out. But weeks into the recording, life hit him like a lightning bolt in the form of the sudden dissolution of his marriage and his subsequent psychic spiral. Blindsided by heartbreak, the music Becker had written for the record began to take on new meaning. What had come from joy was now something closer to agony. In the friction of that moment, Becker pushed his band—and his songwriting—into stranger territory. Facing down the pain and disappointment of life, the band created a masterpiece with their new album, Dream 3.


Goon began 2015 as singer and multi-instrumentalist Kenny Becker’s solo project, releasing a compilation of his best home recordings, the 2016 EP Dusk of Punk. With a full band in tow, Goon released the band’s first full-length, 2019’s Heaven is Humming on Partisan Records. Becker recruited a new band—Andy Polito on drums, Dillon Peralta on guitar, and Tamara Simons on bass—and recorded the self-released Paint By Numbers 1. A second LP, Hour of Green Evening, and another EP, Red Ladder, soon followed in 2022. To support Hour of Green Evening, Goon hit the road hard, touring and playing shows with Built to Spill, Jadu Heart, Slow Pulp, Teethe, Squirrel Flower, and many others. Amidst all this, the band signed with Philadelphia label Born Losers and began recording their next LP with Claire Morison at Wild Horizon Sound in Los Angeles. Dream 3 melds the intimate, lo-fi stylings of Goon with the live-band sound of Hour of Green Evening; a veteran band exploring every aspect of their sound, pushing themselves into new musical and emotional realms.


“I began this record so excited,” says Becker. “The songwriting was less scripted, letting me loosen up the reins and follow whatever idea seemed most interesting. It started as a joyful recording process. Then came the most devastating time of my life.” The result is an often darker, more introspective album, built on personal loss and the chaotic crumbling of the outside world, without losing Goon’s signature sense of strangeness and wonder. Weaving lyrics about personal and ecological collapse with references to baseball, aliens, and Tony Soprano, the record expands Goon’s sound while holding close to the band’s core identity. Dream 3 offers an exquisitely crafted sonic world, full of heartbreak and pain, but also brimming with color and life, the hope of better days to come. “Begin Here” is the gateway into the record. The song emerges in a dreamy, reverse-guitar haze, Becker’s voice hovering over Braden Lawrence’s drums like a bird in flight, surveying the green wreckage of his world. “With ligaments split at sunrise/Bubbling dirt from my mouth,” Becker sings, “I’m open, scraped, and doe-eyed.” It’s the sound of a band discovering new life after torment, the way cataclysm brings its sufferers closer. Becker drops the surreal imagery for something more direct, referencing his bandmate as he sings, “Let me cry to Tamara.” “The song started as a little reversed guitar progression that I had kicking around for a while,” says Becker. “I showed it to our bass player, Tamara, who had a strong reaction to it and insisted we flesh it out. When I sing, ‘Let me cry to Tamara’ at the end, that’s because it’s what I was doing all the time we were recording it. To me, that song has this sunny, upbeat melody, but it’s coming from a place of total despair. I like that tension.”

GOON – DREAM 3

 BORN LOSERS RECORDS

1. Being Here

2. Closer to

3. Patsy’s Twin

4. For Cutting The Grass

5. In The Early Autumn

6. Apple Patch

7. Fruit Cup

8. Toluca

9. The Morning Six Rabbits Were Born

10. Sunsweeping

11. Bottle

12. Fine

13. Jaw

DJO ON TOUR PLAYING THE COCA-COLA ROXY IN ATLANTA ON OCTOBER 1

Posted by Liz and John Attaway, 9/4/25

 Djo will kick off the (almost completely sold out) Another Bite Tour which includes a stop in Atlanta on October 1 at Coca-Cola Roxy

ANNOUNCES NEW ALBUM

The Crux out April 4 

SHARES NEW SONG “BASIC BEING BASIC”

LISTEN | WATCH HERE

ANNOUNCES GLOBAL TOUR

Djo –  the musical project of actor / producer / songwriter Joe Keery known for his work in blockbuster projects as Stranger Things and Fargo – announces his highly anticipated new album The Crux. The follow-up to Djo’s 2022 album DECIDE, which featured the blockbuster hit “End of Beginning,” The Crux will be released on April 4th on AWAL. Today, he has released the first single “Basic Being Basic.” With its Oberheim OB-X8 synths and falsetto refrain, its final verses shrewdly skewer the (often online) tropes of modern day posturing. “It’s kind of a shot fired to anyone who’s trying to be of the moment,” says Keery. Listen to the song HERE. Djo will debut “Basic Being Basic” on The Tonight Show Starring Jimmy Fallon, where he’ll also be a couch guest on January 28th. Fans can pre-order The Crux beginning today at djomusic.com 

Djo has also announced a major 2025 global tour. The Djo – Back On You Tour will feature Post Animal as support on all North American, UK and EU tour dates. In addition to his previously announced appearance on Australia and New Zealand’s Laneway Festival in February, he’ll embark on a North American, UK and European tour throughout the year. The North American dates kick off in Portland, OR at Revolution Hall on April 4th and conclude with a two-night stint at Brooklyn Steel in New York City on May 5th and 6th. He’ll begin the UK and European dates in Dublin, Ireland on June 1st. Highlights include appearances at Coachella Valley Music & Arts Festival, Best Kept Secret Festival, Hurricane Festival and Southside Festival with more dates to be announced soon. Tickets for the North American, UK and EU tour dates go on sale next Friday, January 31st at 9AM local time with the artist pre-sale beginning Tuesday, January 28th at 9AM local. Djo has partnered with PLUS1 so that $1 per ticket goes to providing critical relief and long-term recovery support for individuals, families, and communities impacted by the devastating LA wildfires via the PLUS1 LA Fires Fund.

The Crux was co-produced by Keery and his long-time collaborator Adam Thein. It’s an album of impeccable craftsmanship. Unlike Keery’s previous albums – bedroom recordings centered around synths – The Crux spotlights lush guitars and instrumentation reminiscent of late 60’s and 70’s pop. It’s an album full of loss and yearning, but also one full of wit and gratitude. The album was written all over the world in a particularly fertile period for Keery – where he was grappling with the transience of his other job, being untethered and away from his friends and family. But to make the album he settled into the legendary Electric Lady Studios in his adopted home of New York City. The Crux not only showcases his ambitious scope, but also his skills as a deft multi-instrumentalist and songwriter (all songs were written by Keery or in collaboration with Adam Thein). 

What begins as a meditation on the dissolution of a relationship winds its way back to self-resilience, and a celebration and recognition of the importance of nurturing community. These themes are reflected in both his lyrics and in the collaborative spirit of the music, with contributions from his family and lifelong friends lending the album a warm energy mirroring the bonds at the record’s core. Although the songs are rich with specificity, the album plays like a movie soundtrack, where the listener can easily align with a character, situation, or emotion. And this is, in part, how Keery frames the album’s concept through its art – a collaboration with Neil Krug – as a hotel where all of its guests are transient, and at a spiritual or emotional crossroads.

Djo had a massive 2024 with his song “End of Beginning” taking off worldwide, where after climbing to #1 on the Global Spotify chart it was the #6 most streamed song in the world in 2024 with 1.5 BILLION streams and over 60 BILLION TikTok views. The song landed on official single charts in 41 countries, also racking up multiple Platinum & Gold records in 17 territories. “End of Beginning” peaked at #11 on the Billboard Hot 100, went top 10 at Alternative Radio and #12 at Top 40. Listen to the song HERE.

Though most widely known for his acting roles, Keery has long been an interdisciplinary power-house, and began making music as a teenager. He later joined the psych-rock band Post Animal while in Chicago. In 2019 he released his first album, Twenty Twenty under the moniker Djo. In 2022, his remarkable sophomore album DECIDE was released via AWAL to critical acclaim, performances at major U.S. festivals like Lollapalooza, unparalleled global success on DSPs, and recognition at the BRIT Awards, Billboard Music Awards and iHeartRadio Music Awards.

Tracklisting:

  1. Lonesome Is A State of Mind
  2. Basic Being Basic 
  3. Link 
  4. Potion
  5. Delete Ya
  6. Egg
  7. Fly 
  8. Charlie’s Garden
  9. Gap Tooth Smile
  10. Golden Line
  11. Back On You
  12. Crux

Djo: Back On You Tour Dates

*All North American, UK and EU tour dates w/ Post Animal

February 06 – Auckland, New Zealand – Laneway Festival

February 08 – Brisbane, Australia – Laneway Festival

February 09 – Sydney, Australia – Laneway Festival

February 12 – Sydney, Australia – Enmore Theatre

February 14 – Melbourne, Australia – Laneway Festival

February 15 – Adelaide, Australia – Laneway Festival

February 16 – Perth, Australia – Laneway Festival

April 04 – Portland, OR – Revolution Hall

April 05 – Portland, OR – Revolution Hall

April 07 – Vancouver, BC – Commodore Ballroom

April 08 – Seattle, WA – Paramount Theatre

April 10 – Oakland, CA – Fox Theater

April 11 – Indio, CA – Coachella

April 18 – Indio, CA – Coachella

April 19 – Phoenix, AZ – The Van Buren

April 21 – Salt Lake City, UT – Rockwell at the Complex

April 23 – Denver, CO – The Mission Ballroom

April 25 – Madison, WI – The Sylvee

April 26 – Saint Paul, MN – Palace Theatre

April 28 – Detroit, MI – Royal Oak Music Theatre

April 29 – Toronto, ON – History

May 01 – Washington, DC – The Anthem

May 02 – Boston, MA – Roadrunner

May 03 – Philadelphia, PA – Franklin Music Hall

May 05 – Brooklyn, NY – Brooklyn Steel

May 06 – Brooklyn, NY – Brooklyn Steel

June 01 – Dublin, Ireland – 3Olympia

June 02 – Glasgow, UK – O2 Academy

June 03 – Manchester, UK – Academy

June 06 – London, UK – O2 Forum Kentish Town

June 10 – Copenhagen, Denmark – Poolen

June 11 – Oslo, Norway – Sentrum Scene

June 13 – Stockholm, Sweden – Annexet

June 15 – Hilvarenbeek, Netherlands – Best Kept Secret Festival

June 16 – Cologne, Germany – E-Werk 

June 17 – Berlin, Germany – Huxleys

June 18 – Warsaw, Poland – Progresja

June 20 – Scheebel, Germany – Hurricane Festival

June 21 – Tuttlingen, Germany – Southside Festival

June 23 – Paris, France – ELYSEE MONTMARTRE

June 24 – Amsterdam, Netherlands – Paradiso